Canadian Journal of History-Annales Canadiennes d Histoire最新文献

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Esther Sahle, Quakers in the British Atlantic World, c. 1660–1800 Esther Sahle,《英属大西洋世界的贵格会教徒》,约1660-1800年
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Canadian Journal of History-Annales Canadiennes d Histoire Pub Date : 2021-12-01 DOI: 10.3138/cjh.56-3-br19
Sarah Crabtree
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引用次数: 0
Benjamin Hoy, A Line of Blood and Dirt: Creating the Canada–United States Border across Indigenous Lands Benjamin Hoy,《血与土的界线:跨越土著土地建立加拿大-美国边界》
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Canadian Journal of History-Annales Canadiennes d Histoire Pub Date : 2021-12-01 DOI: 10.3138/cjh.56-3-br10
Brenden W. Rensink
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引用次数: 1
Larry Eugene Rivers, Father James Page: An Enslaved Preacher’s Climb to Freedom 拉里·尤金·里弗斯,《詹姆斯·佩奇神父:一个被奴役的传教士走向自由》
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Canadian Journal of History-Annales Canadiennes d Histoire Pub Date : 2021-12-01 DOI: 10.3138/cjh.56-3-br01
Loren Schweninger
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引用次数: 0
Martha Hanna, Anxious Days and Tearful Nights: Canadian War Wives during the Great War 《焦虑的日子和流泪的夜晚:大战期间的加拿大战争妻子》
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Canadian Journal of History-Annales Canadiennes d Histoire Pub Date : 2021-12-01 DOI: 10.3138/cjh.56-3-br14
S. Glassford
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引用次数: 0
Paolo Galluzzi, The Italian Renaissance of Machines Paolo Galluzzi,意大利机器文艺复兴
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Canadian Journal of History-Annales Canadiennes d Histoire Pub Date : 2021-12-01 DOI: 10.3138/cjh.56-3-br05
N. Tarrant
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引用次数: 0
Myra J. Hird, Canada’s Waste Flows 迈拉·j·赫德:《加拿大的废物流动》
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Canadian Journal of History-Annales Canadiennes d Histoire Pub Date : 2021-12-01 DOI: 10.3138/cjh.56-3-br17
M. Hatvany
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引用次数: 0
Jeremiah D. Lambert and Geoffrey S. Stewart, The Anointed: New York’s White Shoe Law Firms — How They Started, How They Grew, and How They Ran the Country 耶利米·d·兰伯特和杰弗里·s·斯图尔特,《受膏者:纽约的白鞋律师事务所——他们如何开始,如何成长,以及他们如何管理国家》
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Canadian Journal of History-Annales Canadiennes d Histoire Pub Date : 2021-12-01 DOI: 10.3138/cjh.56-3-br12
F. Carroll
{"title":"Jeremiah D. Lambert and Geoffrey S. Stewart, The Anointed: New York’s White Shoe Law Firms — How They Started, How They Grew, and How They Ran the Country","authors":"F. Carroll","doi":"10.3138/cjh.56-3-br12","DOIUrl":"https://doi.org/10.3138/cjh.56-3-br12","url":null,"abstract":"","PeriodicalId":43085,"journal":{"name":"Canadian Journal of History-Annales Canadiennes d Histoire","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43593203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“We Don’t Have Those American Problems”: Anti-Black Practices in Canada’s Rap Music Marketplace, 1985–2020 “我们没有那些美国问题”:1985-2020年加拿大说唱音乐市场的反黑人做法
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Canadian Journal of History-Annales Canadiennes d Histoire Pub Date : 2021-12-01 DOI: 10.3138/cjh.56-3-2021-0106
Francesca D’Amico-Cuthbert
{"title":"“We Don’t Have Those American Problems”: Anti-Black Practices in Canada’s Rap Music Marketplace, 1985–2020","authors":"Francesca D’Amico-Cuthbert","doi":"10.3138/cjh.56-3-2021-0106","DOIUrl":"https://doi.org/10.3138/cjh.56-3-2021-0106","url":null,"abstract":"Abstract:Beginning in the early to mid 1980s, Hip Hop culture appeared on Canadian stages and in homes, even as it was limited in supply on commercial radio and television. Unlike their American counterparts, mainstream Canadian emcees (many of whom were racialized as Black and identified with the city of Toronto) were notably dependent upon personal finances, under-resourced independent record labels, distribution deals, and state and not-for-profit grant monies to subsidize the conceptualization, production, and promotion of their art. Labelled “urban music” in an attempt to spatialize and covertly reference Blackness, Hip Hop in Canada, from the outset, was mapped against, in conflict with, and outside of the national imaginary. While building local scenes, an independent label system, and a cross-Canada college radio, television, and live music infrastructure and audience, Hip Hop artists developed spaces of resistance, circumvented industry-generated obstacles, and defined success on their own terms — all of which suggested that they were not solely at the will of the dominant white music industry. And yet artists simultaneously encountered anti-Black practices that constrained the creation and sustenance of a nationwide Hip Hop infrastructure and denoted an inequitable structuring of support for the arts in Canada. By examining the interface of Blackness, art, and the racial economy of Canada’s creative industries, this article will outline instances of Canada’s anti-Black racism as well as the challenges Hip Hop artists and industry professionals have faced in the areas of recording and label relations, music sales, broadcasting regulations, and the accolade system. These social relations — many of which are rooted in longer histories of race relations and anti-Blackness in Canada — resulted in industry-wide policies, practices, norms, and ideologies that unfairly disadvantaged Black artists and undermined the realization and marketplace potential of a Hip Hop infrastructure within and beyond Canada.Résumé:Depuis le début des années 1980 jusqu’au milieu de cette décennie, la culture du hip-hop est apparue sur la scène canadienne et dans les ménages, même si sa diffusion était limitée sur les radios et télévisions commerciales. À l’inverse de leurs confrères américains, les principaux rappeurs canadiens (nombre d’entre eux furent racialisés comme Noirs et s’identifièrent à la ville de Toronto) dépendaient notamment de leurs budgets personnels, de la modicité des ressources de maisons de disque indépendantes, des contrats de distribution, ainsi que des subventions d’organismes publics et sans but lucratif pour financer la conceptualisation, la production et la promotion de leur art. Étiqueté comme étant de la « musique urbaine » dans une tentative visant à faire discrètement référence aux Noirs et à les spatialiser, le hip-hop au Canada, dès le départ, a été mis en correspondance avec des pratiques extérieures à l’imaginaire national, en con","PeriodicalId":43085,"journal":{"name":"Canadian Journal of History-Annales Canadiennes d Histoire","volume":"56 1","pages":"320 - 352"},"PeriodicalIF":0.3,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46913234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Amanda Carvery-Taylor, A Love Letter to Africville 阿曼达·卡弗里-泰勒《给非洲城的情书
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Canadian Journal of History-Annales Canadiennes d Histoire Pub Date : 2021-12-01 DOI: 10.3138/cjh.56-3-br02
Stephanie Dotto
{"title":"Amanda Carvery-Taylor, A Love Letter to Africville","authors":"Stephanie Dotto","doi":"10.3138/cjh.56-3-br02","DOIUrl":"https://doi.org/10.3138/cjh.56-3-br02","url":null,"abstract":"","PeriodicalId":43085,"journal":{"name":"Canadian Journal of History-Annales Canadiennes d Histoire","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42625710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Makers and Keepers: Two Lives, through Photographs 制造者和守护者:通过照片看两个人的生活
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Canadian Journal of History-Annales Canadiennes d Histoire Pub Date : 2021-12-01 DOI: 10.3138/cjh.56-3-2021-0044
Kelann Currie-Williams
{"title":"Makers and Keepers: Two Lives, through Photographs","authors":"Kelann Currie-Williams","doi":"10.3138/cjh.56-3-2021-0044","DOIUrl":"https://doi.org/10.3138/cjh.56-3-2021-0044","url":null,"abstract":"Abstract:Looking through the pages of family photo albums or the folders of photographic archival fonds can only be described as holding history in your hands. Whether it is in the form of colour or black and white prints, negatives, or slides, these photo-objects carry histories of lives lived that go beyond their frames. Focusing on a set of oral history interviews conducted with two Black women living in Montréal — a community photographer or image “maker” who was most active during the 1970s–1990s and a photo-collector or “keeper” who is currently active in preserving and sharing photographs for her church and wider communities within the city — this article engages with how the interweaving of photography and oral history gives us a rich way to experience the histories of Black social life in Montréal. Photo-led oral history interviews are sites for fruitful and in-depth conversation, providing interviewee and interviewer alike with the possibility of coming into encounter with everyday or minor histories that are too often overlooked. Moreover, this article is driven by a set entwined questions: How does oral testimony open up additional avenues for sharing the events of the past that have been captured through photographic images? What affective and relational qualities do photographs possess and how, in turn, do these qualities transform the space of the oral history interview? And, most urgently, why was photography used by Black Montréalers as a tool and a practice to remember and insist upon their collective presence?Résumé:Parcourir les pages des albums de photographies familiales ou les dossiers de découvertes d’archives photographiques ne peut qu’être interprété comme le fait de tenir l’histoire entre les mains. Quelles soient sous la forme de tirages noir et blanc ou de tirages couleurs, de négatifs ou de diapositives, ces objets-photos sont chargés d’histoires de vies vécues qui vont au-delà de leurs simples cadres. S’appuyant sur un ensemble d’entrevues menées auprès de deux femmes noires vivant à Montréal — une photographe communautaire ou « créatrice » d’images qui fut particulièrement active au cours des années 1970 à 1990 et une « gardienne » ou collectionneuse de photographies qui joue actuellement un rôle actif dans la préservation et le partage de photographies de son église et de l’ensemble de sa communauté dans la ville — le présent article examine la façon dont l’imbrication de la photographie et de l’histoire orale donne à voir une manière riche de vivre les histoires de la vie sociale des personnes Noirs à Montréal. Les entrevues d’histoire orale axées sur la photographie constituent des lieux de discussions fructueuses et approfondies, qui offrent aussi bien à la personne interviewée qu’à l’intervieweur la possibilité de découvrir les histoires quotidiennes ou mineures qui sont trop sou-vent occultées. De plus, cet article cherche à apporter des éléments de réponse à un ensemble de questions imbriquées : comment le t","PeriodicalId":43085,"journal":{"name":"Canadian Journal of History-Annales Canadiennes d Histoire","volume":"56 1","pages":"292 - 319"},"PeriodicalIF":0.3,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48616113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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