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« Nous »! “我们”!
4区 文学
ARCADIA Pub Date : 2021-01-26 DOI: 10.1515/arcadia-2016-0006
Bart Van den Bossche, Barbara Meazzi
{"title":"« Nous »!","authors":"Bart Van den Bossche, Barbara Meazzi","doi":"10.1515/arcadia-2016-0006","DOIUrl":"https://doi.org/10.1515/arcadia-2016-0006","url":null,"abstract":"In the first decades of the twentieth century, the act of participating in any form of artist gathering was one of the defining characteristics of the historical avant-gardes. The aim of this essay is to analyze the modalities and implications of group formation and collective speaking in the context of the avantgardes, taking into account the often heterogeneous objectives and the different contexts of these collective undertakings and discourses. Special attention will be devoted to the discursive articulation of group formation – the use of a performative ‘we,’ alongside concepts such as ‘group’ or the label of a movement – with attention also being paid towards the distinct tension between groups as institutionalized phenomena and groups offering alternative ways of social organization (apart from established artistic or institutional circles).","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"73 1","pages":"67 - 94"},"PeriodicalIF":0.0,"publicationDate":"2021-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85650179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
Kafka Shared Between Blanchot and Sartre 卡夫卡在布朗肖和萨特之间的分享
4区 文学
ARCADIA Pub Date : 2020-11-09 DOI: 10.1515/ARCADIA-2020-2010
A. Rooden
{"title":"Kafka Shared Between Blanchot and Sartre","authors":"A. Rooden","doi":"10.1515/ARCADIA-2020-2010","DOIUrl":"https://doi.org/10.1515/ARCADIA-2020-2010","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"103 1","pages":"239-259"},"PeriodicalIF":0.0,"publicationDate":"2020-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77690786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Christoph Schaub: Proletarische Welten. Internationalistische Weltliteratur in der Weimarer Republik. Berlin und Boston, MA: De Gruyter, 2019. 256 S. 克里斯多夫的无产世界。在魏玛共和国的国际民族主义文学。柏林与波士顿，马，德格鲁耶特，2019256 . .
4区 文学
ARCADIA Pub Date : 2020-11-01 DOI: 10.1515/arcadia-2020-2006
Steffen Hendel
{"title":"Christoph Schaub: Proletarische Welten. Internationalistische Weltliteratur in der Weimarer Republik. Berlin und Boston, MA: De Gruyter, 2019. 256 S.","authors":"Steffen Hendel","doi":"10.1515/arcadia-2020-2006","DOIUrl":"https://doi.org/10.1515/arcadia-2020-2006","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"31 1","pages":"322 - 332"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80230144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Daniel Göcht: Mimesis – Subjektivität – Realismus. Eine kritisch-systematische Rekonstruktion der materialistischen Theorie der Kunst in Georg Lukács’ Die Eigenart des Ästhetischen. Bielefeld: Aisthesis Verlag (Lukács-Studien, Bd. 2), 2017. 331 S. 丹尼尔·哥特尼:拟态——主题性——现实主义是个kritisch-systematische物质重建艺术理论在乔治路á’不损耗的审美.比勒费尔德:Aisthesis出版社(ács-Studien 4:39 . 2), 2017 .331 . .
4区 文学
ARCADIA Pub Date : 2020-11-01 DOI: 10.1515/arcadia-2020-2007
Zoltán Hidas
{"title":"Daniel Göcht: Mimesis – Subjektivität – Realismus. Eine kritisch-systematische Rekonstruktion der materialistischen Theorie der Kunst in Georg Lukács’ Die Eigenart des Ästhetischen. Bielefeld: Aisthesis Verlag (Lukács-Studien, Bd. 2), 2017. 331 S.","authors":"Zoltán Hidas","doi":"10.1515/arcadia-2020-2007","DOIUrl":"https://doi.org/10.1515/arcadia-2020-2007","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"140 1","pages":"288 - 292"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73468340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
German-Italian Literary Connections in the Late Middle Ages: Boccaccio’s The Decameron in Light of Some Late Medieval German Narrative Precedents 中世纪晚期的德意文学联系:从中世纪晚期德国叙事先例看薄伽丘的《十日谈》
4区 文学
ARCADIA Pub Date : 2020-11-01 DOI: 10.1515/arcadia-2020-2001
A. Classen
{"title":"German-Italian Literary Connections in the Late Middle Ages: Boccaccio’s The Decameron in Light of Some Late Medieval German Narrative Precedents","authors":"A. Classen","doi":"10.1515/arcadia-2020-2001","DOIUrl":"https://doi.org/10.1515/arcadia-2020-2001","url":null,"abstract":"Abstract Comparative research focused on medieval literature continues to be characterized by many desiderata, especially with regard to the fruitful relationships between late medieval verse narratives, mæren, and the famous Italian storyteller Boccaccio and his Decameron. This paper brings to light four significant Middle High German verse narratives from the 13th or early-14th century that demonstrate remarkable similarities with stories contained in Boccaccio’s Decameron. While the study of Boccaccio’s sources has traditionally been focused primarily on Old French (fabliaux) or Latin sources, here I introduce a number of texts that were composed just a few decades earlier and which express, in surprising parallel, strikingly similar themes that could be straight from the textbook the Italian poet might have drawn from. We have, of course, no specific evidence as to Boccaccio’s direct familiarity with late-medieval German literature, but the motif analysis reveals major parallels between the examples in The Decameron and in those mæren.","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"3 1","pages":"260 - 278"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85988047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dorothea Flothow, Markus Oppolzer und Sabine Coelsch-Foisner, Hgg.: The Essay. Forms and Transformations. Heidelberg: Winter, 2017. 337 S. Dorothea Flothow, Markus Oppolzer和Sabine Coelsch-Foisner, Hgg。:随笔。形式和转换。海德堡:2017年冬季。337年代。
4区 文学
ARCADIA Pub Date : 2020-11-01 DOI: 10.1515/arcadia-2020-2005
Albert Göschl
{"title":"Dorothea Flothow, Markus Oppolzer und Sabine Coelsch-Foisner, Hgg.: The Essay. Forms and Transformations. Heidelberg: Winter, 2017. 337 S.","authors":"Albert Göschl","doi":"10.1515/arcadia-2020-2005","DOIUrl":"https://doi.org/10.1515/arcadia-2020-2005","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"38 1","pages":"308 - 310"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75505488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Interfiguralitätsstrategien: Fontanes realistische Melusine als transfiktionales Phänomen 相互作用的战略:隐晦的现实主义
4区 文学
ARCADIA Pub Date : 2020-11-01 DOI: 10.1515/arcadia-2020-2011
Paula Wojcik
{"title":"Interfiguralitätsstrategien: Fontanes realistische Melusine als transfiktionales Phänomen","authors":"Paula Wojcik","doi":"10.1515/arcadia-2020-2011","DOIUrl":"https://doi.org/10.1515/arcadia-2020-2011","url":null,"abstract":"Abstract Realistic conceptions of genuinely fantastic literary or mythical characters, such as Theodor Fontane’s Melusine, represent what Umberto Eco refers to as “floating individuals.” These characters are transfictional as they are highly decontextualized from their narrative origin and thus a challenge for intertextuality and intermedia studies: the name implies a relationship with another text or medium but the representation does not offer any information about the relationship’s quality. To examine the range of (re-)presentation strategies and to shed some light on the transfictional background of the character as it is represented in Theodor Fontane’s novel Der Stechlin, I borrow ‘interfigurality’ as an umbrella term from Wolfgang G. Müller. Fontane’s myth-reflexive intermedia strategies come fully to the fore in contrast with the unknown novel Lady Melusine by Eufemia von Ballestrem on the one hand and in comparison with contemporary art on the other. The localization within an intermedia network reveals that the practice of the literary re-production of realistic characters as a “work on myth” (Blumenberg) is reflexive and critical or affirmative towards popular usage such as branding, labeling, or namedropping.","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"23 1","pages":"210 - 238"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80885434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Frontmatter
4区 文学
ARCADIA Pub Date : 2020-11-01 DOI: 10.1515/arcadia-2020-frontmatter2
{"title":"Frontmatter","authors":"","doi":"10.1515/arcadia-2020-frontmatter2","DOIUrl":"https://doi.org/10.1515/arcadia-2020-frontmatter2","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"50 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83369345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Éva Knapp und Gábor Tüskés: Litterae Hungariae. Transformationsprozesse im europäischen Kontext (16.–18. Jahrhundert). Münster: readbox unipress, 2018. 592 S. É短缺和退伍军人事务部Gábor Tüskés: Litterae Hungariae .18世纪欧洲的经济转型世纪).编剧联盟，2018年592 . .
4区 文学
ARCADIA Pub Date : 2020-11-01 DOI: 10.1515/arcadia-2020-2008
K. Kókai
{"title":"Éva Knapp und Gábor Tüskés: Litterae Hungariae. Transformationsprozesse im europäischen Kontext (16.–18. Jahrhundert). Münster: readbox unipress, 2018. 592 S.","authors":"K. Kókai","doi":"10.1515/arcadia-2020-2008","DOIUrl":"https://doi.org/10.1515/arcadia-2020-2008","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"22 1","pages":"301 - 307"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87149845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ulisse Dogà: „Von der Armut am Geiste.“ Die Geschichtsphilosophie des jungen Lukács. Bielefeld: Aisthesis (Lukács-Studien, Bd. 3), 2019. 376 S.
4区 文学
ARCADIA Pub Date : 2020-11-01 DOI: 10.1515/arcadia-2020-2009
Anna Zsellér
{"title":"Ulisse Dogà: „Von der Armut am Geiste.“ Die Geschichtsphilosophie des jungen Lukács. Bielefeld: Aisthesis (Lukács-Studien, Bd. 3), 2019. 376 S.","authors":"Anna Zsellér","doi":"10.1515/arcadia-2020-2009","DOIUrl":"https://doi.org/10.1515/arcadia-2020-2009","url":null,"abstract":"Ulisse Dogà, dessen zweites Buch über Celan einem einzigen Gedicht gewidmet ist, folgt mit seinem neuen Buch ebenfalls dem Prinzip der exzentrischen Konzentration auf ein Werk. Mit »Von der Armut am Geiste«: Die Geschichtsphilosophie des jungen Lukács eröffnet er wieder ein „unheimliches Panorama“ durch eine „philologisch präzise Lektüre“, wie Johannes Steinzinger anlässlich des Celan‐ Buches bemerkte; allerdings entsteht diesmal ein Panorama, das rein textwissenschaftlich betrachtet in einen Abgrund blicken lässt, da Dogàs Arbeit die ‚Interpretation‘ eines Buches leistet, die in einer endgültigen und abgerundeten Form nie entstanden ist: des Buches von Georg Lukács über Dostojewski. Die Theorie des Romans (verfasst 1915) kann nach Lukács als „Einleitungskapitel“ (24) dieses geplanten, umfassenden Werks betrachtet werden. Zur nie geschriebenen Arbeit Lukács’ über Dostojewski, deren Konturen und Aufbau in den sog. DostojewskiNotizen überliefert sind, heißt es bei Dogà: „Es sollte ein Buch sein, das alle fragmentarischen, apodiktischen Äußerungen Lukács’ der Jahre 1911–1917 über Dostojewski in eine klare und definitive Richtung stellt und löst.” (116) Sogar wenn man den Worten Agambens Glauben schenkt, dass „[j]edes geschriebene Werk [...] als Vorwort (oder eher als verlorene Wachsschicht) eines nie geschriebenen Werkes betrachtet werden [kann]”, ist man geneigt, dem Unternehmen, das die Interpretation eines nicht fertig geschriebenen Werks anzielt, mit Skepsis zu begegnen. Doch das Versprechen der vorliegenden Arbeit ist, genauer betrachtet, nicht lediglich eine Interpretation der fragmentarischen Notizen zu leisten, sondern diese Notizen in den breit verstandenen ideengeschichtlichen und literaturhistorischen Kontext einzubetten. Insofern handelt es sich hier eher um eine","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"24 1","pages":"293 - 300"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73903703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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