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What’s cooking in multicultural films? Food, language and identity in British and American audiovisual products and their Italian dubbed version 多元文化电影中的烹饪是什么?英国和美国音像制品及其意大利配音版本中的食物、语言和身份
IF 0.8
MonTI Pub Date : 2019-10-15 DOI: 10.6035/monti.2019.ne4.7
S. Monti
{"title":"What’s cooking in multicultural films? Food, language and identity in British and American audiovisual products and their Italian dubbed version","authors":"S. Monti","doi":"10.6035/monti.2019.ne4.7","DOIUrl":"https://doi.org/10.6035/monti.2019.ne4.7","url":null,"abstract":"In a world in which multiculturalism and multilingualism pervade every layer of society, much attention has been recently focused on exploring the symbolic relevance of socio-cultural traditions in multiethnic contexts of interaction. In particular, contemporary British and American films often investigate the importance of ethnic food as a key entry to cultural and linguistic memory in immigrant communities in Europe and the USA. Starting from these observations, this paper sets out to investigate the socio-cultural and linguistic functions food naming serves as an identity/ethnicity tool in both the original and the Italian dubbed version of such intercultural films as Bend it Like Beckham, My Big Fat Greek Wedding, Ae Fond Kiss, The Mistress of Spices, My Life In Ruins, Eat Pray Love, The Hundred-Foot Journey, My Big Fat Greek Wedding 2, where the immigrant characters express their hybrid identity through the recurrent use of intra-sentential code-switching (Myers-Scotton 1993) from they-code to we-code (Gumperz 1982) when quoting the original names of their traditional dishes, thus symbolically and linguistically representing the transcultural and translanguaging space (Wei 2011) they live in.","PeriodicalId":43194,"journal":{"name":"MonTI","volume":"67 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72640895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
El tesoro lingüístico de Gollum. El uso del idiolecto en la caracterización de la identidad de los personajes de ficción y su traducción para el doblaje 咕噜的语言宝藏。在虚构人物身份的刻画中使用习语及其在配音中的翻译
IF 0.8
MonTI Pub Date : 2019-10-15 DOI: 10.6035/monti.2019.ne4.12
Guillermo Parra López, Eduard Bartoll Teixidor
{"title":"El tesoro lingüístico de Gollum. El uso del idiolecto en la caracterización de la identidad de los personajes de ficción y su traducción para el doblaje","authors":"Guillermo Parra López, Eduard Bartoll Teixidor","doi":"10.6035/monti.2019.ne4.12","DOIUrl":"https://doi.org/10.6035/monti.2019.ne4.12","url":null,"abstract":"El objetivo del presente articulo es reflexionar sobre la naturaleza del idiolecto y su tratamiento en la traduccion mediante el lenguaje de Gollum, uno de los personajes mas reconocibles de El senor de los anillos. Tradicionalmente, el idiolecto ha recibido poca atencion tanto desde el punto de vista linguistico como del traductologico, quizas debido a su esencia individual y asistematica. Sin embargo, es importante conocer las implicaciones de este fenomeno para la traduccion, puesto que es un elemento fundamental en la configuracion de la identidad de los personajes en las obras de ficcion. En este estudio analizamos detenidamente una seleccion de muestras del idiolecto de Gollum obtenidas de la adaptacion cinematografica de la Trilogia y observamos el tratamiento que han recibido sus idiosincrasias linguisticas en la version doblada al espanol.","PeriodicalId":43194,"journal":{"name":"MonTI","volume":"22 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76515537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Sous-titrer la profusion des « secretions humaines » dans le Playtime de Jacques Tati : une gageure 在雅克·塔蒂(Jacques Tati)的《游戏时间》(Playtime)中，为丰富的“人体分泌物”配上字幕是一项挑战
IF 0.8
MonTI Pub Date : 2019-10-15 DOI: 10.6035/monti.2019.ne4.9
Sébastien Gouttefange
{"title":"Sous-titrer la profusion des « secretions humaines » dans le Playtime de Jacques Tati : une gageure","authors":"Sébastien Gouttefange","doi":"10.6035/monti.2019.ne4.9","DOIUrl":"https://doi.org/10.6035/monti.2019.ne4.9","url":null,"abstract":"This study aims at throwing light on the challenge that English-speaking translators face when dealing with the subtitling of French filmmaker Jacques Tati’s Playtime. How can they possibly reconcile its linguistic abundance with a limited textual space; the overlapping dialogue with the necessity to present information successively when writing a text; the uncertain status of the “human secretions” (alternating between the intelligible and the unintelligible) with the written code, which, as it will not allow a play with volume adjustment, imposes a clear-cut choice: translating or not translating. The dialogic chaos orchestrated by Tati constitutes an aesthetic commentary on the sociological identity of post-war France as the country was painfully entering the era of globalization. In the subtitled versions, do the constraints imposed on the translators hinder a proper representation of this identity or is the subtitlers’ creativity able to meet the challenge?","PeriodicalId":43194,"journal":{"name":"MonTI","volume":"9 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80977686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Identidades presas: representación, estereotipo e interseccionalidad en la traducción de la mujer latina en Orange Is The New Black 猎物身份:拉丁女性在橙色是新黑人翻译中的表现、刻板印象和交叉性
IF 0.8
MonTI Pub Date : 2019-10-15 DOI: 10.6035/monti.2019.ne4.6
A. J. M. Pleguezuelos, J. González-Iglesias
{"title":"Identidades presas: representación, estereotipo e interseccionalidad en la traducción de la mujer latina en Orange Is The New Black","authors":"A. J. M. Pleguezuelos, J. González-Iglesias","doi":"10.6035/monti.2019.ne4.6","DOIUrl":"https://doi.org/10.6035/monti.2019.ne4.6","url":null,"abstract":"En la siguiente investigacion nos aproximamos a la traduccion de productos audiovisuales como via para construir identidades colectivas e individuales. Partimos de la premisa de que, en la epoca global que vivimos, los medios audiovisuales (traducidos) contribuyen a la formacion de identidades interseccionales atravesadas por rasgos como la edad, el genero, la raza o la sexualidad. Por ello, como mantendremos, resulta necesario entender el discurso traducido como parte constituyente del tejido social. Para dar prueba de ello estudiaremos el caso del grupo de presas latinas de la serie Orange Is the New Black, especialmente los rasgos de la sexualidad y el uso del espanol con el fin de comprobar que asimetrias surgen en la recreacion de esta minoria para los espectadores en la version original y en la doblada.","PeriodicalId":43194,"journal":{"name":"MonTI","volume":"92 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73456987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Conversation as a unit of film analysis. Databases of L3 translation and audiovisual samples of multilingualism 对话作为电影分析的一个单元。三语翻译资料库及多语视听样本
IF 0.8
MonTI Pub Date : 2019-10-15 DOI: 10.6035/monti.2019.ne4.2
Patrick Zabalbeascoa, Montse Corrius
{"title":"Conversation as a unit of film analysis. Databases of L3 translation and audiovisual samples of multilingualism","authors":"Patrick Zabalbeascoa, Montse Corrius","doi":"10.6035/monti.2019.ne4.2","DOIUrl":"https://doi.org/10.6035/monti.2019.ne4.2","url":null,"abstract":"Este capitulo presenta argumentos teoricos (Bakhtin 1982; Grice 1975; Sidnell 2010) y practicos para defender el concepto de “conversacion” como unidad analisis de textos audiovisuales (cine y television), y su utilidad para un corpus audiovisual o una base de datos. Este planteamiento es ilustrado y defendido a partir de la experiencia de investigaciones realizadas dentro del proyecto trafilm.net, cuyo objetivo es crear una base de datos de casos de multilinguismo en peliculas y muestras de como se traducen en doblajes, subtitulos (incluida la accesibilidad) y audiodescripciones, mayoritariamente del ingles al espanol (pero no exclusivamente, dado que esta abierto a otros investigadores). La conversacion se concibe como la unidad mas pequena que contiene muestra(s) de L3 (cualquier lengua aparte de la lengua principal) para la que proporciona suficiente informacion contextual y pragmatica. Se espera que sirva tambien para analizar otros elementos audiovisuales (AV) ademas de L3 (p.ej. la representacion de identidades).","PeriodicalId":43194,"journal":{"name":"MonTI","volume":"13 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86145025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Reflections on the translation of gender in Perfect Blue, an anime film by Kon Satoshi 对今敏动画电影《完美蓝》中性别翻译的思考
IF 0.8
MonTI Pub Date : 2019-10-15 DOI: 10.6035/monti.2019.ne4.11
Daniel E. Josephy-Hernández
{"title":"Reflections on the translation of gender in Perfect Blue, an anime film by Kon Satoshi","authors":"Daniel E. Josephy-Hernández","doi":"10.6035/monti.2019.ne4.11","DOIUrl":"https://doi.org/10.6035/monti.2019.ne4.11","url":null,"abstract":"Perfect Blue (1997) is an anime (Japanese animation) film directed by Kon Satoshi. The film revolves around a female idol (a pop star) named Mima who quits her career as an idol to become an actress, and how she gradually loses her mind. This article presents anime as an important pop culture phenomenon with a massive influence worldwide. This article examines the gender stereotypes promulgated by this phenomenon and proposes a different reading of the work of Kon by comparing how the gender roles are portrayed in the different versions: The Japanese original and its yakuwarigo or “scripted speech” (Kinsui and Yamakido 2015) and the US English subtitles and dubbing. Methodologically, the analysis relies on close observation of the use of the Japanese first and second person pronouns and sentence-final particles in the characters’ language, since “the use of these features is known to be highly gender-dependent” (Hiramoto 2013: 55). The study comes to important conclusions regarding gender portrayals in audiovisual translation.","PeriodicalId":43194,"journal":{"name":"MonTI","volume":"25 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84619278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The representation and translation of identities in multilingual TV series: Jane the Virgin, a case in point 多语种电视剧中身份的再现与翻译:以《处女情缘》为例
IF 0.8
MonTI Pub Date : 2019-10-15 DOI: 10.6035/monti.2019.ne4.5
Micòl Beseghi
{"title":"The representation and translation of identities in multilingual TV series: Jane the Virgin, a case in point","authors":"Micòl Beseghi","doi":"10.6035/monti.2019.ne4.5","DOIUrl":"https://doi.org/10.6035/monti.2019.ne4.5","url":null,"abstract":"This article discusses the complex relationship between multilingualism, translation and character portrayal in television series. In recent decades, cinema and TV have begun to include linguistic diversity in their productions in an attempt to pursue realism and to represent multilingual realities. TV series, which have become very popular with American and European audiences, increasingly display characters who speak more than one language or who use mixed language variants. Focusing on the TV series Jane the Virgin, this article explores the different forms and functions of multilingualism in the original version and analyses the translation strategies adopted in the Italian dubbed version, in order to verify whether multilingual discourse practices are maintained, adapted or neutralised and to consider the effects of such strategies on character portrayal.","PeriodicalId":43194,"journal":{"name":"MonTI","volume":"6 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87142437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 9
Panorama de la enseñanza de la audiodescripción en España: Resultados de un cuestionario 西班牙音频描述教学概述:问卷调查结果
IF 0.8
MonTI Pub Date : 2019-01-01 DOI: 10.6035/MONTI.2019.11.6
N. Domínguez, Anna Matamala
{"title":"Panorama de la enseñanza de la audiodescripción en España: Resultados de un cuestionario","authors":"N. Domínguez, Anna Matamala","doi":"10.6035/MONTI.2019.11.6","DOIUrl":"https://doi.org/10.6035/MONTI.2019.11.6","url":null,"abstract":"Audio description is a translation of images into words aiming to provide an alternative to the visual content for those who cannot access it. It can be considered an intersemiotic translation and, as such, it has often been taught as part of courses in audiovisual translation and media accessibility studies. However, studies on the specifics of the didactics of audio description are missing. This article presents the results of a questionnaire aiming to map the current situation regarding the teaching of audio description in Spain. It reports on the results obtained from 27 Spanish participants that answered a questionnaire developed as part of ADLAB PRO, an Erasmus+ project funded by the European Commission whose ultimate goal is to create didactic material for the training of audio describers. In order to contextualize such research, the article also provides an overview of the didactics of audio description in Spain.","PeriodicalId":43194,"journal":{"name":"MonTI","volume":"19 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89915783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Evolución del cine en euskera y su traducción 巴斯克语电影的演变及其翻译
IF 0.8
MonTI Pub Date : 2019-01-01 DOI: 10.6035/monti.2019.ne4.4
Elizabete Manterola Agirrezabalaga
{"title":"Evolución del cine en euskera y su traducción","authors":"Elizabete Manterola Agirrezabalaga","doi":"10.6035/monti.2019.ne4.4","DOIUrl":"https://doi.org/10.6035/monti.2019.ne4.4","url":null,"abstract":"","PeriodicalId":43194,"journal":{"name":"MonTI","volume":"1 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84406048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El doblaje de acentos extranjeros y regionales en Los Simpson 《辛普森一家》中外国和地区口音的配音
IF 0.8
MonTI Pub Date : 2019-01-01 DOI: 10.6035/monti.2019.ne4.10
Anjana Martínez Tejerina, Samantha Sánchez Martínez
{"title":"El doblaje de acentos extranjeros y regionales en Los Simpson","authors":"Anjana Martínez Tejerina, Samantha Sánchez Martínez","doi":"10.6035/monti.2019.ne4.10","DOIUrl":"https://doi.org/10.6035/monti.2019.ne4.10","url":null,"abstract":"“The dubbing of foreign and regional accents in The Simpsons ” Although the dubbing of accents is a common phenomenon on our screens, it has not received enough scholarly attention. This study compares the original version with the dubbed version of the animated series The Simpsons (Matt Groening 1989- ), and 1. El presente artículo ha sido realizado en el marco del grupo de investigación consolidado CEDIT (2014 SGR 843) del Departament de Traducció i Ciències del Llenguatge de la Universitat Pompeu Fabra. analyses 32 characters with a non-standard accent. The research is also based on the first-person experience of María José Aguirre de Cárcer, the current translator of the series to European Spanish. This investigation discloses that factors such as linguistic obstacles, visual restrictions or stereotypes determine the final solution. Despite the close link between accents and identity, the results obtained suggest that most translation techniques imply changes in characterisation to a greater or lesser extent.","PeriodicalId":43194,"journal":{"name":"MonTI","volume":"47 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76498403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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