SOUTHERN CULTURES最新文献

筛选
英文 中文
Contributors 贡献者
IF 0.4 4区 历史学
SOUTHERN CULTURES Pub Date : 2024-03-13 DOI: 10.1353/scu.2024.a922028
{"title":"Contributors","authors":"","doi":"10.1353/scu.2024.a922028","DOIUrl":"https://doi.org/10.1353/scu.2024.a922028","url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\u0000<p> <ul> <li><!-- html_title --> Contributors <!-- /html_title --></li> </ul> <p><strong><small>benjamin barber</small></strong> is a writer and advocate who is heavily interested in voting rights, democracy, and southern history. He currently serves as the Democracy Program Coordinator at the Institute for Southern Studies and as a contributing writer for <em>Facing South</em>.</p> <p><strong><small>zeina hashem beck</small></strong> is a Lebanese poet. Her third poetry collection, titled <em>O</em>, was published by Penguin Books in July 2022. It won the 2023 Arab American Book Award for Poetry and was named a Best Book 2022 by Lit Hub and the New York Public Library.</p> <p><strong><small>orville vernon burton</small></strong> is the inaugural Judge Matthew J. Perry Distinguished Chair of History and Professor of Global Black Studies, Sociology, and Anthropology, and Computer Science at Clemson University. He is the coauthor, with Armand Derfner, of <em>Justice Deferred: Race and the Supreme Court</em>. In 2022, he received the Southern Historical Association's John Hope Franklin Lifetime Achievement Award.</p> <p><strong><small>courtland cox</small></strong>, a member of the Student Nonviolent Coordinating Committee in the 1960s, played a key role in establishing the Lowndes County Freedom Party and the national call for Black Power. A founding member of Drum and Spear Bookstore and Publishing Company, he helped organize the Sixth Pan-African Congress and served as the director of the Minority Development Business Agency at the Department of Commerce.</p> <p><strong><small>emilye crosby</small></strong> is professor of history at SUNY Geneseo. She is the author of <em>A Little Taste of Freedom: The Black Freedom Struggle in Claiborne County, Mississippi</em>, and editor of <em>Civil Rights History from the Ground Up</em>. She is a founding member of the Movement History Initiative and is currently working on several projects related to the Student Nonviolent Coordinating Committee.</p> <p><strong><small>peter eisenstadt</small></strong> is the author or editor of over twenty books, including <em>Encyclopedia of New York State</em> and <em>Rochdale Village: Robert Moses, 6,000 Families and New York City's Great Experiment in Integrated Housing</em>. With Walter Fluker, he was the associate editor of the five volumes of <em>The Papers of Howard Washington Thurman</em> and coeditor of the four volumes of <em>Walking With God: The Sermon Series of Howard Thurman</em>.</p> <p><strong><small>errin haines</small></strong> is a founding mother and editor-at-large for <em>The 19th</em>, a news organization focused on the intersection of gender, politics, and policy. Haines has previously worked at the <em>Los Angeles Times, Washington Post</em>, and Associated Press. A native of Atlanta, she is currently based in Philadelphia.</p> <p><strong><small>kate medley</s","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140117326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The South's Democracy Struggle Reaches New Urgency 南方的民主斗争进入新的紧迫阶段
IF 0.4 4区 历史学
SOUTHERN CULTURES Pub Date : 2024-03-13 DOI: 10.1353/scu.2024.a922025
Benjamin Barber
{"title":"The South's Democracy Struggle Reaches New Urgency","authors":"Benjamin Barber","doi":"10.1353/scu.2024.a922025","DOIUrl":"https://doi.org/10.1353/scu.2024.a922025","url":null,"abstract":"<p><p>Abstract:</p><p>This article examines the history and impact of the Voting Rights Act 1965 and the South's current political landscape more than a decade after the devastating 2013 Shelby v. Holder Supreme Court decision, which eviscerated the landmark civil rights legislation. The VRA has been under constant attack in recent years, with efforts to reduce its effectiveness. These attempts have led to the implementation of suppressive voting laws and restrictive election policies by Southern lawmakers. The region has become more racially diverse, but these measures dilute the influence of a diverse electorate. With the 2024 election quickly approaching, debates on voting and elections are at an all-time high across the country. In response to systematic efforts to undermine democracy, grassroots activists have come together to fight these measures and offer new proposals to fully restore the VRA and build a more inclusive and sustainable democracy across the South.</p></p>","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140117001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"White supremacy in North Carolina rests in woman's hands": Dr. Delia Dixon-Carroll and the Power of White Women Voters "北卡罗来纳州的白人至上主义掌握在女性手中":Delia Dixon-Carroll 博士与白人女性选民的力量
IF 0.4 4区 历史学
SOUTHERN CULTURES Pub Date : 2024-03-13 DOI: 10.1353/scu.2024.a922022
Angela Page Robbins
{"title":"\"White supremacy in North Carolina rests in woman's hands\": Dr. Delia Dixon-Carroll and the Power of White Women Voters","authors":"Angela Page Robbins","doi":"10.1353/scu.2024.a922022","DOIUrl":"https://doi.org/10.1353/scu.2024.a922022","url":null,"abstract":"<p><p>Abstract:</p><p>Following ratification of the Nineteenth Amendment, Dr. Delia Dixon-Carroll (1872–1934) delivered dozens of speeches across North Carolina ahead of the general election in fall 1920, appealing to white women to register and vote for Democratic candidates. A suffragist, clubwoman, and Raleigh's first woman physician, she embodied the new woman of the early twentieth century while also extolling the traditions represented by the Democratic party, notably the white supremacy campaign of 1898 and Charles Aycock's administration. Stumping alongside the state's most powerful Democrats, she assured those who had opposed suffrage that white women would use their newfound political power to preserve the status quo, telling crowds that \"when it comes to a question of white supremacy, the women of North Carolina will be there.\" A stalwart partisan and spokesperson who was recognized by her contemporaries as a party leader, Dixon-Carroll campaigned for Democrats for the rest of her life.</p></p>","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140117147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Meeting the Moment for Democracy 迎接民主时刻
IF 0.4 4区 历史学
SOUTHERN CULTURES Pub Date : 2024-03-13 DOI: 10.1353/scu.2024.a922018
Errin Haines
{"title":"Meeting the Moment for Democracy","authors":"Errin Haines","doi":"10.1353/scu.2024.a922018","DOIUrl":"https://doi.org/10.1353/scu.2024.a922018","url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\u0000<p> <ul> <li><!-- html_title --> Meeting the Moment for Democracy <!-- /html_title --></li> <li> Errin Haines (bio) </li> </ul> <p><strong><small>three days after i turned eighteen</small></strong>, my mom, who was born in Jim Crow Florida, took me to register to vote at the same precinct where I grew up watching her vote. The experience taught me at an early age that voting was my birthright, something adults—and Black women in particular—did as good citizens. I loved the idea that on Election Day everyone is equal. It is our unofficial national holiday, our common language, regardless of race, age, gender, political party, ability, or state.</p> <p>Like my mom, I have rarely missed an election. And like many Black Americans, I have had the experience of waiting hours to cast my ballot—an experience that is at once a privilege other people who look like me don't always have and an indignity no American should have to endure. As a Black woman, a southerner, and an American, I have never been conflicted about my participation in our democracy and my role as a journalist; indeed, I have long believed that a healthy press and a healthy democracy are mutually dependent.</p> <p>Four years ago, I helped to start a newsroom named for the amendment to the Constitution that enshrined the right to vote for some—but not all—women. The Nineteenth Amendment, passed in 1920, largely benefited the white women who sacrificed their Black sisters to <strong>[End Page 2]</strong></p> <br/> Click for larger view<br/> View full resolution <p><em>Love Rollercoaster (2016 Butler County Line) (1965 John Lewis Accepts Voting Rights Act Signing Pen from LBJ)</em>, 2020, by Tomashi Jackson. Acrylic, Pentelic marble, Ohio Underground Railroad site soil, American electoral ephemera, and paper bags on canvas and fabric. 88⅛ × 81 × 8 in. Courtesy the artist and Tilton Gallery, New York. Commissioned by the Wexner Center for the Arts at The Ohio State University.</p> <p></p> <p><strong>[End Page 3]</strong></p> <br/> Click for larger view<br/> View full resolution <p><em>Time and Space (1948 End of Voter Registration Line) (1965 LBJ Signs the Voting Rights Act)</em>, 2020. Acrylic, Pentelic marble, Ohio Underground Railroad site soil, American electoral ephemera, and paper bags on canvas and fabric. 89⅜ × 83¾ × 8 in. Courtesy the artist and Tilton Gallery, New York. Commissioned by the Wexner Center for the Arts at The Ohio State University.</p> <p></p> <p><strong>[End Page 4]</strong> gain access to the ballot. Women and many people of color would have to work twice as hard for their full access to the franchise, which came with the passage of the Voting Rights Act of 1965. More than a half a century later, the Vote stands as both the strongest and the most fragile symbol of our democracy.</p> <p>This year, our democracy will be tested anew in our first election since former president Don","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140117258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mama Possum 负鼠妈妈
IF 0.4 4区 历史学
SOUTHERN CULTURES Pub Date : 2024-01-20 DOI: 10.1353/scu.2023.a917563
John Jennings
{"title":"Mama Possum","authors":"John Jennings","doi":"10.1353/scu.2023.a917563","DOIUrl":"https://doi.org/10.1353/scu.2023.a917563","url":null,"abstract":"<p><p>Abstract:</p><p>Recalling a traumatic memory was John Jennings's first foray into what he would later call the <i>ethnogothic</i>. Jennings uses making practices and art to create dark spaces that offer not fear or dread but sanctuary until viewers can truly deal with the monsters that attack their psyches. The monster is a portent of danger, a warning that one has transgressed, and an urging to atone for sins, all key aspects of the gothic. The ethnogothic incorporates these characteristics of the gothic but addresses the specific concerns of the racially oppressed, describing how various modes of violence imprint themselves upon the spirits of Black and Brown people. The ethnogothic offers a space to place trauma, name it, and then let it go so that one can move on to a better future.</p></p>","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139556158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blood Harmony 血液和谐
IF 0.4 4区 历史学
SOUTHERN CULTURES Pub Date : 2024-01-20 DOI: 10.1353/scu.2023.a917566
Rebecca Bengal, Kristine Potter
{"title":"Blood Harmony","authors":"Rebecca Bengal, Kristine Potter","doi":"10.1353/scu.2023.a917566","DOIUrl":"https://doi.org/10.1353/scu.2023.a917566","url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\u0000<p> <ul> <li><!-- html_title --> Blood Harmony <!-- /html_title --></li> <li> Rebecca Bengal (bio) and Kristine Potter (bio) </li> </ul> <p><strong>W<small>hen charlie sings</small></strong>, her sister Audra's voice follows, the voice of a grown woman inside a little-girl body, high and lonesome and worried at first, till it wraps itself around hers to become pure and whole, and then forks off on its own. They were raised first on shape notes at church and the radio and <em>Who's gonna shoe your pretty little feet, who's gonna glove your hand?</em> but what they like to sing best are the old, old ballads. Audra's favorite is \"Down from Dover\" the way Dolly does it, and Charlie likes to sing the Everly Brothers, the lady \"old and gray\" pleading with the warden to get her baby out of jail, and they intertwine the closest when they chorus the Louvin Brothers, \"go down, go down you Knoxville Girl.\" Charlie's voice is the current, low and silty and running over the trace fossils and the smoothed-over ancient stones and Audra's is the steam rising off the water, eerie and sure, slipping off into sky and ether. They sing the songs their mother can hardly stand to hear now, the songs their daddy taught them.</p> <p>The father isn't the kind of television dad with a big white smile and a punchline or a picture-book daddy grilling hot dogs and pitching baseballs. He is the kind of father with handsome craters in his cheeks and the rocket end of a cigarette in his lips, the kind who comes home from somewhere you know better than to ask about with a hollow look in his eye like the black holes where stars get swallowed up. He is the kind of father liable to set to pacing the house as soon as the mother has driven off to work third shift and the exhaust from her old black Ranger has settled into the dirt, the kind to wake up the house in the blue hour when darkness is just coming on and drag Charlie and her sister out of their first dreaming, tell them to bring along the things they love 'cause they might not never see them ever again. <strong>[End Page 64]</strong></p> <br/> Click for larger view<br/> View full resolution <p><em>Knoxville Girl</em>, Kristine Potter, 2016. All images from <em>Kristine Potter: Dark Waters</em> (Aperture 2023). © Kristine Potter.</p> <p></p> <p><strong>[End Page 65]</strong></p> <p>The last time it was their mama driving on the third or fourth day of him gone off somewhere and Charlie must have been carried out to the car in her sleep. She woke in the middle of the night to car doors slamming and lights from the parking lot streaming through the gap in the curtain on her mama and sister's sleep-faces beside her, in a king-size bed with sheets washed hard and stiff as boards. The television was on home shopping, silent, and when Charlie stood up she stepped barefoot on a dried curl of an ancient fingernail stuck in the motel carpet from who","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139556281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Girl, a Man, a Storm, a City 一个女孩,一个男人,一场风暴,一座城市
IF 0.4 4区 历史学
SOUTHERN CULTURES Pub Date : 2024-01-20 DOI: 10.1353/scu.2023.a917565
K. Ibura
{"title":"A Girl, a Man, a Storm, a City","authors":"K. Ibura","doi":"10.1353/scu.2023.a917565","DOIUrl":"https://doi.org/10.1353/scu.2023.a917565","url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\u0000<p> <ul> <li><!-- html_title --> A Girl, a Man, a Storm, a City <!-- /html_title --></li> <li> K. Ibura (bio) </li> </ul> <br/> Click for larger view<br/> View full resolution <p><em>Galactic</em>, K. Ibura, © 2022. Paper Collage.</p> <p></p> <p><strong>[End Page 60]</strong></p> <p><strong>T<small>he trees stood silent</small></strong>, lining the street in stately rows. Survival was in their lineage. When the whipping winds, surging foodwaters, and battering rain had come, they had tightened their roots, clung to the dirt, and withstood their breaking stoically. They had been gravely dishonored—their majestic heights and impressive widths diminished, their boughs battered, their signs of growth erased. Now nature was parading some of its oddities before them.</p> <p>A double-file line of children—heads capped with globed skull masks and bodies surrounded by swirling winds—stumbled past, following a thin man in a skeleton suit. The bedraggled trees tensed their roots, but there were no atmospheric disturbances to cause further alarm. The absence of tornado, hurricane, or windstorm confirmed, the trees rustled what leaves they had left and turned their attention skyward.</p> <p>Oblivious to the awareness of trees, the children ogled the empty houses and sagging porches, fascinated by the veil of abandonment that smothered everything around them. The tallest of the children scooted close to the Bone Man.</p> <p>\"How come they still got houses over here?\" she asked. Her voice was indignant.</p> <p>\"Water wasn't as bad here.\"</p> <p>\"So it ain't the whole city that collapsed?\"</p> <p>\"Nope,\" the Bone Man said.</p> <p>\"What's that nasty line on all the houses?\"</p> <p>\"That's the water line—how high it got.\"</p> <p>\"And that?\"</p> <p>The girl lifted her mask and pointed at a spray-painted circle violently scrawled across the front of a house. An \"X\" separated each circle into quarters. \"That's how they counted us. How many they found alive, how many was dead.\"</p> <p>Watching the hard fortress of the girl's face, the Bone Man's heart hurt. Children shouldn't have to make themselves a little more dead to survive.</p> <p>\"Let's have some fun,\" he said, suddenly veering off the sidewalk and bounding up the cracked walkway of a pale pink house.</p> <p>\"What are you doing?\" the girl asked, rushing up behind him.</p> <p>\"I'm doing what the Bone Man do. Waking everybody up on Mardi Gras morning.\"</p> <p>The girl stared at the Bone Man as he flung aside a splintered screen door and banged on it.</p> <p>\"Ain't nobody in there.\"</p> <p>The Bone Man cupped his hands around his mouth. \"It's Mardi Gras morning,\" he yelled. \"You been good? If you ain't, I'm coming for you!\"</p> <p>When there was no reply, he slammed his hand on the door. Both he and the girl jumped as <strong>[End Page 61]</strong> the door swung open. The rank scent of mold rushed out of the house and explod","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139556157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Uncanny Keep On Talkin' 不思议乐队继续说话
IF 0.4 4区 历史学
SOUTHERN CULTURES Pub Date : 2024-01-20 DOI: 10.1353/scu.2023.a917569
Regina N. Bradley
{"title":"The Uncanny Keep On Talkin'","authors":"Regina N. Bradley","doi":"10.1353/scu.2023.a917569","DOIUrl":"https://doi.org/10.1353/scu.2023.a917569","url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\u0000<p> <ul> <li><!-- html_title --> The Uncanny Keep On Talkin' <!-- /html_title --></li> <li> Regina N. Bradley </li> </ul> <p><strong>W<small>hen</small> <small>i was a kid</small></strong>, Wednesday nights were reserved for <em>Unsolved Mysteries</em>. A man's disembodied voice warned viewers that we were about to watch something that \"was not a news broadcast,\" followed by a crescendo of synthesizers and Robert Stack's gravelly voice and direct stare into the camera.</p> <p>\"You always get scared by just the introduction,\" Nana fussed while standing directly in front of the television. \"Watch something else before you have to go to bed.\"</p> <p>She wasn't wrong.</p> <p>\"But this is my <em>show</em>,\" I protested. Robert Stack scowled from the screen in agreement. Nana shook her head and went about her business. I was scary, but I couldn't turn away. I watched <em>Unsolved Mysteries</em> in the country, where there were no streetlights, the darkness swallowed me whole, and nobody could hear me screaming if a serial killer made his way to the house or Bigfoot scratched at the bars of my bedroom window. <em>Unsolved Mysteries</em> was the portal to my imagination running wild, and fear was the pilot.</p> <p>Robert Stack never narrated, but I had unsolved mysteries of my own: why did Paw Paw turn down the radio and whisper whenever we passed a cemetery? Who was really dumb enough to try and steal a Bible from the haunted church on the dirt road by our house that only appeared <strong>[End Page 92]</strong> under a full moon? How could an oak tree with moss look so damn sinister? What was <em>really</em> the deal with the Broom Man, someone Nana said lived in her neighborhood when she was a girl and could make a broom dance because he sold his soul to the Devil?</p> <br/> Click for larger view<br/> View full resolution <p><em>Dollbaby standing in the orchard at midday</em>, by Allison Janae Hamilton, 2015. Archival pigment print, 40 × 60 in. © Allison Janae Hamilton,</p> <p>courtesy of the artist and Marianne Boesky Gallery.</p> <p></p> <p>I didn't know the term for my personal mysteries of living in the South was Southern Gothic.</p> <p><small><strong>southern gothic is a catchall</strong></small> for the region's peculiarities and how it exists. The South is not easily translatable, and the Gothic offers insight into how to make sense of the indecipherable. Themes of decay and rot, haunting, and deep-rooted secrets of family and self-betrayal are pathways for understanding the Southern Gothic as it is celebrated in literary and cultural studies. But like so many touchstones for understanding the region, the Southern Gothic heavily leans towards white experiences, including making sense of the half-life of the South's most prominent <strong>[End Page 93]</strong> obsession: the Confederacy. This mourning for the Old South is captured in stories of the rotting ","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139556282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mystery of the Talking Skull: Family Secrets in Southern Appalachia 会说话的骷髅之谜:南阿巴拉契亚的家庭秘密
IF 0.4 4区 历史学
SOUTHERN CULTURES Pub Date : 2024-01-20 DOI: 10.1353/scu.2023.a917568
Stephen Simmons
{"title":"Mystery of the Talking Skull: Family Secrets in Southern Appalachia","authors":"Stephen Simmons","doi":"10.1353/scu.2023.a917568","DOIUrl":"https://doi.org/10.1353/scu.2023.a917568","url":null,"abstract":"<p><p>Abstract:</p><p>When an out-of-town merchandiser goes missing in 1930s rural Southern Appalachia, whiskey and foul play are suspected. The small town of Woodbury, Tennessee, soon forgets and moves on, until the man's skeletal remains are uncovered three years later by two boys digging for mayapple root. Two men are immediately charged with the murder, though only one would be convicted. The trial would attract newspapers from across the state and beyond through the end of the decade. The story was lost to time and largely unknown to the descendants of those involved. The tale might have stayed buried in the past if not for a pulp fiction magazine that made its way back to the family some seventy years later.</p></p>","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139556284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dark Corners: The Appalachian Murder Ballad 黑暗角落阿巴拉契亚谋杀歌谣
IF 0.4 4区 历史学
SOUTHERN CULTURES Pub Date : 2024-01-20 DOI: 10.1353/scu.2023.a917567
Julyan Davis
{"title":"Dark Corners: The Appalachian Murder Ballad","authors":"Julyan Davis","doi":"10.1353/scu.2023.a917567","DOIUrl":"https://doi.org/10.1353/scu.2023.a917567","url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\u0000<p> <ul> <li><!-- html_title --> Dark Corners<span>The Appalachian Murder Ballad</span> <!-- /html_title --></li> <li> Julyan Davis (bio) </li> </ul> <br/> Click for larger view<br/> View full resolution <p><em>Cold Fall the Drops of Rain</em>, by Julyan Davis, 2016. Oil on canvas, 46 x 38 in.</p> <p></p> <p><strong>[End Page 76]</strong></p> <p><strong>I <small>grew up listening</small></strong> to the folk songs of my ancestors along the Scottish Borders. When I left London for America, I discovered the songs again, preserved intact in the Appalachian South. Even as a child, I was drawn to the pathos and melancholy of these old ballads. They are weighted with what the historian David Hackett Fisher described as \"nescient fatalism.\" Such a fatalism—a kind of stoic acceptance existing without specific foreknowledge—is common among societies with a history of violence. So also is the culture of honor that I found similarly transported to parts of America from its traumatic birthplace in the now-gentle Scottish Borders.<sup>1</sup></p> <p>Finding evidence of such a culture (and such a fatalism) inspired me to set my paintings of these ancient songs in the contemporary South. I was not illustrating the ballad but rather the mood the ballad provoked in me. Many of the paintings are murder ballads, and most of the subjects are women; women trapped in a world where they are a commodity. Even if the women are prized, as several ballads tell, being attributed such power in a culture of honor often proves fatal.</p> <p>This painting was inspired by the seventeenth-century ballad \"The Dowie Dens of Yarrow,\" in which a young woman loses her suitor when he is ambushed and killed by nine others. Here she waits and watches from an abandoned farmhouse I discovered in Madison County, North Carolina, the same part of the world that keeps the old songs intact and continues to inspire my art. <strong>[End Page 77]</strong></p> Julyan Davis <p><strong><small>julyan davis</small></strong> is a British-American painter and novelist who has made the American South his subject since 1988. His art focuses on documenting both the vanishing landscape and the lost histories and folklore of the region. His traveling museum exhibits include collaborations with poets, musicians, historians, and actors.</p> <p></p> <h2><small>notes</small></h2> <p>1. David Hackett Fisher, <em>Albion's Seed: Four British Folkways in America</em> (New York: Oxford University Press, 1989), 697.</p> Copyright © 2024 Center for the Study of the American South ... </p>","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139556285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信