4区文学

ARCADIA Pub Date : 2021-11-01 DOI: 10.1515/arcadia-2021-9029

Alyson Miller

{"title":"A Digital Revolution? Insiders, Outsiders, and the “Disruptive Potential” of Instapoetry","authors":"Alyson Miller","doi":"10.1515/arcadia-2021-9029","DOIUrl":"https://doi.org/10.1515/arcadia-2021-9029","url":null,"abstract":"Abstract Whilst frequently dismissed as “cliché, banal, derivative, portentous, repetitive, and manipulative” (Hodgkinson), offering little other than “fidget-spinner” distractions to appease the masses (Roberts), Instapoetry is a slippery, intricate mode. The simplicity of its aesthetic belies its complex political manoeuvrings, marked by an imperative towards a progressive ideology that contests the sexism and racism of dominant culture. Indeed, despite its “byte-sized” accessibility (Bresge), Instapoetry is deceptive, evoking discourses of ‘outsiderness’ that locate the genre within an often-problematic logic of rebellion. Examining black feminist Instapoets such as Aja Monet, Yrsa Daley-Ward, and Nayyirah Waheed, as well as ‘superstars’ of the genre, including Rupi Kaur, Atticus, and Nikita Gill, this paper argues that there is a persistent disjuncture between the extra-textual commentary surrounding Instapoetry, particularly by way of interviews and artistic statements, and the content of works which repeatedly reinscribe conservative, patriarchal, and heteronormative worldviews. Whilst the pithy convenience of new media poetries has undoubtedly helped magnify oppressed voices and perspectives, it has also, more cynically, fostered an insistence on universality that erases complexity and difference in the (largely aesthetic) interests of harmony, and the appeasement of both dominant and minority cultures.","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"45 1","pages":"161 - 182"},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81878845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

„Wir Nichtgnostiker“: Die Hitler-Engelhardt-Parallele in Christian Krachts Imperium

4区文学

ARCADIA Pub Date : 2021-11-01 DOI: 10.1515/arcadia-2021-9028

S. Feldhaus

{"title":"„Wir Nichtgnostiker“: Die Hitler-Engelhardt-Parallele in Christian Krachts Imperium","authors":"S. Feldhaus","doi":"10.1515/arcadia-2021-9028","DOIUrl":"https://doi.org/10.1515/arcadia-2021-9028","url":null,"abstract":"Abstract In 2012 Georg Diez provoked a literary scandal with his review of Christian Kracht’s novel Imperium. Since then, almost ninety informed studies which show an ongoing academic interest in the book have been published. Many of these studies attempted to explain the apparently failing analogy between Hitler and Engelhardt that the novel claimed in an irritating manner. Nevertheless, none of them took an esoteric approach which Kracht himself suggested in an interview with Denis Scheck as a starting point for their analyses, although esoteric references seem to be an ignored constant in Kracht’s oeuvre since Tristesse Royale. Hence, by tracing this esoteric intertextuality in the whole of Kracht’s oeuvre and linking it to the references which Kracht makes to right-wing ideologies since Faserland, it will be shown that there actually does exist an analogy between Hitler and Engelhardt in Imperium which aims to deconstruct Hitler mythemes by ridiculizing Engelhardt. Furthermore, it will be demonstrated that the interrelations between Kracht’s texts create a rhizomatic network of intertextuality that dissolves the boarders between external references and self-references.","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"20 1","pages":"183 - 203"},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76973392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Frontmatter

4区文学

ARCADIA Pub Date : 2021-11-01 DOI: 10.1515/arcadia-2021-frontmatter2

引用次数: 0

How Not to Become Tolerant: Habitus and Affects in Lessing’s Nathan the Wise 如何不变得宽容:莱辛《智者内森》中的习惯与情感

4区文学

ARCADIA Pub Date : 2021-11-01 DOI: 10.1515/arcadia-2021-9027

M. Clemens

引用次数: 0

The Exemplarity of Particulars: Arendt on Validity 细节的范例性:阿伦特论有效性

4区文学