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Performance review: Roméo et Juliette Suite by Benjamin Millepied 绩效评估:本杰明·米派德的《罗姆西和朱丽叶组曲》
Cahiers Élisabéthains Pub Date : 2023-04-01 DOI: 10.1177/01847678231164349
Adeline Chevrier-Bosseau
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引用次数: 0
Book review: Sir Kenelm Digby (1603–1665) by Anne-Laure de Meyer 书评:凯尼姆·迪格比爵士(1603-1665)，安妮-洛尔·德·梅耶著
Cahiers Élisabéthains Pub Date : 2023-04-01 DOI: 10.1177/01847678231163227f
Paula Barros
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引用次数: 0
Book review: Arden of Faversham by Catherine Richardson (ed.) 书评:凯瑟琳·理查森的《法弗舍姆的雅顿》(编)
Cahiers Élisabéthains Pub Date : 2023-04-01 DOI: 10.1177/01847678231163227b
K. Bradley
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引用次数: 0
Book review: Shakespeare’s Others in 21st-century European Performance: The Merchant of Venice and Othello by Boika Sokolova and Janice Valls-Russell (eds) 书评:21世纪欧洲表演中的莎士比亚:《威尼斯商人》和《奥赛罗》，作者:Boika Sokolova和Janice Valls-Russell(编)
Cahiers Élisabéthains Pub Date : 2023-04-01 DOI: 10.1177/01847678231163227h
P. Drábek
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引用次数: 0
Performance review: Othello by Clint Dyer 绩效评估:克林特·戴尔的《奥赛罗》
Cahiers Élisabéthains Pub Date : 2023-04-01 DOI: 10.1177/01847678231164349b
Coen Heijes
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引用次数: 0
Book review: Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age by Dennis Duncan 书评:丹尼斯·邓肯的《索引，历史:从中世纪手稿到数字时代的图书冒险》
Cahiers Élisabéthains Pub Date : 2023-04-01 DOI: 10.1177/01847678231163227k
C. Whitworth
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引用次数: 0
Performance review: Much Ado about Nothing by Robert Hastie 《绩效评估:无事生非》罗伯特·海斯蒂著
Cahiers Élisabéthains Pub Date : 2023-04-01 DOI: 10.1177/01847678231164349d
Pete Smith
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引用次数: 0
Book review: Milton’s Poetical Thought by Maggie Kilgour 书评:麦琪·乔高的《弥尔顿的诗性思想》
Cahiers Élisabéthains Pub Date : 2023-04-01 DOI: 10.1177/01847678231163227e
Peter J. Smith
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引用次数: 0
Book review: King Lear ‘after’ Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama by Richard Ashby 书评:《奥斯维辛之后的李尔王:战后英国戏剧中的莎士比亚、拨款和灾难剧院》，作者:理查德·阿什比
Cahiers Élisabéthains Pub Date : 2023-04-01 DOI: 10.1177/01847678231163227j
J. Schlegel
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引用次数: 0
Book review: II Teatro e la Nazione by Cristiano Ragni 《圣经评论》:《戏剧与国家》作者:克里斯蒂亚诺·蜘蛛
Cahiers Élisabéthains Pub Date : 2023-04-01 DOI: 10.1177/01847678231163227d
Valentina Monateri
{"title":"Book review: II Teatro e la Nazione by Cristiano Ragni","authors":"Valentina Monateri","doi":"10.1177/01847678231163227d","DOIUrl":"https://doi.org/10.1177/01847678231163227d","url":null,"abstract":"ginal sin and a classical (Ovidian-Epicurean) speculation on the relationship between order and disorder. In Teskey’s view, The Faerie Queene is a ‘ruin’ or incomplete poem but this view, which Teskey draws from Martin Heidegger, is not necessarily a bad thing: The Faerie Queene is a polyphonic and discursive work akin to Joyce’s Finnegans Wake. Teskey thus reveals his own poetic method in which a poem is named after it is written, and coherence is, at least potentially, often artificially placed on a work of art after its composition. While Spenser and wider Renaissance scholars may not agree with all of Teskey’s conclusions, Spenserian Moments is a delightful and convincing work. Readers will benefit from Teskey’s lifetime of reading, thinking, and writing about Renaissance literature and Western philosophy. As Teskey himself has argued, the work of Edmund Spenser is often sadly all too neglected even by Renaissance scholars. This neglect is, as Teskey convincingly agues, ironic, for Spenser is as much a ‘postmodern’ thinker as he is a child of the Renaissance.","PeriodicalId":428479,"journal":{"name":"Cahiers Élisabéthains","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133006877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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