梦幻美学与舒伯特奏鸣曲中的“魔幻”过渡

IF 0.4 2区艺术学 0 MUSIC

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2023-01-02 DOI:10.1080/01411896.2023.2202819

Sio Pan Leong

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引用次数: 0

摘要

摘要本文将舒伯特奏鸣曲式的过渡置于浪漫主义幻想美学的背景下进行研究。这一分析来自于G大调四重奏(D. 887)、E大调三重奏(D. 929)和C大调五重奏(D. 956)。我认为舒伯特在这首音乐中独特地融合了两种不同的音调语法，创造了一个梦幻般的时刻，唤起了一种现实与梦想交织在一起的“魔力”感。这种解释挑战了目前对舒伯特奏鸣曲形式的解释学方法中对“梦”和“超凡脱俗”的熟悉解读，并为舒伯特音乐中“理性”的更广泛论述提供了新的视角。

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Fantasy Aesthetic and Franz Schubert’s “Magical” Transitions in Sonata Forms

ABSTRACT This article examines Franz Schubert’s sonata-form transitions within the context of Romanticism’s stylized fantasy aesthetic. The analysis draws from the G Major Quartet (D. 887), E♭ Major Trio (D. 929), and C Major Quintet (D. 956). I argue that Schubert’s unique blending of two distinct tonal syntaxes in this music creates a moment of the fantastic, evoking a sense of “magic” where reality and dreams intertwine. This interpretation challenges the familiar readings of “dream” and “otherworldly” in current hermeneutic approaches to Schubert’s sonata forms, and offers novel perspectives in the broader discourse of “rationality” in Schubert’s music.

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来源期刊

JOURNAL OF MUSICOLOGICAL RESEARCH MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.