{"title":"Variación del fonema oclusivo bilabial sonoro en el español chileno estándar y no estándar","authors":"Erika Díaz Castro, Jaime Soto-Barría, D. Pereira","doi":"10.32735/S0718-2201202000051852","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051852","url":null,"abstract":"In this study, we observed the phonetic variation of voiced bilabial occlusive phoneme in non-standard Spanish in a sample of Chilean speakers from cities whose geographical locations allow to cover the main urban sectors of the country. The results that show a marked use of voiced labiodental approximant allophone in this type of speech an a relatively homogenous behaviour in the whole country of the main variants of the voiced bilabial occlusive phoneme are presented. The comparison of voiced bilabial occlusive phoneme between non-standard and standard Spanish shows clear differences, data that suggest a linguistic change in process from voiced bilabial approximant allophone to voiced labiodental approximant allophone.","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"9 1","pages":"161-175"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75805772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Experiencia, heteroglosia y memoria en Rompan filas de Bruno Vidal: figuraciones del horror como ejercicio ficcional","authors":"Gonzalo Rojas Canouet","doi":"10.32735/S0718-2201202000051848","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051848","url":null,"abstract":"This test will analyze the book Rompan Filas (2016) of Bruno Vidal from three lines of sense, the allegory (Benjamin), the heteroglossia (Bajtin) and the subjective draft (Sarlo) to define the sway between the nominal thing and the poetical thing, the contradiction. This central aspect of this work will part from the allegory of horror as a problematizing element of the narrativity of traumatic experiences; the refraction of voices leads to heteroglossia, which carries a responsibility as ethics of the text ; finally, the prerogative filter will try to support the interstice between remembering and forgetting, between documentary and ficcional aspects.","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"37 1","pages":"97-107"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76451827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Leer para un futuro mejor: distopías ecológicas y ecofeministas","authors":"Mitta Valvassori","doi":"10.32735/S0718-2201202000051854","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051854","url":null,"abstract":"","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"3 1","pages":"191-198"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82462174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La desarticulación de la enunciación en el universo ficcional de la novela Nadie nada nunca de Juan José Saer","authors":"Adrián Bertorello","doi":"10.32735/S0718-2201202000051845","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051845","url":null,"abstract":"Juan Jose Saer tells in the novel Nadie nada nunca the dissolution of the Enunciation instance. One of the narrative motive in that this topic reveals is the intersubjective relationship of intimacy. Among other topics, the novel tells the impossibility to set an intimacy bound between the bodies. Hence, it is possible to talk about an antiphenomenological narrative model. The own body as fundamental Enunciation instance doesn´t show itself as the original place of meaning. To bring to light this motive of corporal intimacy in the fictional universe of Nadie nada nunca this paper uses, as lecture criterion, the Heideggerian Concept of intimacy ( Innigkeit ).","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"100 1","pages":"57-70"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79339868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La transparencia del infinito: sobre una posible fenomenología del arte en el pensamiento de Jan Patočka","authors":"Jaime Llorente Cardo","doi":"10.32735/S0718-2201202000051843","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051843","url":null,"abstract":"In the present work we try to provide some concise remarks concerning the possibility of rebuilding an “aesthetical theory” from the indications framed in this respect by the Czech philosopher Jan Patocka. On the basis of his distinction between “traditional art” and “modern art”, that is, between the art conceived as a “sign” and the art intended in an authonomous manner, we try to show the way in which Patocka places the essence of art in the act of revealing the hidden side of reality. It would be that extraordinary dimension of the things that is revealed in its pure and simple appearing: beyond all utilitarian or pragmatic gaze.","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"109 1","pages":"25-40"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79198965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"LOS ESPEJOS DE CIRO. TIPOS Y MODELOS DE MONARCA EN LA CIROPEDIA","authors":"Rodrigo Illarraga","doi":"10.32735/S0718-2201202000051856","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051856","url":null,"abstract":"","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"179 1","pages":"207-221"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80115856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hacia una genealogía de las poéticas vanguardistas chilenas: Juan Emar y Nicanor Parra","authors":"Malva Marina Vásquez","doi":"10.32735/S0718-2201202000051846","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051846","url":null,"abstract":"This article attempts to draw attention to the foundational role of the literary production of Juan Emar in the national letters, in particular, its fruitful dialogue with the antipoesia de Parra. It is proposed that both in Miltin 1934 and the Antipoesia de Parra we attend the practice of carnivalization of the divine-sublime. In this direction, both avant-garde poetics modulate one of the edges the “unfinished project of modernity” (Habermas): the simbolic death of God and the simbolic space; connotated by the topico of the spheres music. Topico that in both authors is given in a questioning of a critique of an aesthetic of the sublime; that prevailed in criticism of that period.","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"42 1","pages":"71-86"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89513703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Carolina Andrea Navarrete González, Gabriel Saldías Rossel
{"title":"Insubordinación infrapolítica en la escritura de cartas de mujeres en Chile","authors":"Carolina Andrea Navarrete González, Gabriel Saldías Rossel","doi":"10.32735/S0718-2201202000051855","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051855","url":null,"abstract":"","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"4 1","pages":"199-206"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85370466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sebastián Schoennenbeck. Ensayos sobre el patio y el jardín. Couve. Wacquez. Donoso. Santiago: Orjikh Ediciones, 2020, 246 pp.","authors":"Ignacio Sánchez Osores","doi":"10.32735/S0718-2201202000051859","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051859","url":null,"abstract":"Sebastian Schoennenbeck estudia, fundamentalmente, la figura del jardin en las ficciones narrativas de tres narradores chilenos de la segunda mitad del siglo XX: Jose Donoso, escritor canonico de las letras hispanoamericanas, junto con Mauricio Wacquez y Adolfo Couve, escritores que aun la critica parece marginar...","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"13 1","pages":"251-254"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74768785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fenomenología de la afectividad: forma, color e imagen en la pintura abstracta de Kandinsky","authors":"Miriam Díaz Erbetta","doi":"10.32735/S0718-2201202000051842","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051842","url":null,"abstract":"The present article analyzes the problem of affectivity in French philosopher Michel Henry's conception of Phenomenology of life, conceived of as the foundation of the subjectivity and the essence of the manifestation. Henry analyzes the work of the painter Vasily Kandinsky, showing how abstract and non-figurative painting expresses in colors and forms something invisible, which is the essence of the painting and coincides with the Life. Kandinsky's conception of abstraction refers to the invisible and the inner content, which expresses itself through colors and forms, being the life itself in its fundamental subjective pathos. In this way, the art becomes the only language capable to express the radicality of the affective life, because it does not represent anything exterior or foreign, being its content the life itself.","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"65 3","pages":"9-23"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72464103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}