Hispanic Research Journal-Iberian and Latin American Studies最新文献

{"title":"Descendants of Aztec Pictography: The Cultural Encyclopedias of Sixteenth-Century Mexico","authors":"J. Stair","doi":"10.1080/14682737.2023.2217020","DOIUrl":"https://doi.org/10.1080/14682737.2023.2217020","url":null,"abstract":"","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"23 1","pages":"368 - 369"},"PeriodicalIF":0.1,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47688147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Emotions and Migration in Argentina at the Turn of the Twentieth Century","authors":"A. Libertun","doi":"10.1080/14682737.2023.2217022","DOIUrl":"https://doi.org/10.1080/14682737.2023.2217022","url":null,"abstract":"ıtulo cuatro que aborda el reto de redefinir la hispanidad y el pasado colonial desde una perspectiva intercolonial. Un reto importante, pero desde luego no abordable en un tomo. En este ultimo cap ıtulo, Park explora algunas concepciones de la identidad pac ıfica como la de Carlos P. R omulo, Diosdado Macapagal, ambos oficiales del gobierno filipino, de la d ecada de los sesenta, cuyas declaraciones solo tienen finalidad diplom atica. Tambi en explora con detenimiento las concepciones del ya mencionado novelista Abad, subrayando la lamentable anulaci on mutua de los filipinos y de los hispanoamericanos en la imaginaci on de identidad, una noci on claramente influida por las Imagined Communities de Benedict Anderson (London: Verso, 1983), de cada uno de estos dos pueblos (124). Abad propone una clave para subsanar esta laguna: Jos e Rizal (129). A tenor de ello, Park prosigue sus reflexiones partiendo del hecho hist orico de la publicaci on en 1976 de la novela rizaliana Noli me tangere por Biblioteca Ayacucho (Caracas). El resultado es una exploraci on muy prometedora de Leopoldo Zea, que con su lectura de Heidegger y de la noci on del ser como proceso captado por el “ser” como infinitivo en lugar de ser un sustantivo (superando la traducci on cl asica de Sein und Zeit del fil osofo espa~ nol Jos e Gaos (131), hace una relectura o un redescubrimiento de la figura rizaliana y las ramificaciones de tales planteamientos que van m as all a de los descubrimientos de placas y monumentos, en tiempos de la presidencia de Diosdado Macapagal (141), y que se acercan a la noci on de tornaviaje, que no es un hecho o un mero sustantivo (142) sino que, de acuerdo con una lectura renovada del Dasein heideggerriano, es un proceso constante, un reto continuo que solo puede llevarse a cabo en “atreverse a ser transpac ıfico” (143). Aqu ı todo lo anecd otico, espor adico y narrativo confluye. M as que logros, este cuaderno de bit acora de Park nos brinda retos que pueden resumirse con las siguientes palabras: abrirse a m as tornaviajes de buceos m as profundos y exploraciones m as hondas para superar la circunstancialidad de los datos recogidos y colocarlos como piezas de la caza en un muestrario m as transparente, coherente y organizado. Es decir, deletrear mejor lo transpac ıfico a la luz de los retos actuales de un mundo cada vez m as globalizado.","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"23 1","pages":"372 - 373"},"PeriodicalIF":0.1,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44577696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Miss Spain in Exile”: Isa Reyes’ Escape from the Spanish Civil War","authors":"C. Byrne","doi":"10.1080/14682737.2023.2217012","DOIUrl":"https://doi.org/10.1080/14682737.2023.2217012","url":null,"abstract":"rehearsal” (118, 126) when “dress rehearsal” is meant; “a contextual approach that makes emphasis on” (138). And why does a book referring to theatre productions (at times to their appearance) not have any visual illustrations? By locating Lorca’s plays within Spanish theatre history, their reception, and discussing possible influences on them, P erez-Sim on has done much to challenge accepted critical views. However, such contextualization often comes at the expense of detailed textual analysis. (In Chapter 2, the imbalance is striking.) Yet Baroque Lorca is constantly stimulating and, in a scholarly way, provocative. It is a serious contribution to the critical literature on Lorca’s theatre and will surely form a fruitful starting point for future studies.","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"23 1","pages":"359 - 360"},"PeriodicalIF":0.1,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43859675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El codi torbat: De la poesia experimental a l’escriptura conceptual","authors":"Jordi Marrugat","doi":"10.1080/14682737.2023.2217018","DOIUrl":"https://doi.org/10.1080/14682737.2023.2217018","url":null,"abstract":"personal and the political which relates to the feminist struggle for power and public visibility. After looking at the photographs by Garcia and Caturla, still limited by the cultural structures of the period, the chapter analyses the more ambitious and innovative work produced by Colita, a member of Barcelona’s Gauche Divine. What I find fascinating in Colita’s work is her use of irony, scrutinized by Sendra through a photograph of two secretaries acting as slaves of the male character of publisher Jorge Herralde (173). Without the complicity of the viewer in activating its irony, this photograph would be complicit with, rather than critical of, patriarchy. Sendra resorts to Donna Haraway’s concept of irony to make sense of this (173), but I would suggest that another way of looking at it would be through Judith Butler’s vindication and re-appropriation of the term “queer,” which has been a tool for discrimination in the dominant culture. A similar re-appropriation can be observed in a 1976 photograph of a demonstration against the criminalization of female adultery with Montserrat Roig and Maruja Torres wearing placards stating “Jo tamb e s oc ad ultera” [I’m an adulterer too]. This photograph is not discussed in the book, but it fits Sendra’s view of Colita’s clever visual irony. Sendra concludes by stressing that the works she studies are “founded on heterogeneity and multi-sensoriality, [and speak] to us about literature and photography not as representations, but as material objects and social agents” (191). She notes that the promising Barcelona of the neighbourhood associations, social movements, and the defiant texts of her corpus does not bear fruit until the twenty-first century, when exhibitions and other collective efforts related to the recovery of popular memory have made the history of the city’s margins less “elusive” (194). It could be argued that Catalan culture expressed in Catalan could have been more visible in Sendra’s monograph as, even under the restrictions imposed by the dictatorship, it voiced its resistance through its different, forbidden, clandestine language. Nevertheless, this a good, perceptive, and insightful book that successfully achieves its goal by seeking and discussing dissent in visual and literary texts of a challenging period.","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"23 1","pages":"364 - 365"},"PeriodicalIF":0.1,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43989270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La memoria como enfermedad en Anatomía de la memoria de Eduardo Ruiz Sosa","authors":"Gustavo Faverón Patriau, Carolyn Wolfenzon","doi":"10.1080/14682737.2022.2134658","DOIUrl":"https://doi.org/10.1080/14682737.2022.2134658","url":null,"abstract":"RESUMEN Anatomía de la memoria (2014) es la prima novela del escritor mexicano Eduardo Ruiz Sosa. En ella, según proponemos, diversos fenómenos de carácter histórico, político e ideológico —desde la revolución marxista hasta la represión estatal, pasando por los traumas, tanto psíquicos e individuales como históricos y colectivos, que son la consecuencia de esos fenómenos en sus actores— son complejamente revisados a la luz de metáforas referidas a la enfermedad, tanto física como mental (incluyendo, de manera significativa, la melancolía, en un contrapunto barroco con el clásico tratado isabelino de Robert Burton cuyo título parafrasea: The Anatomy of Melancholy).","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"23 1","pages":"210 - 228"},"PeriodicalIF":0.1,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42297979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Spain, the Second World War, and the Holocaust: History and Representation. Edited by Sara J. Brenneis and Gina Herrmann. Toronto: University of Toronto Press, 2020. Pp. 736. $125 (hardback). ISBN 9781487505707","authors":"D. Omlor","doi":"10.1080/14682737.2022.2134666","DOIUrl":"https://doi.org/10.1080/14682737.2022.2134666","url":null,"abstract":"features, for example in Jos e de la Rosa’s Vampiro, where it is unclear whether Sibila is happy to have achieved the undead status she sought or whether her lot is miserable survival as a “tortured unquiet soul” (123). The interesting possibility of both supernatural and realist readings is also considered in the case of Tamparillas’s “Sangre de mi sangre, carne de mi carne” that foregrounds the tensi on between the two (130). While the plot summaries and analyses of Part 1 are necessary, since many readers will be unfamiliar with the subject matter, the structure has some disadvantages: most readers will need to refer back to Part 1 from Part 2 to remind themselves of what is going on in the text under discussion; and some repetition is inevitable. The comparative approach adopted in Part 2 is anticipated to some extent in Part 1, where there is a clear effort to forge links both among the texts treated (39, 90), and with those of other writers such as Ira Levin (88) and Melville (99). There are some efforts, too, to link the events recounted with the contemporary world: that Erzsebet B athory’s wealth allows her to perpetuate her crimes is linked to the prosecution of celebrities on historical sex-related charges (107). The style is occasionally marred by errors (“subsequently discovering his infidelity to her, her jealousy leads her to destroy him,” 55), and inelegance: (“where the vampires have moved on to, to try to rid the world of them,” 144). However, this monograph is the result of solid and painstaking research and is likely to achieve seminal status in its field.","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"23 1","pages":"267 - 269"},"PeriodicalIF":0.1,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45855808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Spanish Vampire Fiction Since 1900: Blood Relations. By Abigail Lee Six. New York: Routledge, 2019. Pp. 238. $160.00 (hardback). ISBN 9781138303836","authors":"L. Davies","doi":"10.1080/14682737.2022.2134664","DOIUrl":"https://doi.org/10.1080/14682737.2022.2134664","url":null,"abstract":"from is the visual arts. Such comparisons demonstrate how the anthology of the poetic texts discussed in this study can unlock many new investigations into the arts and culture of medieval Iberia. For instance, art history students could build on Twomey’s analysis of fountain imagery in verses to Our Lady of Guadalupe in an investigation of the medieval fountain at the monastery that housed this statue. Similarly, the author’s extensive analysis of garden imagery would provide exciting material for further studies of the influence of Islamic garden design in this region of the medieval Mediterranean. Twomey begins her book by discussing Marian miracles featured in the works of Gonzalo de Berceo and Alfonso X, the earliest vernacular poets of the period she is interested in. In the chapters that follow, her identification of numerous texts as containing the “earliest” examples of certain types of images must thus be understood as referring to the thirteenth century. Not included in her analysis is Marian imagery in Visigothic liturgy from the Peninsula, recently studied by Kati Ihnat (2016, 2017, and 2019). Twomey’s meaning of “earliest” as referring to the thirteenth century is sometimes obscured by the author’s use of much earlier biblical commentary and by the limited inclusion of dates throughout the book; although Twomey does provide dates for key authors in her introduction, which helps to orient the reader. Of particular value in this book is the author’s thorough references to numerous late medieval liturgical manuscripts from across Iberia’s kingdoms. These are sources that are significantly underutilized in cultural studies of medieval Iberia and so their inclusion here helps to make this book indispensable. Also of great value, especially to students, is the inclusion of English translations for the majority of the book’s numerous quotations, though a full appreciation of these texts rests on Twomey’s sensitive analysis of the secondary or tertiary meanings or contextual significance of the words. The inclusion of yet longer passages from these medieval poems would have only augmented this helpful aspect of the book. Separate indexes for the different images she studies—figures, objects, containers, plants, medicinal substances, and perfumes—will also prove extremely useful to future studies of all forms of Marian art from medieval Iberia. Indeed, students and researchers will be much better able to navigate the, at times, labyrinthine field of Iberian art and devotion thanks to Twomey’s book.","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"23 1","pages":"265 - 267"},"PeriodicalIF":0.1,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43432318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Sacred Space of the Virgin Mary in Medieval Hispanic Literature: From Gonzalo de Berceo to Ambrosio Montesino. By Lesley Twomey. Woodbridge: Boydell and Brewer, 2019. Pp. 496. £70 (hardback). ISBN 9781855663237.","authors":"Maeve O’Donnell-Morales","doi":"10.1080/14682737.2022.2134663","DOIUrl":"https://doi.org/10.1080/14682737.2022.2134663","url":null,"abstract":"","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"23 1","pages":"264 - 265"},"PeriodicalIF":0.1,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43220963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Fonts antropomòrfiques en “Le Roman de Tristan le Blanc (xiv e siècle)”: Història d’un malentès crític","authors":"Joan Mahiques Climent","doi":"10.1080/14682737.2022.2134660","DOIUrl":"https://doi.org/10.1080/14682737.2022.2134660","url":null,"abstract":"RESUM El Tirant lo Blanch de Joanot Martorell (†1465) descriu al capítol 55 un escenari muntat per celebrar les noces dels reis d’Anglaterra on s’erigeixen diverses estàtues amb formes humanes o animals que fan rajar líquids. A través del Tiran le Blanc, traducció francesa atribuïda al comte de Caylus (†1765), alguns estudis crítics sobre disseny i iconografia de mecanismes hidràulics han adduït, d’aquest passatge tirantià, el cas de dues estàtues de nus femenins que fan rajar líquid, una dels mugrons i l’altra de l’òrgan genital. Aquesta tradició d’estudis, representada per investigadors com Waldemar Deonna (†1959), ha fet esment del Tiran le Blanc quasi com si es tractés d’un roman francès anònim, sense indicar que deriva de la gran novel·la que Martorell escrigué en català. En un dels treballs més rellevants sobre fonts antropomòrfiques, publicat el 1958, Deonna va perpetrar dos errors que posteriorment s’han anat transmetent d’un estudi a un altre: la novel·la canvia el títol pel de Tristan le Blanc i se n’endarrereix la datació al segle xiv. L’article que ara presentem contextualitza i aclareix aquest malentès crític, i per primera vegada, examina de manera conjunta aportacions crítiques sobre el Tirant lo Blanch i estudis sobre fonts antropomòrfiques.","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"23 1","pages":"229 - 247"},"PeriodicalIF":0.1,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46587008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El itinerario religioso de José Cadalso: Creencia, filosofía y concepción utilitaria de la fe","authors":"Francisco Castilla Urbano","doi":"10.1080/14682737.2022.2134653","DOIUrl":"https://doi.org/10.1080/14682737.2022.2134653","url":null,"abstract":"RESUMEN La relevancia de la obra y figura de José Cadalso (1741–82) entre sus contemporáneos convierte la investigación sobre cualquier aspecto de su pensamiento en un instrumento valioso para establecer caracteres generales de la ideología de los ilustrados españoles. En este sentido, la evolución de sus actitudes e ideas sobre la religión no solo resultan de interés por sí mismas, sino que tienen el valor añadido de representar lo que probablemente sea el itinerario seguido por una parte importante de los escritores peninsulares de la segunda mitad del siglo XVIII. Lo que sigue quiere contribuir a su examen destacando tres aspectos relacionados con la religión en la vida y en la obra del gaditano: por una parte, el cambio de sus creencias personales, desde el catolicismo inicial hasta un distanciamiento progresivo que culmina al margen de la Iglesia. En segundo lugar, como consecuencia del proceso anterior, el planteamiento deísta presente en buena parte de sus obras. Por último, aparece dispersa en sus escritos una visión utilitaria de la creencia religiosa.","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"23 1","pages":"174 - 195"},"PeriodicalIF":0.1,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46677776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}