JOURNAL OF MUSICOLOGICAL RESEARCH最新文献

{"title":"About the Authors","authors":"","doi":"10.1080/01411896.2023.2292007","DOIUrl":"https://doi.org/10.1080/01411896.2023.2292007","url":null,"abstract":"Published in Journal of Musicological Research (Vol. 42, No. 3, 2023)","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138692706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Auenbruggers, Sensibility, and the Instrumental Bodies","authors":"Keri Hui","doi":"10.1080/01411896.2023.2279890","DOIUrl":"https://doi.org/10.1080/01411896.2023.2279890","url":null,"abstract":"In conceiving the ideal of the man or woman of sensibility, many eighteenth-century philosophers and writers described the human body as a living instrument. The Austrian physician Josef Leopold Au...","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138562562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A Review of Podcasting: Time for a Musicology Podcasting Revolution?","authors":"Emily Ruth Allen","doi":"10.1080/01411896.2023.2190298","DOIUrl":"https://doi.org/10.1080/01411896.2023.2190298","url":null,"abstract":"Click to increase image sizeClick to decrease image size Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 “About the New Books Network,” https://newbooksnetwork.com/about-the-nbn (accessed September 28, 2022). I primarily host episodes for the music and Celebration channels. You can access my episodes here: https://newbooksnetwork.com/hosts/profile/d0e36e2b-c234-46cb-a7a5-f2ed5110141e.2 To learn more about the New Books in Music channel and the overall New Books Network, see Katherine K. Preston, Alexandra Hui, and Jennifer Ronyak, “New Books in Music,” Journal of the American Musicological Society 73, no. 2 (2020): 427–41.3 These series by musicologists were first released on Apple Podcasts in 2020: Sound Expertise, Bent Notes, Crafting Musical Lives, and Notes on Notes.4 “About Classically Black Podcast,” https://www.classicallyblackpodcast.com/about.5 “About Journal of Audiovisual Ethnomusicology,” https://javem.org/about/.6 “LGBTQ+ Music Study Group,” https://www.lgbtqmusicstudygroup.com/podcast.7 Learn more about the podcast in the introduction to Nate Sloan and Charlie Harding, Switched on Pop: How Popular Music Works, and Why It Matters (New York: Oxford University Press, 2019).8 Amy Skjerseth, “Ride-Along Listening: Inclusive Modes of Musical Analysis in Switched on Pop,” Radio Journal: International Studies in Broadcast & Audio Media 20, no. 2 (2022): 33–48.9 “Humanities Podcast Network,” http://humanitiespodnetwork.org/.10 Stacey Copeland and Hannah McGregor, A Guide to Academic Podcasting (Scholars Commons @ Laurier, 2021), https://scholars.wlu.ca/books/2/.11 Zencastr, https://zencastr.com/.12 “SMT Pod: Open, Collaborative Peer-Review Process,” https://smt-pod.org/submit/OCPR/.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135271311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Wild Sound: Maryanne Amacher and the Tenses of Audible Life <b> <i>Wild Sound: Maryanne Amacher and the Tenses of Audible Life</i> </b> , by Amy Cimini; Critical Conjunctures in Music and Sound, Jairo Moreno, and Gavin Steingo, senior editors; New York, NY, Oxford University, 2022, xvii, 336 pp., $71.00 (hardback), ISBN 9780190060893","authors":"Charissa Noble","doi":"10.1080/01411896.2023.2250703","DOIUrl":"https://doi.org/10.1080/01411896.2023.2250703","url":null,"abstract":"","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135093405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Hercules, Vampires, and the Opera of Attractions","authors":"Brooke McCorkle Okazaki","doi":"10.1080/01411896.2023.2250524","DOIUrl":"https://doi.org/10.1080/01411896.2023.2250524","url":null,"abstract":"ABSTRACTOpera’s specter has long haunted film and more recently, film haunts opera productions seeking to entice new audiences. Patrick Morganelli’s opera Hercules vs. Vampires (2010) harnesses the tension between live and recorded media. In this production, singers deliver their lines in loose synchronization with the film’s characters, dubbing over the original’s visuals with operatic voices. By encouraging an attentive rather than absorptive mode of consumption, Hercules vs. Vampires restores to both opera and film a joy and effervescence made possible through the pungent postmodern incongruencies of the high art of opera and the popular Italian sword and sandal film. AcknowledgmentsMany thanks to Jessica Getman, Michael Lee, Eden Bradshaw Kaiser, and the anonymous reader of this article for their insights. I would also like to thank Robynn Stilwell, Jim Buhler, and David Neumeyer for their input. I am grateful to the attendees of the American Opera and Musical Theater Conference held in 2018 at Middle Tennessee State and of the 2021 Society for American Music Conference for their questions. My colleagues at Carleton College, especially Ron Rodman, Andy Flory, Justin London, and Carol Donelan have been supportive of this project for which I am very grateful. I am indebted to Adam Smart for his expert help in setting this article’s music examples. Finally, I am so grateful to Patrick Morganelli for his generosity and support in the writing of this article.Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 I am grateful to this article’s anonymous reader for referring me to Slavoj Žižek’s more elaborate explanation of the conceptual connections between seeing and hearing. See Slavoj Žižek, “‘I Hear You with My Eyes’; or, The Invisible Master,” in Gaze and Voice as Love Objects, ed. Renata Salecl and Slavoj Žižek (Durham: Duke University Press, 1996), 90–94.2 For more on this, see Carolyn Abbate, “Offenbach, Kracauer, and Ethical Frivolity,” The Opera Quarterly 33, no. 1 (2017): 62–86, at 79–83.3 Robynn Stilwell spoke with me about an earlier production that echoes the type of media blending that Mondelli engages in for his work. The production was the Metropolitan Opera’s 1936 Christoph Willibald in front of Gluck: Gluck’s Orfeo ed Euridice. For it, George Balanchine and Pavel Tchelitchew created a staging in which the singers performed from the orchestra pit while dancers portrayed the characters on stage. Robynn Stilwell, video call with author, June 29, 2023. For more on this production, see Peter Clark, “Gluck’s Orfeo ed Euridice at the Met,” The Metropolitan Opera, accessed June 29, 2023, https://www.metopera.org/discover/archives/notes-from-the-archives/from-the-archives-orfeo-ed-euridice-at-the-met/.4 “Our Mission,” Opera Theater Oregon, accessed March 2, 2018, https://www.operatheateroregon.com/our-mission/.5 Sword and sandal films, also referred to as peplum films, are a genre of Italian B-movies ","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135828211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Roundtable: Pedagogical Approaches to Music Encoding","authors":"","doi":"10.1080/01411896.2023.2231837","DOIUrl":"https://doi.org/10.1080/01411896.2023.2231837","url":null,"abstract":"Click to increase image sizeClick to decrease image size Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 Music Encoding Initiative, https://music-encoding.org/.2 Rebalancing the Music Canon, https://rebalancing-music-canon.com/.3 “Buchanan Library Fellowship Program,” Vanderbilt University, https://www.library.vanderbilt.edu/about/fellows/.4 “Immersion Vanderbilt,” Vanderbilt University, https://www.vanderbilt.edu/immersion/.5 “Trans-Institutional Programs (TIPs),” Vanderbilt University, https://www.vanderbilt.edu/strategicplan/trans-institutional-programs/.6 “The Center for Digital Humanities at Vanderbilt,” Vanderbilt University, https://www.vanderbilt.edu/digitalhumanities/.7 “Programs for Organizations,” The Gladys Krieble Delmas Foundation, https://www.delmas.org/programs-for-organizations.8 “Vanderbilt to Host International Music Encoding Workshop and Hackathon,” MyVU, October 2, 2019, https://news.vanderbilt.edu/2019/10/02/vanderbilt-to-host-international-music-encoding-workshop-and-hackathon/.9 The manuscript copy of Alfred Schnittke‘s Sinfonisches Vorspiel (Sketches) can be viewed online at https://catalog.library.vanderbilt.edu/permalink/01VAN_INST/ma7323/alma991002264029703276.10 Examples of many existing projects can be found here: “Projects / Users,” Music Encoding Initiative, https://music-encoding.org/community/projects-users.html.11 “Interest Groups,” Music Encoding Initiative, https://music-encoding.org/community/interest-groups.html.12 “Tutorials,” Music Encoding Initiative, https://music-encoding.org/resources/tutorials.html.13 Additional information about Verovio can be found at “A Music Notation Engraving Library,” Verovio, https://www.verovio.org/index.xhtml.14 Anna Kijas and Raffaele Viglianti, “Introduction to the Music Encoding Initiative,” in #DLFTeach Toolkit: Lesson Plans for Digital Library Instruction, ed. L. Rodrigues & E. Pappas (Digital Library Federation, Digital Library Pedagogy Working Group, 2019), https://doi.org/10.21428/65a6243c.9fa9b4f7.15 MEI Pedagogy and Praxis Resources, https://hcommons.org/deposits/?tag=mei-pedagogy-praxis.16 “Past Music Encoding Conferences,” Music Encoding Initiative, https://music-encoding.org/conference/past.html.17 Digital Humanities Summer Institute (DHSI), https://dhsi.org/.18 Trevor Muñoz, “Data Curation as Publication for the Digital Humanities,” Journal of Digital Humanities 2, no. 3 (2013), http://journalofdigitalhumanities.org/2-3/data-curation-as-publishing-for-the-digital-humanities/.19 See “A Directory of Digital Scholarship in Music,” created by the Digital Humanities Interest Group of the Music Library Association for a useful collection of Digital Humanities projects relevant to the field at https://rutgersdh.github.io/musicdh/.20 Digital Humanities Scavenger Hunt included items from the “Directory of Digital Scholarship in Music,” https://rutgersdh.github.io/musicdh/.21 Gesualdo Online, https://ricercar.gesualdo-online.cesr","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135828218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Boston Pops: An American Institution and Its European Roots","authors":"Ayden Adler","doi":"10.1080/01411896.2023.2222877","DOIUrl":"https://doi.org/10.1080/01411896.2023.2222877","url":null,"abstract":"This article traces the historical origins and influences that led the early leaders of the Boston Symphony Orchestra (BSO) to offer both “symphony concerts” and “popular concerts” on the same stage. Although scholars of nineteenth-century orchestral music align the end of “mixed” repertory with the rise of non-touring orchestral institutions based in urban centers, that tradition continued far into the twentieth century. Exploring the history of the BSO affords a deeper understanding into the division of the so-called “classical” orchestral repertory from the “popular,” and the emergence of orchestral pops series in cities across the United States.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135826210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"About the Authors","authors":"","doi":"10.1080/01411896.2023.2193503","DOIUrl":"https://doi.org/10.1080/01411896.2023.2193503","url":null,"abstract":"Published in Journal of Musicological Research (Vol. 41, No. 4, 2022)","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138538454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mabel Daniels: an American Composer in Transition, by Maryann McCabe, London and New York, Routledge, 2018, xv, 300 pp., $160 (hardback), ISBN 9781472424518. Augusta Browne: Composer and Woman of Letters in Nineteenth-Century America, by Bonny H. Miller, Rochester, University of Rochester Press, 2020, xv, 457 pp. $125 (hardback), ISBN 9781580469722.","authors":"Marian Wilson Kimber","doi":"10.1080/01411896.2023.2168375","DOIUrl":"https://doi.org/10.1080/01411896.2023.2168375","url":null,"abstract":"Published in Journal of Musicological Research (Vol. 41, No. 4, 2022)","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138538469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Lying in the Middle: Musical Theater and Belief at the Heart of America","authors":"Kelly Kessler","doi":"10.1080/01411896.2023.2202608","DOIUrl":"https://doi.org/10.1080/01411896.2023.2202608","url":null,"abstract":"","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74130374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}