Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies最新文献_第2页

A Hagiographic Hero in a Novelistic Narrative: Laurus by Eugene Vodolazkin (Part Two) 小说叙事中的圣徒式英雄:尤金·沃多拉兹金的劳伦斯(下)

Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies Pub Date : 1900-01-01 DOI: 10.31860/2712-7591-2021-1-119-157

A. A. Shaikin

{"title":"A Hagiographic Hero in a Novelistic Narrative: Laurus by Eugene Vodolazkin (Part Two)","authors":"A. A. Shaikin","doi":"10.31860/2712-7591-2021-1-119-157","DOIUrl":"https://doi.org/10.31860/2712-7591-2021-1-119-157","url":null,"abstract":"As genres, hagiography and the novel are close in their intention to show the path of a personality and to depict the whole life of a hero. However, the value orientations of a novelistic hero and a hagiographic hero are opposite: from the very beginning, the latter denies what the former is striving for — the success in worldly life. From his very birth, the main hero of E. G. Vodolazkin’s novel Laurus has the inclinations of a hagiographic hero, but at the beginning of his independent life, he behaves not in a hagiographic, but in a novelistic way, which leads him to tragedy: his beloved woman dies without the repentance and ritual that are important in terms of hagiography. The article examines how the hero, trying to save the soul of his beloved woman, turns his life into a constant feat of serving people. On this path he reconsiders the meaning of life’s goals on a general and individual level, the categories of time and how time is filled with events, and the horizontal (“worldly life”) and vertical (“a life leading to Heaven”) paths. The hero goes through four distinct periods in his life and, accordingly, changes his name four times, but a certain monad of his personality remains unchanged. Growing in holiness, the hero saves the life of a young woman — he assists her when she delivers her baby — and that compensates for the loss of his beloved one and their unborn son. Since after the hero's death his unburied body does not decay and eventually disappears, it can be assumed that the hero achieves the goal of his life — the salvation of his beloved woman's soul, as well as his own. The method of analytical reading allows us to trace how in his narration the author overcomes the antinomy of the novelistic and hagiographic principles, and how these principles influence each other and grow into each other.","PeriodicalId":426957,"journal":{"name":"Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies","volume":"8 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129573105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Elements of Mythological Prose in the Life and Works of Efim Chestnyakov 契斯尼亚科夫生活与作品中的神话散文元素

Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies Pub Date : 1900-01-01 DOI: 10.31860/2712-7591-2020-2-126-145

E. Samodelova

引用次数: 0

The Writer in the Landscape of the Smenovekhovstvo: Remizov and Prishvin 斯莫诺维霍夫斯特沃风景中的作家:列米佐夫与普里什文

Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies Pub Date : 1900-01-01 DOI: 10.31860/2712-7591-2020-3-91-111

E. Obatnina

{"title":"The Writer in the Landscape of the Smenovekhovstvo: Remizov and Prishvin","authors":"E. Obatnina","doi":"10.31860/2712-7591-2020-3-91-111","DOIUrl":"https://doi.org/10.31860/2712-7591-2020-3-91-111","url":null,"abstract":"The article analyzes the ambiguous motives and reasons that in the early 1920s, both at home and in the diaspora, influenced the literary personality of the writer in such a way that it involuntarily acquired the features inherent in the Smenovekhovstvo movement. For the first two years in Germany, where he fled to escape the unbearable conditions of life in Russia, Alexey Remizov retained the right to return to Petrograd. Due to this voluntary position of a ”temporary” emigrant in the history of the literary process of the early 1920s, a number of events of his creative life was captured in the landscape of the Smenovekhovstvo. The article presents the first analysis of Remizov's essay ”The Hook. Petersburg’s Memory” (1922), which, at first glance, supports N. Ustryalov's program aimed at organizing the return of emigrants to their homeland. Individual perception of the Smenovekhovstvo ideologemes is discussed using the example of the behavior of two writers in a specific ideological situation. One is the case of Remizov as a “temporary” emigrant writer in 1921- 1923, the other is the case of Prishvin as a writer who, after the October coup, took the position of an “internal emigrant”. Based on Prishvin's diary, the article reveals the tragic story of the perception of Remizov's essay “The Hook” (1922) and the attitude of the two writers to the concept of ”patriotism”, one of the main motives of the “return home” movement. The article offers a new perspective on the history of the relationship between the two like-minded authors and restores the context of their unknown correspondence from 1922-1923, fragments of which have survived in Prishvin's diaries, and in one letter that was published as Prishvin's essay ”Sopka Mair ” (“The Hill Mair ”, 1922). The essay was addressed to Remizov and contained an ”answer ” to the essay ”The Hook”. This article is part of a study of Remizov’s works, viewed as a reflections of individual experience in the history of the first wave of Russian emigration.","PeriodicalId":426957,"journal":{"name":"Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125469751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Archpriest Avvakum and the Modern Literary Process 阿瓦库姆大祭司与现代文学进程

Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies Pub Date : 1900-01-01 DOI: 10.31860/2712-7591-2020-4-18-25

E. G. Vodolazkin

引用次数: 0

Two Rare Canons to John the Baptist 施洗约翰的两件罕见的正典

Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies Pub Date : 1900-01-01 DOI: 10.31860/2712-7591-2021-3-7-33

Iulia G. Fefelova

引用次数: 0

Hagiographer Archpriest Nikolai Alekseevich Konoplev: A Biographical Investigation 圣徒传记家尼古拉·阿列克谢耶维奇·科诺普列夫大神父:传记调查

Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies Pub Date : 1900-01-01 DOI: 10.31860/2712-7591-2021-3-123-131

Nikolai V. Solodov

引用次数: 0

Materials for Studying Traditional Karelian Culture in the Collection of the Peter the Great Museum of Anthropology and Ethnography (the Kunstkamera) of the Russian Academy of Sciences: Collections and Collectors 俄罗斯科学院彼得大帝人类学和民族志博物馆(kunstcamera)收藏的研究卡累利阿传统文化的资料:收藏和收藏者

Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies Pub Date : 1900-01-01 DOI: 10.31860/2712-7591-2021-2-125-139

Aleksandr I. Teriukov

{"title":"Materials for Studying Traditional Karelian Culture in the Collection of the Peter the Great Museum of Anthropology and Ethnography (the Kunstkamera) of the Russian Academy of Sciences: Collections and Collectors","authors":"Aleksandr I. Teriukov","doi":"10.31860/2712-7591-2021-2-125-139","DOIUrl":"https://doi.org/10.31860/2712-7591-2021-2-125-139","url":null,"abstract":"The Kunstkamera, founded by Peter the Great as a collection of various rarities in St. Petersburg in 1714, over the time acquired rich collections of ethnographic materials from different parts of the world and became the largest depository of artifacts of traditional cultures of the peoples of Russia. This article examines the history of some of the most important collections of ethnographic materials of the Karelians of the Olonets and Tver regions and of the Russians from the territory of the modern Republic of Karelia and Tver oblast. Most of these materials were gathered at the beginning of the 20th century by the professional photographers M. A. Krukovsky and A. A. Belikov, as well as by some littleknown local historians, such as D. T. Yanovich and M. V. Mikhailovskaya. One of the main objectives of this research was to collect biographical data about these people and to study their activities as collectors of the ethnographic materials preserved in the Kunstkamera collections. These collections contain materials pertaining to everyday life and folk art that reflect changes in the mainly rural folk culture of the Karelians and Russians. The collections can be used for studying these cultural changes and for reconstructing some issues of the past.","PeriodicalId":426957,"journal":{"name":"Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129257526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Two Expeditions: In Search of the Karsikko Tradition in the Pudozh Region of Karelia with Konstantin Loginov 与Konstantin Loginov合著的《两次探险:在卡累利阿pudoh地区寻找Karsikko传统》

Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies Pub Date : 1900-01-01 DOI: 10.31860/2712-7591-2021-2-23-40

Aleksi P. Konkka

{"title":"Two Expeditions: In Search of the Karsikko Tradition in the Pudozh Region of Karelia with Konstantin Loginov","authors":"Aleksi P. Konkka","doi":"10.31860/2712-7591-2021-2-23-40","DOIUrl":"https://doi.org/10.31860/2712-7591-2021-2-23-40","url":null,"abstract":"From 1998 to 2013, the author of this article participated in seven expeditions to the Pudozh region of Karelia and to Lake Vodlozero together with Konstantin Kuzmich Loginov, who studied this area as an ethnographer for many years. The most memorable were the first and the last expeditions, which are discussed in the article. The main objective of both expeditions was to detect and study the Karelian tradition of karsikko (from the Karelian word karsia, which means “to cut branches”). Karsikko are special signs on trees that served both practical and religious mythological purposes. The latter function was most prominent in old cemeteries, of which we also intended to make an inventory. The 1998 expedition, which Loginov organized and guided, turned out to be surprisingly rich in collected material. It opened up a whole region of Eastern Europe for further study. The trip to the river Vodla was much more “intimate”, and our tasks were more modest. First of all, we had to confirm the existence of the karsikko tradition there. Although this tradition was already well studied in the neighboring territories, it could have different features, since each area was special and could surprise with details. As a result, the field research performed at the end of the 20th — beginning of the 21st century covered most of the Pudozh region and the neighboring Kenozero. It confirmed the ubiquitous existence of the karsikko tradition in this region.","PeriodicalId":426957,"journal":{"name":"Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126117955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Sources and Literary Context of Dostoevsky’s Novel "Poor Folk" 陀思妥耶夫斯基小说《穷人》的来源与文学语境

Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies Pub Date : 1900-01-01 DOI: 10.31860/2712-7591-2020-3-7-31

Valentina E. Vetlovskaya

{"title":"Sources and Literary Context of Dostoevsky’s Novel \"Poor Folk\"","authors":"Valentina E. Vetlovskaya","doi":"10.31860/2712-7591-2020-3-7-31","DOIUrl":"https://doi.org/10.31860/2712-7591-2020-3-7-31","url":null,"abstract":"The article considers literary self-definition of Fyodor Dostoevsky at the starting point of his career as a writer. Its purpose is to reveal connections of the young author with contemporary writers and his place in the literary process on the basis of specific texts. The article continues the research presented in two articles published in 2013 and examines a wider range of texts related to Dostoevsky’s first novel, Poor Folk. By applying the principles of comparative analysis to the repeated narrative elements, the author of the article shows that Mikhail Voskresensky’s story “Zamoskvoretskie Tereza i Faldoni” (1843), which is considered to be parodied in Poor Folk, has just one common feature with Dostoevsky's novel: names of one main and one secondary character. The names refer to a popular sentimental novel by Nicolas Germain Léonard (1783), retold with disapproval by N. M. Karamzin, while Voskresensky’s story was unworthy even of caricature for the insignificance of its content and its poetics. It should also be noted that not a single motif that exclusively belongs to this story was reproduced by Dostoevsky at any time later. The situation is quite different in the case of Alexandre Dumas’s novel The Conspirators (Le Chevalier d’Harmental), published in a newspaper in 1841–1842 and as a separate edition in 1843. The novel’s plot twists, main characters, some features of their personalities and some details regarding what happens to them are reflected in Poor Folk. But this was not done for reasons of parody. Dostoevsky chose the novel by the famous Frenchman only to promote his own world view and the new principles of art – the nascent realism with its unadorned “truth of life”, harsh and often tragic reality in contrast to the benevolent romanticism","PeriodicalId":426957,"journal":{"name":"Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125163290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Pseudo-Athanasian Homily on the Man Born Blind: A Slavonic Sermon Translated from an Unknown Greek Original 伪亚他那修斯对生来瞎眼的人的讲道:从未知的希腊原文翻译的斯拉夫语讲道

Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies Pub Date : 1900-01-01 DOI: 10.31860/2712-7591-2021-1-7-29

I. Gritsevskaya, Viacheslav V. Lytvynenko

引用次数: 0