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Rewind, Forward, Skip: Tabs of Memory to play with the Narrative Tempo 倒带，前进，跳过:记忆标签播放叙事节奏
4区 文学
ARCADIA Pub Date : 2023-11-01 DOI: 10.1515/arcadia-2023-2021
Shipra Tholia, Amar Singh
{"title":"Rewind, Forward, Skip: Tabs of Memory to play with the Narrative Tempo","authors":"Shipra Tholia, Amar Singh","doi":"10.1515/arcadia-2023-2021","DOIUrl":"https://doi.org/10.1515/arcadia-2023-2021","url":null,"abstract":"Abstract Memory narratives, like all fictional narratives, are characterized by variation in narrative pace, resulting from a variety of staging strategies. In memory literature, the change in narrative pace is particularly evident because the representation of memory encourages a variety of narrative pacing strategies – from acceleration to deceleration. A great deal of attention is given to the representation of memory content when reviewing narratology from a memory studies perspective. There is, however, one aspect that is often overlooked, namely the way in which memories themselves determine the pace of the narrative. Memory content not only affects the narrative pace in significant ways but in most cases, the representation of memory also dictates the narrative pace by employing several memory-elicited pace strategies. As part of this paper, we propose a narratological approach that emphasizes narrative pace as the basis for analyzing the memory literature related to transgenerational memory communication. This paper examines the narrative techniques in the the construction of memory-elicited narrative pace. Furthermore, this paper discusses how memory itself takes on different roles based on varying narrative paces and how memory itself can influence narrative pace. The paper uses three memory novels as case studies: Herzklappen von Johnson & Johnson by Valerie Fritsch, Briefe nach Breslau: Meine Geschichte über drei Generation by Maya Lasker-Wallfisch, and Zurück nach Berlin: wie mein Vater mit mir in seine Vergangenheit reiste by Jonathan Lichtenstein. Each of these novels focuses on the transmission of a transgenerational memory of World War II. Using examples from these novels, this paper explains how the suturing of memory content generates the five primary rhythms of narrative movement: ellipsis, summary, stretch, pause, and scene.","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"13 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135565759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Robert Walsers Sprachbildlichkeit: Im Trialog mit Thomas Hirschhorns Ruinen und Mark Wallingers Schattenspielen 罗伯特·瓦尔斯勒的语调:在“戏剧”中，托马斯·赫什霍恩的遗址，和马克·沃林格的影子
4区 文学
ARCADIA Pub Date : 2023-11-01 DOI: 10.1515/arcadia-2023-2022
Ulrike Steierwald
{"title":"Robert Walsers Sprachbildlichkeit: Im Trialog mit Thomas Hirschhorns Ruinen und Mark Wallingers Schattenspielen","authors":"Ulrike Steierwald","doi":"10.1515/arcadia-2023-2022","DOIUrl":"https://doi.org/10.1515/arcadia-2023-2022","url":null,"abstract":"Abstract In the linguistic imagery of his texts and also in his consistent biographical retreat, the author Robert Walser presents the riddles of an aesthetic relationship between self and other to the world. From the diversity of his extremely relational view of the world emerges a tension-rich charge of his texts, which is taken up by numerous visual artists. The tension consists in the simultaneity of abstraction and vividness, of cosmographic expansion and extreme reduction (e. g., in the micrograms), of similarity as well as difference. Thomas Hirschhorn and Mark Wallinger are quite similar in their love for Walser, but they are far apart in their artistic consequences. They shape the extremely relational and yet always precarious view of the world either in adhesions or volatility, physicality or shadow, publicity or isolation, ruins or paths, concretizations or abstractions. A politically effective aesthetic connects the two artists with Robert Walser in a poetic trialogue, for it is a matter of communication and discursive exposition, not of enlightenment or agitation.","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"13 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135565760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Frontmatter 头版头条
4区 文学
ARCADIA Pub Date : 2023-11-01 DOI: 10.1515/arcadia-2023-frontmatter2
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引用次数: 0
Adrian Robanus: Romantiere: Zoopoetik bei Wieland und Wezel. Stuttgart: Metzler, 2021 (Cultural Animal Studies). 325 pp. 爱情动作片维兰德和维柔尔斯图加特:Metzler侦查大脑325 pp工作.
4区 文学
ARCADIA Pub Date : 2023-11-01 DOI: 10.1515/arcadia-2023-2017
Elystan Griffiths
{"title":"Adrian Robanus: <i>Romantiere: Zoopoetik bei Wieland und Wezel</i>. Stuttgart: Metzler, 2021 (Cultural Animal Studies). 325 pp.","authors":"Elystan Griffiths","doi":"10.1515/arcadia-2023-2017","DOIUrl":"https://doi.org/10.1515/arcadia-2023-2017","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"13 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135565757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vera Zimmermann: Grenzenlos menschlich? Tierethische Positionen bei Elias Canetti, Marlen Haushofer und Brigitte Kronauer. Bielefeld: transcript, 2021. 274 S. 无限的人类?Elias Canetti、marley豪佛还有布里吉特·克洛伊的动物道德"转换" 2021274 . .
4区 文学
ARCADIA Pub Date : 2023-11-01 DOI: 10.1515/arcadia-2023-2020
Naren Tanko
{"title":"Vera Zimmermann: <i>Grenzenlos menschlich? Tierethische Positionen bei Elias Canetti, Marlen Haushofer und Brigitte Kronauer</i>. Bielefeld: transcript, 2021. 274 S.","authors":"Naren Tanko","doi":"10.1515/arcadia-2023-2020","DOIUrl":"https://doi.org/10.1515/arcadia-2023-2020","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"15 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135565748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The stage-within-the-screen: Peter Brook’s film adaptation of King Lear 银幕中的舞台:彼得·布鲁克改编自《李尔王》的电影
4区 文学
ARCADIA Pub Date : 2023-11-01 DOI: 10.1515/arcadia-2023-2015
Paulo da Silva Gregório
{"title":"The stage-within-the-screen: Peter Brook’s film adaptation of <i>King Lear</i>","authors":"Paulo da Silva Gregório","doi":"10.1515/arcadia-2023-2015","DOIUrl":"https://doi.org/10.1515/arcadia-2023-2015","url":null,"abstract":"Abstract In his film of King Lear (1971), Peter Brook reimagined his landmark production of the play on screen through an intricate interplay of theatrical and cinematic codes. This article revisits Brook’s adaptation, focusing on how its much-discussed debt to theatrical traditions relates to broader issues regarding the production and reception of Shakespearean films in the UK. I argue that the film’s overt affiliation to theatre sets it apart from other Anglophone adaptations of Shakespeare grounded in Hollywoodian conventions that broaden considerably their potential to reach a global audience across time and location. In establishing strong links between his film and the RSC production, Brook’s counter-cinematic approach to filmic storytelling, alongside his casting of acclaimed stage actors, asserted the authority of theatre as a privileged medium where Shakespeare is made to signify. We shall see that the various marks of site-specific theatrical traditions in the film underscore its appeal to a local – rather than global – audience, thus dismantling essentialist and universalist views of Anglophone adaptations of Shakespeare on screen.","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135565751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hanjo Berressem: Ökologien des Lesens. Für eine erweiterte Philologie. Bielefeld: Transcript, 2022. 146pp. 哈罗·贝尔ressem特别报告作为一个复杂的语言学。比勒菲尔德超标2022146pp .
4区 文学
ARCADIA Pub Date : 2023-11-01 DOI: 10.1515/arcadia-2023-2018
Jacob Haubenreich
{"title":"Hanjo Berressem: <i>Ökologien des Lesens. Für eine erweiterte Philologie</i>. Bielefeld: Transcript, 2022. 146pp.","authors":"Jacob Haubenreich","doi":"10.1515/arcadia-2023-2018","DOIUrl":"https://doi.org/10.1515/arcadia-2023-2018","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"13 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135565758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imitation and the Inimitable: Scenes of (Failing) Translation in Goethe’s Lehrjahre and Novelle 模仿与不可模仿:歌德《文学》与《中篇小说》翻译(失败)的场景
4区 文学
ARCADIA Pub Date : 2023-11-01 DOI: 10.1515/arcadia-2023-2023
Dirk Weissmann
{"title":"Imitation and the Inimitable: Scenes of (Failing) Translation in Goethe’s <i>Lehrjahre</i> and <i>Novelle</i>","authors":"Dirk Weissmann","doi":"10.1515/arcadia-2023-2023","DOIUrl":"https://doi.org/10.1515/arcadia-2023-2023","url":null,"abstract":"Abstract This paper explores the theme of translation, pseudo-translation, and multilingualism in Goethe’s Lehrjahre and Novelle . Both texts stage processes of (failing) translation in order to reflect on issues of linguistic identity and linguistic homogeneity. Overall, Goethe’s latent inclusion of different languages in these texts demonstrates his deep engagement with language diversity, as he resisted the monolingualizing tendencies of his time. The paper argues that the two novels underscore the tension between embracing linguistic otherness and conforming to monolingual norms in German classicism.","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"14 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135565755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Annie Bourneuf: Behind the Angel of History: The Angelus Novus and Its Interleaf. Chicago: U of Chicago P, 2022. 151 pp. 安妮·伯纳夫:《历史天使的背后:新Angelus Novus及其交错》。芝加哥:芝加哥大学，2022。151页。
4区 文学
ARCADIA Pub Date : 2023-11-01 DOI: 10.1515/arcadia-2023-2024
Olivia Gilbert
{"title":"Annie Bourneuf: <i>Behind the Angel of History: The Angelus Novus and Its Interleaf</i>. Chicago: U of Chicago P, 2022. 151 pp.","authors":"Olivia Gilbert","doi":"10.1515/arcadia-2023-2024","DOIUrl":"https://doi.org/10.1515/arcadia-2023-2024","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135565762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nizami, Profane Love and the Melancholy Tradition: Uncovering Amor Heroes in the Indian Princess’ Tale in Seven Beauties 亵渎的爱与忧郁的传统:《七美人》中印度公主故事中的爱情英雄
4区 文学
ARCADIA Pub Date : 2023-11-01 DOI: 10.1515/arcadia-2023-2014
Javid Aliyev
{"title":"Nizami, Profane Love and the Melancholy Tradition: Uncovering <i>Amor Heroes</i> in the Indian Princess’ Tale in <i>Seven Beauties</i>","authors":"Javid Aliyev","doi":"10.1515/arcadia-2023-2014","DOIUrl":"https://doi.org/10.1515/arcadia-2023-2014","url":null,"abstract":"Abstract Nizami Ganjavi’s fourth epic poem, Seven Beauties offers a cohesive picture of many variations or ‘colors’ of love and occupies a prominent position in his prolific oeuvre. Although much has been written on mystical love in Nizami’s works, the status of profane love remains somewhat neglected. A concept introduced through the Latin translation of an Arabic medical treatise on love during the medieval period, studies on profane love gave rise to a specific form of melancholy, referred as amor heroes or love-melancholy in various medico-literary texts. As a polymath, it can be speculated that Nizami’s interests in medicine probably extended to this type of amorous sickness. Upon close reading of the famous tale “King of Black”, clear parallels can be discerned between the literary depiction of the love-lorn king and the medical symptoms of love-melancholy. Therefore, the main aim of this study is to elucidate this connection by drawing on the Galenic and Arabic medical texts on love and melancholy, which eventually influenced Nizami and found its reverberations in the tale of the Indian Princess in Seven Beauties .","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"15 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135565750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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