CAHIERS ELISABETHAINS最新文献

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Performance review: Richard III by Gregory Doran 绩效评估:Gregory Doran的《理查三世》
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-11-01 DOI: 10.1177/01847678221137543m
B. Haworth
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引用次数: 0
Following Puck virtually in the Royal Shakespeare Company's Dream experiment: Live theatre and high-tech innovations 跟随帕克在皇家莎士比亚剧团的梦想实验:现场戏剧和高科技创新
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-11-01 DOI: 10.1177/01847678221122809
S. Fischer
{"title":"Following Puck virtually in the Royal Shakespeare Company's Dream experiment: Live theatre and high-tech innovations","authors":"S. Fischer","doi":"10.1177/01847678221122809","DOIUrl":"https://doi.org/10.1177/01847678221122809","url":null,"abstract":"The thirty-minute experiment titled Dream represented a collaborative effort between the Royal Shakespeare Company and Audience of the Future. It fused live performance with motion capture technology, 3D graphics, and interactive gaming techniques, and let the audience remotely guide Puck through a virtual forest. Inspired by A Midsummer Night's Dream, it focused on Puck and the fairies. If, for online audiences, the virtual fairies moving through a digital forest suggested a video game, the eight performances were delivered live and in real time. This Dream represents a new format for Shakespeare’s performance that evolved during (rather than emerged from) the COVID-19 pandemic.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"109 1","pages":"85 - 97"},"PeriodicalIF":0.5,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65230036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Stratford Festival: Emerging from global lockdown 斯特拉特福德音乐节:走出全球封锁
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-11-01 DOI: 10.1177/01847678221136456a
C. McKague
{"title":"The Stratford Festival: Emerging from global lockdown","authors":"C. McKague","doi":"10.1177/01847678221136456a","DOIUrl":"https://doi.org/10.1177/01847678221136456a","url":null,"abstract":"While the Covid-19 pandemic is far from over – at the time of this writing, Ontario is entering its seventh wave of the disease, fuelled by the Omicron BA.5 subvariant – the impetus to return to a sense of normalcy and ‘life pre-Covid’ is prevalent. Government-issued public health restrictions have loosened and masking is only required in particular settings, usually those pertaining to health care, though businesses do retain a degree of autonomy regarding their own requirements. Theatre has been drastically affected by the pandemic and public health guidelines since the global emergence of Covid-19 in early 2020. The Stratford Festival is no exception. Its 2020 season was cancelled entirely, and its 2021 season was staged predominantly outdoors under purpose-built tents. This 2022 season marks a return to indoor performances and further easing of the previous season’s restrictions. Nonetheless, innovative digital viewing options born of necessity during the pandemic’s first ravages continue to be offered, expanding the viewing demographic and possibilities available to patrons. Actors and audiences alike are delighted to see most of the previously cancelled 2020 offerings return to the 2022 Stratford Festival’s roster, including Hamlet, Richard III, All’s Well that Ends Well, Hamlet-911, Chicago, and The Miser. Regrettably, Wolf Hall, Mike Poulton’s reimagining of Hilary Mantel’s novel, is not to return this season. Chris Abraham’s Much Ado About Nothing starring Graham Abbey and Maev Beaty is also not experiencing a 2022 revival. Instead, the Festival has added Sunny Drake’s salacious Every Little Nookie in its world premiere, directed by Ted Witzel; Little Women, adapted for the stage by Jordi Mand and directed by Esther Jun with Schulich Children’s Plays; and Death and the King’s Horsemen, by Wole Soyinka and directed by Tawiah M’Carthy. In 2021, 90-minute productions featured casts of eight socially distanced performers to outdoor audiences. There were some limited capacities, socially distanced productions in","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"109 1","pages":"113 - 115"},"PeriodicalIF":0.5,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49377076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performance review: Much Ado about Nothing by Megan Sandberg-Zakian 梅根·桑德伯格·扎基安的《表演评论:无事生非》
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-11-01 DOI: 10.1177/01847678221137543f
Kaara L. Peterson
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引用次数: 0
Performance review: The Tempest by Sioned Jones 业绩评价:西蒙·琼斯的《暴风雨》
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-11-01 DOI: 10.1177/01847678221137543g
Kaara L. Peterson
{"title":"Performance review: The Tempest by Sioned Jones","authors":"Kaara L. Peterson","doi":"10.1177/01847678221137543g","DOIUrl":"https://doi.org/10.1177/01847678221137543g","url":null,"abstract":"","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"109 1","pages":"133 - 137"},"PeriodicalIF":0.5,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49185703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performance review: The Merchant of Venice by Abigail Graham 业绩评价:阿比盖尔·格雷厄姆的《威尼斯商人》
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-11-01 DOI: 10.1177/01847678221137543h
Boika Sokolova
{"title":"Performance review: The Merchant of Venice by Abigail Graham","authors":"Boika Sokolova","doi":"10.1177/01847678221137543h","DOIUrl":"https://doi.org/10.1177/01847678221137543h","url":null,"abstract":"","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"109 1","pages":"137 - 140"},"PeriodicalIF":0.5,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65229853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performance review: Tomio to Yuriko (based on Romeo and Juliet) by Suemitsu Kenichi 演出回顾:汤尾到百合子(根据罗密欧和朱丽叶改编)
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-11-01 DOI: 10.1177/01847678221137543d
K. Matsuyama, Sarah Olive
{"title":"Performance review: Tomio to Yuriko (based on Romeo and Juliet) by Suemitsu Kenichi","authors":"K. Matsuyama, Sarah Olive","doi":"10.1177/01847678221137543d","DOIUrl":"https://doi.org/10.1177/01847678221137543d","url":null,"abstract":"priate to her amoral satisfaction at the destruction she had caused, but I could not understand why the angry and grieving messenger eventually joined in. Perhaps the point was that nihilistic hedonism was the only possible way of living in the play’s amoral universe. As far as I could tell from comments I overheard during the interval, those unfamiliar with the play were having trouble following the plot but they seemed to be enjoying it. Even so, I’m sure I’m not the only one who would have preferred less music, especially in the second half, and an earlier ending time.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"109 1","pages":"126 - 130"},"PeriodicalIF":0.5,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49572146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Timon and Melancholia 丁满和忧郁症
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-11-01 DOI: 10.1177/01847678221130985
J. Jowett
{"title":"Timon and Melancholia","authors":"J. Jowett","doi":"10.1177/01847678221130985","DOIUrl":"https://doi.org/10.1177/01847678221130985","url":null,"abstract":"Timon of Athens shows Timon as extravagantly generous and sociable in the first half of the play and misanthropic in the second, in which his desire for catastrophe is potentially enacted by Alcibiades’ planned assault on Athens. This article finds a parallel in Lars von Trier's 2011 film Melancholia, which is formally divided into two parts, the first showing the depressive Justine's wedding and the second the approach of the planet Melancholia on its collision course with the Earth. The comparison illuminates the interface between psychological and physical disasters in Timon.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"109 1","pages":"64 - 74"},"PeriodicalIF":0.5,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48955257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performance review: The Witch of Edmonton by Thomas Dekker, William Rowley, and John Ford 绩效评估:托马斯·德克尔、威廉·罗利和约翰·福特的《埃德蒙顿女巫》
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-11-01 DOI: 10.1177/01847678221137543b
Pierre Kapitaniak
{"title":"Performance review: The Witch of Edmonton by Thomas Dekker, William Rowley, and John Ford","authors":"Pierre Kapitaniak","doi":"10.1177/01847678221137543b","DOIUrl":"https://doi.org/10.1177/01847678221137543b","url":null,"abstract":"","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"109 1","pages":"122 - 124"},"PeriodicalIF":0.5,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65229811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performance review: King Lear by Helena Kaut-Howson 绩效评估:海伦娜·考特-豪森的《李尔王》
IF 0.5 2区 文学
CAHIERS ELISABETHAINS Pub Date : 2022-11-01 DOI: 10.1177/01847678221137543i
Emily Grigg
{"title":"Performance review: King Lear by Helena Kaut-Howson","authors":"Emily Grigg","doi":"10.1177/01847678221137543i","DOIUrl":"https://doi.org/10.1177/01847678221137543i","url":null,"abstract":"","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"109 1","pages":"141 - 144"},"PeriodicalIF":0.5,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65229895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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