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‘Speak of me as […]’: Refashioning geographies of monstrosity in Othello “把我说成……”:重塑《奥赛罗》中的怪物地理
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-05-15 DOI: 10.1177/01847678221099977
Michela Compagnoni
{"title":"‘Speak of me as […]’: Refashioning geographies of monstrosity in Othello","authors":"Michela Compagnoni","doi":"10.1177/01847678221099977","DOIUrl":"https://doi.org/10.1177/01847678221099977","url":null,"abstract":"The connection between monstrosity, space, and power in Othello is explored through the notion of ‘geographies of monstrosity’. I argue that the play's spatial collocation of monsters and a-normativity echoes the Renaissance transition towards a more introjected perception of monstrosity, which does not occur when Othello is in a ‘central’ place (Venice), but when he moves to a frontier point (Cyprus) and refashions himself as the monstrous protagonist of tales to be circulated in Venice. As suggested, this emergence of an inner geography of monstrosity is strictly linked to the subversion of power politics.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"108 1","pages":"64 - 77"},"PeriodicalIF":0.5,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65229614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Survival strategies: Shakespeare and Renaissance truth-telling 生存策略:莎士比亚与文艺复兴时期的实话实说
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-05-15 DOI: 10.1177/01847678221099976
S. Greenblatt
{"title":"Survival strategies: Shakespeare and Renaissance truth-telling","authors":"S. Greenblatt","doi":"10.1177/01847678221099976","DOIUrl":"https://doi.org/10.1177/01847678221099976","url":null,"abstract":"Shakespeare repeatedly grappled with a question that haunted him but that could not be openly discussed with reference to any of the key figures in contemporary English affairs: why do communities of free men and women, people who have every reason to look out for their own interests, succumb to those who have no regard for the common good? Master of the oblique angle, the playwright prudently projected his imagination away from his immediate circumstances and explored in ancient Rome or pre-Christian Sicily or medieval England the territory he could not safely enter in his own world.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"108 1","pages":"21 - 34"},"PeriodicalIF":0.5,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65229404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Why I should welcome such a guest as grief [?]’: Lodging and dislodging in Shakespeare's Richard II “为什么我要欢迎悲伤这样的客人[？]”：莎士比亚笔下理查二世的住宿和搬迁
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-05-15 DOI: 10.1177/01847678221099975
Hiscock Andrew
{"title":"‘Why I should welcome such a guest as grief [?]’: Lodging and dislodging in Shakespeare's Richard II","authors":"Hiscock Andrew","doi":"10.1177/01847678221099975","DOIUrl":"https://doi.org/10.1177/01847678221099975","url":null,"abstract":"This article discusses the early modern cultural debate surrounding hospitality and inhospitality in the light of contemporaneous responses to history and the history play. The dominant focus of this discussion is Shakespeare's Richard II and the ways in which it seeks to interrogate and to critique early modern expectations of welcoming by inverting them repeatedly as the dramatic intrigue unfolds. Throughout this article, reference is made to cultural debate on the subject of (in)hospitality in the contemporary, post-World War II period.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"108 1","pages":"91 - 106"},"PeriodicalIF":0.5,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49353014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Interview with Stephan Wolfert on Shakespeare, trauma, and mapping affective theatre communities 采访斯蒂芬·沃尔夫特关于莎士比亚、创伤和绘制情感戏剧社区
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-05-11 DOI: 10.1177/01847678221099978
Kirilka Stavreva
{"title":"Interview with Stephan Wolfert on Shakespeare, trauma, and mapping affective theatre communities","authors":"Kirilka Stavreva","doi":"10.1177/01847678221099978","DOIUrl":"https://doi.org/10.1177/01847678221099978","url":null,"abstract":"This conversation with the founder of the theatre-therapy network DE-CRUIT sheds light on the purposeful work that goes into shaping creative Shakespearean networks of affective affiliation among US veterans who participate in the program. Program participants create rituals, integrate Shakespeare's poetry with personal narratives to voice trauma, and, eventually, to communalise it with their audiences in a healing process. The transformation of audiences into witnesses is also discussed, as is the development of three new Shakespearean adaptations by DE-CRUIT: She Wolf, Make Thick My Blood, The Head of Richard, performing, respectively, gender and immigrant alienation, post-traumatic stress disorder, and attachment disorder.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"108 1","pages":"78 - 90"},"PeriodicalIF":0.5,"publicationDate":"2022-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65229692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Roman walls in English Renaissance writing 文艺复兴时期英国文字中的罗马墙壁
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-05-06 DOI: 10.1177/01847678221099594
L. Hopkins
{"title":"Roman walls in English Renaissance writing","authors":"L. Hopkins","doi":"10.1177/01847678221099594","DOIUrl":"https://doi.org/10.1177/01847678221099594","url":null,"abstract":"In 1587, an anonymous author proposed to Queen Elizabeth I that Hadrian's Wall should be reconstructed. Elizabeth did not adopt this proposal, but it testifies to a growing interest in the Wall on the part of writers such as Camden, Spenser, Drayton and William Warner. This essay examines ideas about Roman walls in these and other texts, including plays by Christopher Marlowe and Shakespeare's King John, where the city walls of Angers, originally built to protect the city against Germanic invasion in 275 AD and still partially visible, provide an ironic backdrop for the play's animus against Roman Catholicism.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"108 1","pages":"107 - 119"},"PeriodicalIF":0.5,"publicationDate":"2022-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65229781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Becoming Cleopatra 成为克利奥帕特拉
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-04-28 DOI: 10.1177/01847678221094640
David Lucking, David Lucking
{"title":"Becoming Cleopatra","authors":"David Lucking, David Lucking","doi":"10.1177/01847678221094640","DOIUrl":"https://doi.org/10.1177/01847678221094640","url":null,"abstract":"This article investigates the ramifications of the word ‘become’ as it is deployed in Antony and Cleopatra, the term being invested with several distinct meanings which Shakespeare pursues the implications of and at the same time plays off against one another. It is argued that the play is deeply concerned with questions of an ontological nature, and that the contraposition between the rival perspectives of Rome and Egypt reflects a tension between the different conceptions of being, becoming, and identity articulated within it.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"76 1","pages":"152 - 163"},"PeriodicalIF":0.5,"publicationDate":"2022-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65229544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The late- and post-Soviet trials of Hamlet in song, ballet, and opera 苏联后期和后苏联时期在歌曲、芭蕾和歌剧中对《哈姆雷特》的尝试
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-04-25 DOI: 10.1177/01847678221092791
M. Assay
{"title":"The late- and post-Soviet trials of Hamlet in song, ballet, and opera","authors":"M. Assay","doi":"10.1177/01847678221092791","DOIUrl":"https://doi.org/10.1177/01847678221092791","url":null,"abstract":"With the (re-)tightening of censorship, a proliferation of subtexts and Aesopian messages may be detected in late-Soviet Shakespeare adaptations in general and Hamlet in particular. This article examines representative cases of responses to Hamlet in the late- and post-Soviet eras, taking the genres of song, ballet, and opera/theatre, and broadly mapping them on to the topics of, respectively, Individualism, Convention, and Politics. In setting forth a narrative of Hamlet adaptations in these periods, this article shows that the tension between individual creative activity and politico-cultural climate was and continues to be more complex and multifaceted than might be predicted.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"42 1","pages":"35 - 52"},"PeriodicalIF":0.5,"publicationDate":"2022-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65229054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
c-Myc-driven glycolysis polarizes functional regulatory B cells that trigger pathogenic inflammatory responses. c-Myc 驱动的糖酵解使功能性调节 B 细胞极化，从而引发致病性炎症反应。
IF 39.3 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-04-18 DOI: 10.1038/s41392-022-00948-6
Xu-Yan Wang, Yuan Wei, Bo Hu, Yuan Liao, Xiaodong Wang, Wen-Hua Wan, Chun-Xiang Huang, Mahepali Mahabati, Zheng-Yu Liu, Jing-Rui Qu, Xiao-Dan Chen, Dong-Ping Chen, Dong-Ming Kuang, Xue-Hao Wang, Yun Chen
{"title":"c-Myc-driven glycolysis polarizes functional regulatory B cells that trigger pathogenic inflammatory responses.","authors":"Xu-Yan Wang, Yuan Wei, Bo Hu, Yuan Liao, Xiaodong Wang, Wen-Hua Wan, Chun-Xiang Huang, Mahepali Mahabati, Zheng-Yu Liu, Jing-Rui Qu, Xiao-Dan Chen, Dong-Ping Chen, Dong-Ming Kuang, Xue-Hao Wang, Yun Chen","doi":"10.1038/s41392-022-00948-6","DOIUrl":"10.1038/s41392-022-00948-6","url":null,"abstract":"<p><p>B cells secreting IL-10 functionally are recognized as functional regulatory B (B<sub>reg</sub>) cells; however, direct evidence concerning the phenotype, regulation, and functional and clinical relevance of IL-10-secreting B<sub>reg</sub> cells in humans is still lacking. Here, we demonstrate that, although IL-10 itself is anti-inflammatory, IL-10<sup>+</sup> functional B<sub>reg</sub> cells in patients with systemic lupus erythematosus (SLE) display aggressive inflammatory features; these features shift their functions away from inducing CD8<sup>+</sup> T cell tolerance and cause them to induce a pathogenic CD4<sup>+</sup> T cell response. Functional B<sub>reg</sub> cells polarized by environmental factors (e.g., CPG-DNA) or directly isolated from patients with SLE mainly exhibit a CD24<sup>int</sup>CD27<sup>-</sup>CD38<sup>-</sup>CD69<sup>+/hi</sup> phenotype that is different from that of their precursors. Mechanistically, MAPK/ERK/P38-elicited sequential oncogenic c-Myc upregulation and enhanced glycolysis are necessary for the generation and functional maintenance of functional B<sub>reg</sub> cells. Consistently, strategies that abrogate the activity of ERK, P38, c-Myc, and/or cell glycolysis can efficiently eliminate the pathogenic effects triggered by functional B<sub>reg</sub> cells.</p>","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"11 1","pages":"105"},"PeriodicalIF":39.3,"publicationDate":"2022-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9013717/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87310844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mapping violence onto the body of the ‘other’ in Julie Taymor's Titus (1999) 在朱莉·泰莫的《提图斯》(1999)中，将暴力映射到“他者”的身体上
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-04-12 DOI: 10.1177/01847678221092793
Nora Galland
{"title":"Mapping violence onto the body of the ‘other’ in Julie Taymor's Titus (1999)","authors":"Nora Galland","doi":"10.1177/01847678221092793","DOIUrl":"https://doi.org/10.1177/01847678221092793","url":null,"abstract":"In Julie Taymor's film Titus (1999), which adapts Shakespeare's Titus Andronicus, the Roman nation is both violated and violent. Taymor exposes the audience to different kinds of violence – intrafamilial, political, sexual, as well as revenge, infanticide, and racism – all of which are mapped onto characters who are othered by race, ethnicity, gender, or posthumous banishment. This article aims at exploring the relationship between othering and violence in the construction of nationhood. The one who others, the author contends, is also othered, because of the cycle of violence at stake in the film.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"108 1","pages":"53 - 63"},"PeriodicalIF":0.5,"publicationDate":"2022-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65229493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The ‘(De)territorialising’ power of Cleopatra's barge: Plutarch, Shakespeare, and Mankiewicz 克娄巴特拉驳船的“(去)领土化”力量:普鲁塔克、莎士比亚和曼凯维奇
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-04-07 DOI: 10.1177/01847678221092792
Pascale Drouet
{"title":"The ‘(De)territorialising’ power of Cleopatra's barge: Plutarch, Shakespeare, and Mankiewicz","authors":"Pascale Drouet","doi":"10.1177/01847678221092792","DOIUrl":"https://doi.org/10.1177/01847678221092792","url":null,"abstract":"Taking into account the versions by Plutarch, Shakespeare, and Mankiewicz, this article focuses on Cleopatra's force of attraction and capacity to travel by water, thus crossing geopolitical, cultural, and emotional frontiers. It presents her barge as a metonymical ‘territory’ in a transitional space and examines its power of seduction and symbolism at political, spectacular, and mythical levels. It takes up the issue of Antony's de-Romanisation, inviting a parallel between the queen's barge and the ship of fools. It extends the analysis to variants of the royal barge as part of a territorialising/deterritorialising dynamic: the Egyptian flagship and her funeral-boat-like tomb.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"108 1","pages":"136 - 151"},"PeriodicalIF":0.5,"publicationDate":"2022-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65229365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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