发布求助
文献互助 智能选刊 最新文献

ACTA MUSICOLOGICA最新文献

筛选
英文 中文
Verdi's un giorno di regno: Two newly discovered movements and some questions of genre 威尔第的新区域:两个新发现的乐章和体裁的一些问题
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2001-01-01 DOI: 10.2307/932896
F. Izzo
{"title":"Verdi's un giorno di regno: Two newly discovered movements and some questions of genre","authors":"F. Izzo","doi":"10.2307/932896","DOIUrl":"https://doi.org/10.2307/932896","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"73 1","pages":"165-188"},"PeriodicalIF":0.2,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932896","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69171390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Enlightenment from Afar. The Structural Analogy of Myth and Music According to Claude Lévi-Strauss 来自远方的启迪。克劳德·拉斯特劳斯认为神话与音乐的结构类比
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2001-01-01 DOI: 10.2307/932807
Nikolaus Bacht
{"title":"Enlightenment from Afar. The Structural Analogy of Myth and Music According to Claude Lévi-Strauss","authors":"Nikolaus Bacht","doi":"10.2307/932807","DOIUrl":"https://doi.org/10.2307/932807","url":null,"abstract":"Apres une introduction sur le projet intellectuel et theorique de Claude Levi-Strauss, l'A. montre comment les differents moments de son approche conditionnent sa pensee sur la musique. Il examine ensuite si l'analogie structurale etablie par Levi-Strauss entre mythe et musique est pertinente. Il discute ensuite deux exemples d'analyses musicales effectuees par Levi-Straus - l'etude sur le Bolero de M. Ravel et l'etude sur Castor et Pollux de J.-P. Rameau -, mettant en evidence certaines faiblesses caracteristiques de son mode de raisonnement. Finalement, l'A. examine de facon critique l'esthetique musicale de Levi-Strauss","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"73 1","pages":"1-20"},"PeriodicalIF":0.2,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932807","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Shostakovich: 'The present-day master of the C major key' 肖斯塔科维奇:“当代C大调大师”
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2001-01-01 DOI: 10.2307/932894
D. Fanning
{"title":"Shostakovich: 'The present-day master of the C major key'","authors":"D. Fanning","doi":"10.2307/932894","DOIUrl":"https://doi.org/10.2307/932894","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"8 1","pages":"101-140"},"PeriodicalIF":0.2,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932894","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69171327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Eustache Du Caurroy. Un compositeur francais aux confins du XVIe et du XVIIe siecle 尤斯塔斯·杜·考罗伊。十六、十七世纪末期的法国作曲家
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2001-01-01 DOI: 10.2307/932897
Marie-Alexis Colin
{"title":"Eustache Du Caurroy. Un compositeur francais aux confins du XVIe et du XVIIe siecle","authors":"Marie-Alexis Colin","doi":"10.2307/932897","DOIUrl":"https://doi.org/10.2307/932897","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"73 1","pages":"189-258"},"PeriodicalIF":0.2,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932897","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69171407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Überprüfung eines musikalischen Ausdrucksmodells von Freude und Trauer durch musikalische Inhaltsanalyse 用音乐内容分析来检查欢喜或是悲伤的音乐模拟
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2000-01-01 DOI: 10.2307/932840
P. Fröhlich, H. G. Wallbott
{"title":"Überprüfung eines musikalischen Ausdrucksmodells von Freude und Trauer durch musikalische Inhaltsanalyse","authors":"P. Fröhlich, H. G. Wallbott","doi":"10.2307/932840","DOIUrl":"https://doi.org/10.2307/932840","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"20 1","pages":"107-119"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932840","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Liszt und die Suche nach dem "TrisZtan"-Akkord 李斯特找到崔斯顿的和弦
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2000-01-01 DOI: 10.2307/932783
Alexander Rehding
{"title":"Liszt und die Suche nach dem \"TrisZtan\"-Akkord","authors":"Alexander Rehding","doi":"10.2307/932783","DOIUrl":"https://doi.org/10.2307/932783","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"72 1","pages":"169"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932783","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Sense & Sensibility. Form, Genre, and Function in the Film Score 理智与情感。电影配乐的形式、类型和功能
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2000-01-01 DOI: 10.2307/932785
Robynn J. Stilwell
{"title":"Sense & Sensibility. Form, Genre, and Function in the Film Score","authors":"Robynn J. Stilwell","doi":"10.2307/932785","DOIUrl":"https://doi.org/10.2307/932785","url":null,"abstract":"L'A. explore la question de la forme musicale et du contenu expressif dans le roman de Jane Austen Sense & Sensibility, dans son adaptation cinematographique de Ang Lee (1995) et dans la partition musicale du film composee par Patrick Doyle. L'examen de la composition musicale montre comment, dans la musique de film, les preoccupations esthetiques formelles se heurtent de facon aigue aux exigences du contenu. Afin de mettre en evidence les implications de la musique dans le film, l'A. examine quelques conventions de forme musicale, ainsi que le contexte litteraire de la nouvelle de J. Austen. Il interprete les themes et les procedures formelles, tant narratives que musicales, comme historiquement contingents, n'engendrant pas de relation causale, c'est-a-dire comme le resultat d'une esthetique particuliere predominante, mais pouvant subir un mouvement de transformation","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"18 1","pages":"219-240"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932785","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 21
Antoine Reicha's dialogue : The emergence of a theoretical concept 安东尼·雷查的对话:一个理论概念的出现
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2000-01-01 DOI: 10.2307/932838
S. Keefe
{"title":"Antoine Reicha's dialogue : The emergence of a theoretical concept","authors":"S. Keefe","doi":"10.2307/932838","DOIUrl":"https://doi.org/10.2307/932838","url":null,"abstract":"Le theoricien tcheque Antoine Reicha (1770-1836) fut le premier a formaliser de facon coherente le concept de dialogue comme metaphore de l'interaction instrumentale dans la musique classique. L'A. montre que son interpretation du concept de dialogue s'inscrivait dans les references du 18 eme siecle sur le dialogue instrumental et sur le duo dialogue d'opera, et qu'il sut utiliser de facon originale, precise et imaginative les ecrits non-musicaux. Apres l'examen des caracteristiques musicales assignees au dialogue instrumental aux 18 eme et debut du 19 eme siecles, l'A. explore la dette de A. Reicha envers la notion de dialogue (instrumental et vocal) de ces deux periodes, ainsi que son depassement par sa contribution theorique dans ses differents traites musicaux. Il demontre ensuite que le concept de dialogue de Reicha est applicable a l'analyse musicale pour la musique classique instrumentale a partir de l'examen d'un passage du premier mouvement du concerto pour piano n° 14 en Eb, K. 449 de W.A. Mozart.","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"72 1","pages":"43-62"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932838","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Sui progressi della percezione. Abramo Basevi e i fondamenti psicologici dell'armonia 关于感知的进步。亚伯拉罕·巴塞维和和谐的心理基础
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2000-01-01 DOI: 10.2307/932781
A. Chegai
{"title":"Sui progressi della percezione. Abramo Basevi e i fondamenti psicologici dell'armonia","authors":"A. Chegai","doi":"10.2307/932781","DOIUrl":"https://doi.org/10.2307/932781","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"72 1","pages":"121-143"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932781","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69171279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Winfried Zillig (1905-1963): Die Verlobung in St. Domingo. Analyse und Interpretation einer vergessenen Funkoper 温弗里德锡林(1905)这是在圣多明哥的订婚分析和解释一个被遗忘的消息笔
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2000-01-01 DOI: 10.2307/932784
A. V. Leeuwen
{"title":"Winfried Zillig (1905-1963): Die Verlobung in St. Domingo. Analyse und Interpretation einer vergessenen Funkoper","authors":"A. V. Leeuwen","doi":"10.2307/932784","DOIUrl":"https://doi.org/10.2307/932784","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"72 1","pages":"189"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932784","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信