{"title":"Jorge CHEN SHAM (ed.). Los espacios de la sociabilidad en la narrativa cervantina. San José, Costa Rica: Editorial Arlekín, 2011, 202 pp.","authors":"Nayra Pérez Hernández","doi":"10.32735/S0718-2201201500040%X","DOIUrl":"https://doi.org/10.32735/S0718-2201201500040%X","url":null,"abstract":"","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"1 1","pages":"230-232"},"PeriodicalIF":0.1,"publicationDate":"2021-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73000074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Marco Antonio De La Ossa Martínez. Repertorio, historia y vivencias en la retaguardia: la Banda Municipal de Música de Cuenca en la guerra civil española. Albacete: Uno Editorial, 2017, 310 pp.","authors":"D. Fuente, J. Luis.","doi":"10.32735/S0718-220120180004600309","DOIUrl":"https://doi.org/10.32735/S0718-220120180004600309","url":null,"abstract":"","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"24 1","pages":"309-311"},"PeriodicalIF":0.1,"publicationDate":"2021-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90220956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Adrian Pablé (Ed.): Critical Humanist Perspectives. The Integrational Turn in Philosophy of Language and Communication. Routledge Advances in Communication and Linguistic Theory. Londres/Nueva York: Routledge, 2017, 296 pp.","authors":"Francisco J. Rodríguez Muñoz","doi":"10.32735/S0718-220120180004600306","DOIUrl":"https://doi.org/10.32735/S0718-220120180004600306","url":null,"abstract":"","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"32 1","pages":"306-309"},"PeriodicalIF":0.1,"publicationDate":"2021-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74440075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Frankenstein: o cómo venir-al-mundo después del humanismo","authors":"M. Velásquez","doi":"10.32735/S0718-2201202000051857","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051857","url":null,"abstract":"","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"18 1","pages":"223-239"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84494423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Historicidad y lingüisticidad: en torno al concepto Fusión de horizontes en la hermenéutica de Hans-Georg Gadamer","authors":"Alex Cárdenas Guenel","doi":"10.32735/S0718-2201202000051858","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051858","url":null,"abstract":"","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"81 1","pages":"241-249"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80992782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Este triunfo y cien más serán inútiles si no dominamos el mar. Agua y pintura en Chile en el Siglo XIX. Composición, luz y color según A. Smith, C. Wood y T. Somerscales","authors":"Noemi Cinelli","doi":"10.32735/S0718-2201202000051844","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051844","url":null,"abstract":"The present article has the purpose to offer an analysis of the evolution of chilean painting during the 19th century, investigated from the interpretation of the water in the pictorial production of three of the most representative artists in the field of landscape, sea and naval glory painting. In particular, we will refere to the creations of Antonio Smith, Charles Wood and Thomas Somerscales, whose representations of rivers, lakes and especially Pacific Ocean are a proof of the productive phase that in 19th century painting had in Chile. We will focus on the study of the three keys of composition, light and color in a combination of works kept in precious public and private collections, selected due to the judgment about the relevant technical and esthetic qualities by the actual artistic critics and historiography.","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"39 1","pages":"41-56"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87532239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Ladino, María Soledad De La Ho, Katia Sáez-Carrillo
{"title":"Qué hacen los escritores con los comentarios escritos (ce) que ofrecen los profesores a los seminarios de grado en Programas de Pedagogía en Inglés","authors":"M. Ladino, María Soledad De La Ho, Katia Sáez-Carrillo","doi":"10.32735/S0718-2201202000051849","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051849","url":null,"abstract":"We, university teachers, invest most of our time in offering written or oral feedback to the student’s assignments. However, one of the issues is to know what students do with these comments. Do they follow them? Do they omit them? The aim of this research is to present the results of the analysis carried out about the actions that students perform based on 434 written comments provided by 2 supervisors teachers in total of 2 drafts produced in the development of the final undergraduate research. To analyze the actions carried out by the writers from the feedback received, Faigley and Witte (1981) taxonomy was adapted. These actions were analyzed in terms of adoption (addition, substitution, permutation, consolidation and elimination), non adoption or suppression of the suggestions offered to improve the text. The results show that students adopt almost all the suggestions offered. Basically, what they do the most is to consolidate and substitute. Likewise, it is possible to report that there is a relation between the way comments are offered and the actions the writers carry out. While, this is a case study, it is interesting to notice a certain relation between offering order and the text addition and questions with the text modifications.","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"31 1","pages":"109-123"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81540562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lógicas sensibles en Campo minado y Teatro de guerra de Lola Arias","authors":"Carolina Hernández Parraguez","doi":"10.32735/S0718-2201202000051847","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051847","url":null,"abstract":"Into the postdramatic theater the mimetic funtion of the body tends to be displaced towards transmedial resources thus favoring the producction of a metatheatre. The Lola Arias’s work stands out precisely because of putting in tension the role of the acting body on stage producing, through transmedial resources, a representational crisis that questions traditional forms of drama. The present article aims to establish the aesthetic strategies used by this playwright and director to problematize the place of the body in her theatral work Campo Minado (2016) and her documentary Teatro de Guerra (2018).","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"57 1","pages":"87-96"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88832209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aspectos culturales en el discurso lexicográfico de comienzos del siglo XX: la identidad lingüística nacional en el diccionario Nuevos Chilenismos","authors":"Gabriel Valdés-Léon, Andrés Enrique Cerro Rojas","doi":"10.32735/S0718-2201202000051850","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051850","url":null,"abstract":"This work offers an analysis of the New Chileanisms dictionary with the objective of identifying the main cultural aspects present in this Chilean work of the beginning of the XXth century. Thanks to a methodological approach based on grounded theory, it is possible to establish that within the cultural aspects with greater presence highlights the conformation of Chilean linguistic identity, which is evidenced through the social assessment offered by the author of the national standard and, in addition, the opposition established between it and the peninsular norm.","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"17 1","pages":"125-135"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88766839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
C. Rosas, Jorge Sommerhoff, J. Pacheco, César C. Sáez
{"title":"Yo lo reconocería por su voz… El caso de Emilio Berkhoff","authors":"C. Rosas, Jorge Sommerhoff, J. Pacheco, César C. Sáez","doi":"10.32735/S0718-2201202000051851","DOIUrl":"https://doi.org/10.32735/S0718-2201202000051851","url":null,"abstract":"During the commission of a crime, witnesses or victims, exposed to the speech of the aggressor can be called, later, to recognize the voice of the person suspected of being the perpetrator of the crime, in order to establish whether they would recognize it as the voice of the offender. An example of this situation, where the testimony of hearing witnesses was involved, was during the case of Emilio Berkhoff (Chile, 2015), the young university student who was found guilty of the crimes of illegal bearing of arms and ammunition and sentenced to five years and one day in jail. The case was not exempt from some controversy due to the public statements of the accused about alleged violations of due process. In this paper we review the procedure used to collect the auditory evidence in light of the most widely shared criteria on the subject.","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"23 2","pages":"137-160"},"PeriodicalIF":0.1,"publicationDate":"2020-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72446778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}