ACTA MUSICOLOGICA最新文献

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Die zauberflöte, masonic opera, and other fairy tales 死亡zauberflöte、共济会歌剧等童话故事
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2004-01-01 DOI: 10.4324/9781315094366-21
D. Buch
{"title":"Die zauberflöte, masonic opera, and other fairy tales","authors":"D. Buch","doi":"10.4324/9781315094366-21","DOIUrl":"https://doi.org/10.4324/9781315094366-21","url":null,"abstract":"The term 'Masonic opera' is often applied to Mozart's Die Zauberfl?te to indicate per vasive Masonic content in the form of a hidden coherent allegory with a complex representation of the order's symbols and initiation rituals. This view has been influential in musicology and other scholarly writing,1 but a review of the primary sources reveals that it is speculative, with no compelling evidence to support its broad claims. Moreover, some evidence suggests that the 'Masonic opera' theory is an unlikely interpretation. Allegory and symbolism function somewhat differently in opera at this time and no eighteenth century singspiel is known to have communicated its meaning so indirectly, leaving essential and ubiquitous content to be deciphered by a small group possessing the code. The historical context for the opera, fairy-tale singspiel or M?rchenoper, has been ex plored only superficially; not a single scholarly study in the twentieth century has been devoted to this operatic tradition. Some modern writers have even derisively dismissed this aspect as unworthy of consideration. A review of fairy-tale opera will reveal that most musical and dramatic elements in Die Zauberfl?te are present in previous operas with no demonstrable Masonic content. These works situate Die Zauberfl?te in an ac curate theatrical context and provide much needed perspective on the question of Masonic symbolism. While the notion of a complex, coherent Masonic allegory does not withstand scrutiny, a few passages in the libretto appear to have been drawn from Masonic sources. Here I will suggest a plausible explanation for the presence of this material and review the reasons that one should not assume a more prevalent use of symbolic reference to Freemasonry. It might seem odd that some 210 years after the premiere of Die Zauberfl?te scholars continue to debate the most basic level of the opera's content. Unfortunately, distor","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"76 1","pages":"193-220"},"PeriodicalIF":0.2,"publicationDate":"2004-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70630055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 32
Brahms et la nostalgie de l'enfance : Volks-Kinderlieder, berceuses et Klaus-Groth-Lieder 勃拉姆斯和对童年的怀旧:人民-儿童抒情诗,摇篮曲和克劳斯-格罗斯抒情诗
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2002-01-01 DOI: 10.2307/932718
G. Starobinski
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引用次数: 6
Anmerkungen zur Musik an den venezianischen Ospedali im 17. und 18. Jahrhundert 17世纪威尼斯奥斯斯佩达里的音乐评论和18 .世纪
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2002-01-01 DOI: 10.2307/932872
Diana Blichmann
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引用次数: 27
The Origins of the recitativi in prosa in Neapolitan Opera 那不勒斯歌剧散文朗诵的起源
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2002-01-01 DOI: 10.2307/932716
A. Jacobshagen
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引用次数: 3
Luigi Cherubini: Cours de Contre-point et de Fugue in Deutschland und Österreich Luigi Cherubini课程:Contre-point和出走und in DeutschlandÖsterreich
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2002-01-01 DOI: 10.2307/932717
H. Federhofer
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引用次数: 1
Voces applicatae verbis. Ein musikologischer und poetologischer Traktat aus dem 14. Jahrhundert. (I-Vnm Lat. CI. XII.97 [4125]). Einleitung, Edition, Übersetzung und Kommentar 拜访商店是音乐与诗歌时代的世纪.(I-Vnm "耗资帮" .CI .XII.97 [4125]) .引言、编辑、翻译和评论
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2002-01-01 DOI: 10.2307/932869
T. Burkard, Oliver Huck
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引用次数: 5
The Mothers of Invention and "Uncle Meat": Alienation, Anachronism and a Double Variation 《发明之母》与《肉叔》:异化、时代错误与双重变异
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2001-01-01 DOI: 10.2307/932810
J. Grier
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引用次数: 5
Genealogy and Musica Poetica. In Seventeenth- and Eighteenth-Century Theory 家谱与音乐诗学。在17和18世纪的理论中
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2001-01-01 DOI: 10.2307/932809
Karl D. Braunschweig
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引用次数: 4
Généalogies musicologiques. aux origines d'une science de la musique vers 1900 族谱谐波。1900年左右音乐科学的起源
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2001-01-01 DOI: 10.2307/932808
John Haines
{"title":"Généalogies musicologiques. aux origines d'une science de la musique vers 1900","authors":"John Haines","doi":"10.2307/932808","DOIUrl":"https://doi.org/10.2307/932808","url":null,"abstract":"Si la musicologie vient de feter son centenaire, la science musicologique est pourtant toujours au berceau, et les questions suivantes meritent d'etre posees. Quelles sont les origines de la musicologie ? Quelles sont ses genealogies ? L'A. retrace les debats autour des genealogies musicologiques entre la fin du 18 eme et le debut du 19 eme siecle, entre les genealogies francaises et les genealogies allemandes, entre l'archeologie, la paleographie et la philologie musicales, entre musicologie et Musikwissenschaft","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"73 1","pages":"21-44"},"PeriodicalIF":0.2,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932808","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Defining Stanzaic Structure in Verdi's French Librettos and the Implications for the Musical Setting 威尔第法语唱词中斯坦扎克式结构的定义及其对音乐背景的影响
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2001-01-01 DOI: 10.2307/932895
Andreas Giger
{"title":"Defining Stanzaic Structure in Verdi's French Librettos and the Implications for the Musical Setting","authors":"Andreas Giger","doi":"10.2307/932895","DOIUrl":"https://doi.org/10.2307/932895","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"73 1","pages":"141-163"},"PeriodicalIF":0.2,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932895","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69171337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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