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Beyond Thought’s Limits: Celan, Heidegger, and the Crooked Path of Art 超越思想的极限:策兰、海德格尔与弯曲的艺术之路
4区 文学
ARCADIA Pub Date : 2022-11-01 DOI: 10.1515/arcadia-2022-9057
Asif Rahamim
{"title":"Beyond Thought’s Limits: Celan, Heidegger, and the Crooked Path of Art","authors":"Asif Rahamim","doi":"10.1515/arcadia-2022-9057","DOIUrl":"https://doi.org/10.1515/arcadia-2022-9057","url":null,"abstract":"Abstract In this article I contend that Paul Celan’s poem, “Todtnauberg,” written as a follow up to his visit to Martin Heidegger’s Berghütte, should be read not only as a challenge to Heideggerian philosophy’s fundamental assumptions – primarily the notion of dwelling in the world via poetic language – but also to the very structure of philosophical thought, with its biases and inadequacies. Drawing on Celan’s idiosyncratic use of the term Verjudung I show its centrality in understanding the poem’s deconstructive move, as it applied to the binaries inherent to Heideggerian thought: pure/impure, indigenous/foreign, rooted/uprooted, and authentic/inauthentic. Posing the deconstructive qualities of the poetic against the crude decisiveness of philosophical thought, I argue that “Todtnauberg” ‘catches’ Heideggerian thought unprepared, as it presents it with its own blind spots, misconceptions, and loose ends, and thus rattles the very ground in which it seeks to ground itself.","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"48 1","pages":"240 - 266"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74156885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
When Translation Reshapes Reception: The Curious Case of Zeruya Shalev in the German Literary Sphere of World Literature 当翻译重塑接受:泽鲁雅·沙列夫在世界文学德国文学界的奇特案例
4区 文学
ARCADIA Pub Date : 2022-11-01 DOI: 10.1515/arcadia-2022-9055
Tom Kellner
{"title":"When Translation Reshapes Reception: The Curious Case of Zeruya Shalev in the German Literary Sphere of World Literature","authors":"Tom Kellner","doi":"10.1515/arcadia-2022-9055","DOIUrl":"https://doi.org/10.1515/arcadia-2022-9055","url":null,"abstract":"Abstract This article sets out to explore the conditions that paved the way for the unique success of the German translation of Zeruya Shalev’s second novel, Love Life (Hayei ahava, 1997), offering a specific example of the potential benefits that arise from cross-cultural translations. Upon its publication in Israel, Love Life was received quite critically; it was considered too simplistic, straightforward, and feminine to be considered an ‘important’ work. However, following the novel’s translation into German by Mirjam Pressler in 2000, it gained wide recognition in Germany and soon became a best-seller, owing much to Marcel Reich-Ranicki’s unusually warm review on the television program Das literarische Quartett (The Literary Quartet). Hence, this article examines the various cultural and commercial conditions that set the backdrop for Love Life’s success as a translated work. While focusing on the reception of a specific literary text, the article surveys both Israeli and German literary spheres, and draws on the contemporary discourse in the field of World Literature. Furthermore, it offers a comprehensive discussion on translation, and demonstrates the unique position of translated literature, and specifically Hebrew literature, in the German literary field. Subsequently, the discussion sheds light not only on the circumstances that supported, if not determined, Love Life’s enthusiastic reception in Germany, but also on the extraordinary effect of this success on Shalev’s position within the Israeli literary system in the two decades that have followed.","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"182 1","pages":"319 - 338"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75737495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Eigentum und Metapher: Überlegungen zu Franz Kafkas „Der Bau“ “建筑”的意思是建造方舟
4区 文学
ARCADIA Pub Date : 2022-11-01 DOI: 10.1515/arcadia-2022-9056
A. Mohnkern
{"title":"Eigentum und Metapher: Überlegungen zu Franz Kafkas „Der Bau“","authors":"A. Mohnkern","doi":"10.1515/arcadia-2022-9056","DOIUrl":"https://doi.org/10.1515/arcadia-2022-9056","url":null,"abstract":"Abstract Franz Kafka’s “Der Bau” is, among others, a story about dwelling and real estate. This essay makes visible how Kafka’s late fragment considers aspects of law, narration, and metaphor in order to establish a (bourgeois) form of property. The character of this proprietary order is explored in the text. Particularly the often-neglected framework of property that Kafka assigns to the burrow and its monologuing resident reveals a connection to a well-known problem in Kafka’s literature, namely the problem of the institution. The reading of Kafka’s “Der Bau” therefore becomes – also in dialogue with aspects of Kant’s philosophy of law – a categorical contribution to the (metaphorical) institution of property itself.","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"16 1","pages":"215 - 239"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81644514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Agnes Hoffmann: Landschaft im Nachbild: Imaginationen von Natur in der Literatur um 1900 bei Henry James und Hugo von Hofmannsthal. Baden-Baden: Rombach Wissenschaft, 2020. 356 pp. 阿格恩·霍夫曼:自1900年起的英国文学中对自然的描绘。巴德，2020年，罗姆巴科学356 pp工作.
4区 文学
ARCADIA Pub Date : 2022-11-01 DOI: 10.1515/arcadia-2022-9060
M. Keck
{"title":"Agnes Hoffmann: Landschaft im Nachbild: Imaginationen von Natur in der Literatur um 1900 bei Henry James und Hugo von Hofmannsthal. Baden-Baden: Rombach Wissenschaft, 2020. 356 pp.","authors":"M. Keck","doi":"10.1515/arcadia-2022-9060","DOIUrl":"https://doi.org/10.1515/arcadia-2022-9060","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"2 1","pages":"366 - 371"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84659993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Varja Balžalorsky Antić: The Lyric Subject. A Reconceptualization. Übers. Erica und Lukas Debeljak. Berlin: Peter Lang, 2022. 310 Seiten.
4区 文学
ARCADIA Pub Date : 2022-11-01 DOI: 10.1515/arcadia-2022-9061
M. Pajević
{"title":"Varja Balžalorsky Antić: The Lyric Subject. A Reconceptualization. Übers. Erica und Lukas Debeljak. Berlin: Peter Lang, 2022. 310 Seiten.","authors":"M. Pajević","doi":"10.1515/arcadia-2022-9061","DOIUrl":"https://doi.org/10.1515/arcadia-2022-9061","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"82 1","pages":"377 - 382"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90817695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Doktor Faustus and its Variations on Lateness 《浮士德博士》及其《迟到变奏曲
4区 文学
ARCADIA Pub Date : 2022-11-01 DOI: 10.1515/arcadia-2022-9053
C. Cai
{"title":"Doktor Faustus and its Variations on Lateness","authors":"C. Cai","doi":"10.1515/arcadia-2022-9053","DOIUrl":"https://doi.org/10.1515/arcadia-2022-9053","url":null,"abstract":"Abstract Thomas Mann’s novel Doktor Faustus, first published 1947, tells the story of a fictional German musician, Adrian Leverkühn, paralleled with the rise and fall of Germany in the first half of the 20th century. In fact, the idea of Doktor Faustus predated Mann’s exile, and it had been already conceived as a work of lateness – a Faust, a Parsifal in prose. In the process of creating variations on lateness, Mann referred to the musical models of Beethoven, Wagner, Mahler, Schoenberg, and the music criticism of Theodor W. Adorno. As a product of Mann’s exile in Southern California, Doktor Faustus connects the concept of lateness with his experience of exile through music, as Edward Said would later point out in his reflections on “late style.” By engaging with pre-existing compositions and criticism, I will present Doktor Faustus as a novelistic rendering of musical lateness that not only engages with compositions such as Wagner’s Parsifal and Mahler’s Ninth Symphony but also sheds new light on the interpretation of lateness as an artistic and – above all – human experience.","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"29 1","pages":"282 - 300"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79308328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Donatien Grau, Hg.: Pierre Guyotat, Paris: Classiques Garnier, 2022. 280 S.
4区 文学
ARCADIA Pub Date : 2022-11-01 DOI: 10.1515/arcadia-2022-9059
Maximilian Gillessen
{"title":"Donatien Grau, Hg.: Pierre Guyotat, Paris: Classiques Garnier, 2022. 280 S.","authors":"Maximilian Gillessen","doi":"10.1515/arcadia-2022-9059","DOIUrl":"https://doi.org/10.1515/arcadia-2022-9059","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"23 1","pages":"352 - 359"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82530276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Marc Redfield: Shibboleth. Judges, Derrida, Celan. New York, NJ: Fordham UP, 2020. 176 S. 马克·雷德菲尔德:Shibboleth。法官，德里达，策兰。纽约，新泽西:福特汉姆，2020年。176年代。
4区 文学
ARCADIA Pub Date : 2022-11-01 DOI: 10.1515/arcadia-2022-9062
Jana Weiss
{"title":"Marc Redfield: Shibboleth. Judges, Derrida, Celan. New York, NJ: Fordham UP, 2020. 176 S.","authors":"Jana Weiss","doi":"10.1515/arcadia-2022-9062","DOIUrl":"https://doi.org/10.1515/arcadia-2022-9062","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"38 1","pages":"339 - 346"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77743188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rochelle Tobias: Pseudo-Memoirs: Life and Its Imitation in Modern Fiction. Lincoln: U of Nebraska P, 2021. 208 pp. 罗谢尔·托比亚斯:《伪回忆录:现代小说中的生活及其模仿》。林肯:内布拉斯加大学，2021年。208页。
4区 文学
ARCADIA Pub Date : 2022-11-01 DOI: 10.1515/arcadia-2022-9064
Dominik Zechner
{"title":"Rochelle Tobias: Pseudo-Memoirs: Life and Its Imitation in Modern Fiction. Lincoln: U of Nebraska P, 2021. 208 pp.","authors":"Dominik Zechner","doi":"10.1515/arcadia-2022-9064","DOIUrl":"https://doi.org/10.1515/arcadia-2022-9064","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"62 1","pages":"360 - 365"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83969888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jonathan Kramnick: Paper Minds: Literature and the Ecology of Consciousness. Chicago: U of Chicago P, 2018. 224 S. 乔纳森·克拉姆尼克:《纸上的心灵:文学与意识生态》。芝加哥:芝加哥大学，2018。224年代。
4区 文学
ARCADIA Pub Date : 2022-06-01 DOI: 10.1515/arcadia-2022-9049
Anna Wollenschläger
{"title":"Jonathan Kramnick: Paper Minds: Literature and the Ecology of Consciousness. Chicago: U of Chicago P, 2018. 224 S.","authors":"Anna Wollenschläger","doi":"10.1515/arcadia-2022-9049","DOIUrl":"https://doi.org/10.1515/arcadia-2022-9049","url":null,"abstract":"","PeriodicalId":43010,"journal":{"name":"ARCADIA","volume":"21 1","pages":"186 - 190"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83282331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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