{"title":"丁满和忧郁症","authors":"J. Jowett","doi":"10.1177/01847678221130985","DOIUrl":null,"url":null,"abstract":"Timon of Athens shows Timon as extravagantly generous and sociable in the first half of the play and misanthropic in the second, in which his desire for catastrophe is potentially enacted by Alcibiades’ planned assault on Athens. This article finds a parallel in Lars von Trier's 2011 film Melancholia, which is formally divided into two parts, the first showing the depressive Justine's wedding and the second the approach of the planet Melancholia on its collision course with the Earth. The comparison illuminates the interface between psychological and physical disasters in Timon.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"109 1","pages":"64 - 74"},"PeriodicalIF":0.2000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Timon and Melancholia\",\"authors\":\"J. Jowett\",\"doi\":\"10.1177/01847678221130985\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Timon of Athens shows Timon as extravagantly generous and sociable in the first half of the play and misanthropic in the second, in which his desire for catastrophe is potentially enacted by Alcibiades’ planned assault on Athens. This article finds a parallel in Lars von Trier's 2011 film Melancholia, which is formally divided into two parts, the first showing the depressive Justine's wedding and the second the approach of the planet Melancholia on its collision course with the Earth. The comparison illuminates the interface between psychological and physical disasters in Timon.\",\"PeriodicalId\":42648,\"journal\":{\"name\":\"CAHIERS ELISABETHAINS\",\"volume\":\"109 1\",\"pages\":\"64 - 74\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAHIERS ELISABETHAINS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/01847678221130985\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAHIERS ELISABETHAINS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/01847678221130985","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
引用次数: 0
摘要
雅典的丁满在戏剧的前半部分表现得慷慨大方，善于交际，后半部分表现得厌世，他对灾难的渴望可能是由亚西比德计划的对雅典的袭击造成的。本文在拉斯·冯·提尔(Lars von Trier) 2011年的电影《忧郁症》(Melancholia)中找到了一个类似的例子，该电影正式分为两部分，第一部分展示了抑郁的贾斯汀(Justine)的婚礼，第二部分展示了忧郁症行星(Melancholia)与地球相撞的过程。这一对比说明了丁满的心理灾难和生理灾难之间的联系。
Timon of Athens shows Timon as extravagantly generous and sociable in the first half of the play and misanthropic in the second, in which his desire for catastrophe is potentially enacted by Alcibiades’ planned assault on Athens. This article finds a parallel in Lars von Trier's 2011 film Melancholia, which is formally divided into two parts, the first showing the depressive Justine's wedding and the second the approach of the planet Melancholia on its collision course with the Earth. The comparison illuminates the interface between psychological and physical disasters in Timon.
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