Classical Receptions Journal最新文献_第2页

Greek theatre, electric lights, and the plumes of locomotives: the quarrel between the Futurists and the Classicists and the Hellenic modernism of Fascism 希腊剧院、电灯和火车头的羽毛：未来派和古典派之间的争吵以及法西斯主义的希腊现代主义

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2024-01-01 DOI: 10.1093/crj/clad028

Eleftheria Ioannidou

{"title":"Greek theatre, electric lights, and the plumes of locomotives: the quarrel between the Futurists and the Classicists and the Hellenic modernism of Fascism","authors":"Eleftheria Ioannidou","doi":"10.1093/crj/clad028","DOIUrl":"https://doi.org/10.1093/crj/clad028","url":null,"abstract":"\u0000 The controversy between the Futurists and the classicists over the Greek theatre of Syracuse remains largely overlooked within the scholarship concerned with the relationship between Futurism and Fascism. The Futurist movement launched a polemic against the staging of Aeschylus’ Libation Bearers in 1921, counterposing Greek tragedy to new forms of drama drawing on Futurist performance aesthetics and Sicilian popular theatre which, according to the Futurists, could express the spirit of the modern age. In a similar vein, the manifesto that F. T. Marinetti addressed to the Fascist government in 1923 advocated for the staging of modern Sicilian plays in the theatre of Syracuse. Contrary to Futurism, Italian Fascism turned to Greek models in creating new forms of popular theatre. Mussolini’s state supported the production of ancient drama throughout the ventennio, as evidenced by the consolidation of the Istituto Nazionale del Dramma Antico (INDA) in 1925. The theatre of Syracuse should be viewed as a field of antagonism between the different versions of modernism represented by Futurism and Fascism. By examining the convergences and divergences of Futurist and Fascist visions of theatrical renewal, this article highlights not only the Hellenic character of Fascism’s modernism but also the role of Fascism in transforming classical traditions.","PeriodicalId":42730,"journal":{"name":"Classical Receptions Journal","volume":"27 12","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139456595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Introduction A Hellenic Modernism: Greek Theatre and Italian Fascism 导言希腊现代主义：希腊戏剧与意大利法西斯主义

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2024-01-01 DOI: 10.1093/crj/clad026

Giovanna Di Martino, Eleftheria Ioannidou, Sara Troiani

引用次数: 0

Lycanthropus adulescens: the Classical element in MTV’s Teen Wolf (2011–17) 狼人：MTV《少年狼》（2011-17）中的经典元素

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2023-12-20 DOI: 10.1093/crj/clad030

Javier Martínez Jiménez

引用次数: 0

‘Dance against the void’: Derek Jarman, dance, queer classical receptions 舞动虚空德里克-贾曼、舞蹈、同性恋古典音乐会

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2023-12-12 DOI: 10.1093/crj/clad020

Marcus Bell

引用次数: 0

Correction to: Shakespeare and Plautus: exploring metrical influence 更正为莎士比亚和普劳图斯：探索韵律的影响

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2023-12-04 DOI: 10.1093/crj/clad031

引用次数: 0

Medea/Media: a glitchy counterfactual 美狄亚/媒体:一个有瑕疵的反事实

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2023-12-01 DOI: 10.1093/crj/clad019

Mario Telò, Catherine Conybeare

引用次数: 0

Forging lesbians: Sappho and The Songs of Bilitis 锻造女同性恋:萨福和胆汁之歌

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2023-11-28 DOI: 10.1093/crj/clad022

Cat Lambert

{"title":"Forging lesbians: Sappho and The Songs of Bilitis","authors":"Cat Lambert","doi":"10.1093/crj/clad022","DOIUrl":"https://doi.org/10.1093/crj/clad022","url":null,"abstract":"In Les Chansons de Bilitis (‘The Songs of Bilitis’, 1894), Pierre Louÿs purports to have translated into French for the first time the long-lost Greek poems of Bilitis, a contemporary of Sappho. Classicists have often heralded Bilitis as a watershed moment for reclaiming the lesbian Sappho from the clutches of homophobic, misogynist philologists. This paper complicates this narrative by reframing Bilitis as an object that participates in a broader cultural — and potentially queer — history of forgery. Rather than categorizing Bilitis as a forgery per se, I use forgery (and related textual practices) as a lens for illuminating how Louÿs ‘plays’ the forger and how this performance relates to readers’ divergent desires and reactions. This lens also brings into focus the queer dynamics and effects of this text in relation to Sappho’s corpus. At the same time, following Kadji Amin’s cue to ‘deidealize queerness’ (2017), I show how such queer dynamics are inextricable from colonialist and patriarchal relations of power, in particular an Orientalizing tradition of forgeries by white European and American men. This framework illuminates the affective and political ramifications of forging queer narratives and identifications through the medium of this curious artefact.","PeriodicalId":42730,"journal":{"name":"Classical Receptions Journal","volume":"217 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138530341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Correction to: Placing ‘moderns’ in a ‘classic’ series: the case of J. M. Dent’s Everyman’s Library 更正:将“现代”放在“经典”系列中:J. M.登特的《普通人的图书馆》

3区社会学

Classical Receptions Journal Pub Date : 2023-10-26 DOI: 10.1093/crj/clad017

引用次数: 0

‘The words of a nation worn down by cares’: classical wisdom and modern crisis in Lin Shu’s Aesop’s Fables “忧患之言”:林纾《伊索寓言》中的古典智慧与现代危机

3区社会学

Classical Receptions Journal Pub Date : 2023-10-12 DOI: 10.1093/crj/clad018

Benjamin Porteous

{"title":"‘The words of a nation worn down by cares’: classical wisdom and modern crisis in Lin Shu’s <i>Aesop’s Fables</i>","authors":"Benjamin Porteous","doi":"10.1093/crj/clad018","DOIUrl":"https://doi.org/10.1093/crj/clad018","url":null,"abstract":"Abstract This article analyses the remarkable translation of Aesop’s Fables produced by the Chinese literatus-turned-cultural-impresario Lin Shu [林紓; 1852–1924] at the turn of the twentieth century. Collaborating with colleagues proficient in English, which he himself was not, Lin translated the Fables into elegant Classical Chinese. This article examines the preface to the translation, which uses Aesop’s status as an enduring classical figure in Western education to argue for the continuing relevance of Classical Chinese in newly constituted school curricula. More importantly though, this article probes at the voluminous epimythia Lin composed for most of the fables in the collection. Written immediately after the humiliating Boxer Protocol, these present a feisty critique of Western imperialism in China. They range in topic from China’s lack of cultural self-confidence to comparative reflection on the status of enslaved Africans in the antebellum USA. A confident and wilful reader of texts, in Lin’s hands the Fables become a foil for razor-edged polemic. His translation is surely one of the most culturally significant in the Fables’ long and murky textual history, and represents an overlooked monument of classical reception in an East Asia teetering on the violent edge of modernity.","PeriodicalId":42730,"journal":{"name":"Classical Receptions Journal","volume":"125 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135967692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Commemorative Architecture, Periclean Athens and the Polish Revolution of 1791: Auguste de Choiseul-Gouffier’s Parthenon-Inspired Temple for Warsaw 纪念建筑，Periclean雅典和1791年波兰革命：奥古斯特·德·乔伊塞尔·古菲尔的帕台农神庙启发的华沙神庙

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2023-08-14 DOI: 10.1093/crj/clad014

Mikołaj Getka-Kenig

引用次数: 0