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Epistolarity, Voice, and Reconciliation in Recent North African Documentaries 近代北非纪录片中的书信、声音与和解
IF 0.2
Area Abierta Pub Date : 2019-11-04 DOI: 10.5209/arab.65470
Sheila Petty
{"title":"Epistolarity, Voice, and Reconciliation in Recent North African Documentaries","authors":"Sheila Petty","doi":"10.5209/arab.65470","DOIUrl":"https://doi.org/10.5209/arab.65470","url":null,"abstract":"This essay takes as its starting point Laura Rascaroli’s notion of “epistolarity as argumentation” to probe how North African filmmakers Habiba Djahnine, Drifa Mezenner, and Jawad Rhalib deploy the letter in their documentary films as a strategy to come to terms with personal alienation at a specific point in their national histories. In Letter to my Sister (2006), I Lived in the Absence Twice (2011) and The Turtles’ Song: a Moroccan Revolution (2013), working within reflexive and performative modes of documentary, the filmmakers become protagonists of their own projects and find their personal voice after years of repression or exile. Thus, they ultimately connect their voice with others of the nation as strategy of reconciliation. The essay argues that these first-person documentaries use the epistolary device to allow the filmmakers to rediscover their own voices and place within their own national histories of Algeria and Morocco.","PeriodicalId":42734,"journal":{"name":"Area Abierta","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47566291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema 改编、寓言和档案:当代葡萄牙电影中的书信体叙事的语境化
IF 0.2
Area Abierta Pub Date : 2019-11-04 DOI: 10.5209/arab.65472
Nuno Jorge
{"title":"Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema","authors":"Nuno Jorge","doi":"10.5209/arab.65472","DOIUrl":"https://doi.org/10.5209/arab.65472","url":null,"abstract":"Epistolarity in cinema is commonly understood as a narrative device either fitting the so-called essay film, or resulting from filmic adaptation of literary works. A more nuanced understanding of the workings of this device is observed in films of disparate contemporary Portuguese filmmakers which adapt, rephrase and remediate letters. This article centres its attention on possible tendencies concerning epistolarity in this context, examining films that make use of the personal archive and epistolary voice, or that adapt letters to screen. It also examines filmic works that use the epistolary device to negotiate between emotional expression and historical materiality. Among others, this article discusses films such as Yama No Anata (Aya Koretzy, 2011), Correspondences (Rita Azevedo Gomes, 2016), Letters from War (Ivo M. Ferreira, 2016) and works directed by Pedro Costa and Miguel Gomes.","PeriodicalId":42734,"journal":{"name":"Area Abierta","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70671448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Epistolary Form and the Displaced Global Subject in Recent Films by James Benning and Jem Cohen 詹姆士·本宁和杰姆·科恩的书信形式和新近电影中流离失所的全球主体
IF 0.2
Area Abierta Pub Date : 2019-11-04 DOI: 10.5209/arab.63612
R. Sheehan
{"title":"Epistolary Form and the Displaced Global Subject in Recent Films by James Benning and Jem Cohen","authors":"R. Sheehan","doi":"10.5209/arab.63612","DOIUrl":"https://doi.org/10.5209/arab.63612","url":null,"abstract":"This essay focuses on the epistolary enunciation of recent works by two contemporary American filmmakers, Jem Cohen and James Benning, arguing for the stakes of viewing their films through an epistolary lens rather than the lenses of literary forms like the essay and the diary more commonly deployed to describe films that hug the boundaries between fiction and non-fiction. Looking specifically at Cohen’s Chain (2004) and Counting (2015) and Benning’s Stemple Pass (2013) and his installation Two Cabins (2011), I show how it is the epistolary enunciation of Benning’s and Cohen’s recent work that allows them to properly explore and depict the displacement of late capitalism’s subject in an increasingly globalized world. I go on to show that through epistolary enunciation both filmmakers also tap into American Transcendentalist and Pragmatist notions of individualism and selfhood that resist the homogenizing nature of late capitalism.","PeriodicalId":42734,"journal":{"name":"Area Abierta","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70671480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Liderazgo y género en la ficción: un análisis comparativo en la serie House of Cards (Netflix, 2013) 小说中的领导力和性别：纸牌屋系列的比较分析（Netflix，2013年）
IF 0.2
Area Abierta Pub Date : 2019-05-27 DOI: 10.5209/ARAB.58496
Mayte Donstrup
{"title":"Liderazgo y género en la ficción: un análisis comparativo en la serie House of Cards (Netflix, 2013)","authors":"Mayte Donstrup","doi":"10.5209/ARAB.58496","DOIUrl":"https://doi.org/10.5209/ARAB.58496","url":null,"abstract":"Este artículo analiza la ficción serial House of Cards (Netflix, 2013- ), específicamente, los roles de Claire y Frank Underwood; un estudio que dará comienzo entendiendo a los discursos televisivos ficcionales como excelentes vehículos de significados que pueden proveer a las audiencias marcos para interpretar y entender la realidad. Bajo este contexto, el interés de este análisis se centrará en un estudio comparativo sobre la representación del liderazgo femenino y masculino que se da en dicho drama político, intentando arrojar luz sobre las estrategias, positivas o negativas, que atribuye la producción a cada uno de ellos cuando detenta el poder. Para ello, se ha realizado una metodología que recoge conceptos de la narrativa audiovisual y teorías del poder, y los resultados determinan las diferencias que existen entre ambos personajes cuando ejercen el liderazgo.","PeriodicalId":42734,"journal":{"name":"Area Abierta","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/ARAB.58496","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48359498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
El papel del consultor en las producciones audiovisuales publicitarias en España durante el periodo de crisis económica (2008-2016) 经济危机期间顾问在西班牙视听广告制作中的作用（2008-2016年）
IF 0.2
Area Abierta Pub Date : 2019-05-27 DOI: 10.5209/ARAB.60463
Ana Visiers Elizaincin, Jorge Clemente Mediavilla
{"title":"El papel del consultor en las producciones audiovisuales publicitarias en España durante el periodo de crisis económica (2008-2016)","authors":"Ana Visiers Elizaincin, Jorge Clemente Mediavilla","doi":"10.5209/ARAB.60463","DOIUrl":"https://doi.org/10.5209/ARAB.60463","url":null,"abstract":"La presente investigación analiza el papel del Cost controller de los anunciantes en los procesos de producción audiovisual publicitaria en España durante la crisis económica de 2008. El estudio trata de observar si en los últimos años se ha producido un aumento de anunciantes que recurren a sus servicios, y con qué objetivo. Examinar su papel en el proceso, su formación y la forma en la que son retribuidos. La investigación se realiza a través de 23 entrevistas en profundidad a profesionales del sector: anunciantes, consultores, agencias, productoras y postproductoras. Serán los propios profesionales los que detallen el trabajo de los consultores y las ventajas y desventajas de su labor. Todo ello con la intención de mejorar los procesos de producción y, por tanto, la calidad de las producciones audiovisuales publicitarias","PeriodicalId":42734,"journal":{"name":"Area Abierta","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/ARAB.60463","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47261449","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Libertarias: el discurso hedonista de Vicente Aranda 自由主义者：维森特·阿兰达的享乐主义话语
IF 0.2
Area Abierta Pub Date : 2019-05-27 DOI: 10.5209/ARAB.60116
Jorge Úbeda, Mario Rajas, F. Miranda
{"title":"Libertarias: el discurso hedonista de Vicente Aranda","authors":"Jorge Úbeda, Mario Rajas, F. Miranda","doi":"10.5209/ARAB.60116","DOIUrl":"https://doi.org/10.5209/ARAB.60116","url":null,"abstract":"Este artículo aborda la poética de Vicente Aranda en su filme Libertarias (1996). Desde la perspectiva metodológica del análisis textual fílmico, se estudia el discurso narrativo y la construcción formal de la obra. Las conclusiones de este artículo destacan la actitud lúdica y hedonista del cineasta en el tratamiento de una historia que contiene los rasgos recurrentes de la filmografía del director tanto en la escritura del guión como en los parámetros estéticos de la realización audiovisual. \u0000 ","PeriodicalId":42734,"journal":{"name":"Area Abierta","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/ARAB.60116","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49638030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El humo flotante: la muerte y el legado en el díptico de Carmina (Paco León, 2012-2014) 漂浮的烟雾:卡米纳双联画中的死亡与遗产(Paco leon, 2012-2014)
IF 0.2
Area Abierta Pub Date : 2019-05-01 DOI: 10.5209/ARAB.60221
Aarón Rodríguez Serrano, Shaila García Catalán
{"title":"El humo flotante: la muerte y el legado en el díptico de Carmina (Paco León, 2012-2014)","authors":"Aarón Rodríguez Serrano, Shaila García Catalán","doi":"10.5209/ARAB.60221","DOIUrl":"https://doi.org/10.5209/ARAB.60221","url":null,"abstract":"El presente artículo pretende realizar un análisis textual del díptico de Carmina Barrios: Carmina o revienta (Paco León, 2012) y Carmina y amén. (Paco León, 2014). Para ello, se utiliza una combinación de microanálisis fílmico y análisis estructural que permite profundizar en los procesos de significación de los textos. El análisis arrojará resultados concretos sobre la construcción narratológica del relato (espacio, tiempo, narradores y punto de vista), así como demostrará la relación que esos recursos mantienen con el tema principal de las películas: la importancia del legado matrilineal y los mecanismos de memoria familiar en la España contemporánea.","PeriodicalId":42734,"journal":{"name":"Area Abierta","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/ARAB.60221","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70670790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
La carta como elemento de la construcción de una memoria sobre la dictadura en el documental latinoamericano contemporáneo 在当代拉丁美洲纪录片中，宪章作为构建独裁记忆的一个元素
IF 0.2
Area Abierta Pub Date : 2019-01-01 DOI: 10.5209/arab.63478
I. Dávila
{"title":"La carta como elemento de la construcción de una memoria sobre la dictadura en el documental latinoamericano contemporáneo","authors":"I. Dávila","doi":"10.5209/arab.63478","DOIUrl":"https://doi.org/10.5209/arab.63478","url":null,"abstract":"Este artículo tiene como objetivo estudiar los usos de la carta como estrategia discursiva y elemento narrativo en los films latinoamericanos contemporáneos dirigidos por familiares de militantes políticos y víctimas de los aparatos represivos de las dictaduras del Cono Sur. Con ese fin, se analizan los vínculos que entretejen tanto la enunciación epistolar como la carta, en su dimensión archivística, con el cine en primera persona y los modos performativos del audiovisual. Asimismo, se proponen diferentes modelizaciones de la memoria del pasado autoritario emprendidas por estos films: el paradigma de la resistencia, el de la víctima del terrorismo de Estado y el de la víctima colateral.","PeriodicalId":42734,"journal":{"name":"Area Abierta","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/arab.63478","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70671432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Cartografiando la epistolaridad del cine contemporáneo 绘制当代电影的书信体
IF 0.2
Area Abierta Pub Date : 2019-01-01 DOI: 10.5209/arab.66274
L. Ibáñez
{"title":"Cartografiando la epistolaridad del cine contemporáneo","authors":"L. Ibáñez","doi":"10.5209/arab.66274","DOIUrl":"https://doi.org/10.5209/arab.66274","url":null,"abstract":"","PeriodicalId":42734,"journal":{"name":"Area Abierta","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/arab.66274","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70671502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
History, Power, and Incomplete Epistolarity in Post-Soviet Cinema 后苏联电影的历史、权力与不完全书信性
IF 0.2
Area Abierta Pub Date : 2019-01-01 DOI: 10.5209/arab.65501
Seth Graham‐Acquaah
{"title":"History, Power, and Incomplete Epistolarity in Post-Soviet Cinema","authors":"Seth Graham‐Acquaah","doi":"10.5209/arab.65501","DOIUrl":"https://doi.org/10.5209/arab.65501","url":null,"abstract":"This article examines epistolary enunciation in the recent cinema of former Soviet republics (Russia, Ukraine, and Estonia), and in particular how filmmakers use the letter device in their engagements with their nations’ past, present, and future. After discussing the post-Soviet epistolary through the prism of the region’s history, with reference to Altman (1982) and Naficy (2001), the article analyses the device in specific films. Recent examples often follow the Soviet-era model of the letter as a medium for contact not only (or primarily) between individuals, but also for more abstract kinds of contact, between distinct realms of human existence and consciousness: East and West, Public and Private, Life and Death/Afterlife, Freedom and Captivity, Science and Superstition, Authenticity and Imposture, History and Contemporaneity. The meanings created via epistolary efforts to bridge such gaps – by the characters and the filmmakers – are central to the post-Soviet cinematic project of national and individual introspection.","PeriodicalId":42734,"journal":{"name":"Area Abierta","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70671463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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