Conservation Science in Cultural Heritage最新文献_第9页

Raman Identification of Pigments in Wall Paintings of the Colonial Period from Bolivian Churches in the Ruta De La Plata 拉普拉塔路玻利维亚教堂殖民时期壁画颜料的拉曼鉴定

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Conservation Science in Cultural Heritage Pub Date : 2018-03-28 DOI: 10.6092/ISSN.1973-9494/7945

C. Rúa, Marcela Sepúlveda, Sebastián Gutiérrez, J. Cárcamo-Vega, Julio Surco-Luque, M. Campos-Vallette, F. Guzmán, P. Conti, Magdalena Pereira

{"title":"Raman Identification of Pigments in Wall Paintings of the Colonial Period from Bolivian Churches in the Ruta De La Plata","authors":"C. Rúa, Marcela Sepúlveda, Sebastián Gutiérrez, J. Cárcamo-Vega, Julio Surco-Luque, M. Campos-Vallette, F. Guzmán, P. Conti, Magdalena Pereira","doi":"10.6092/ISSN.1973-9494/7945","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/7945","url":null,"abstract":"Micro-Raman spectroscopy was used to analyze and identify pigments and determine the palette of color in wall paintings from four churches of the Colonial Period, in the Bolivian highlands. The ancient churches Santiago de Callapa, Curahuara de Carangas, NuestraSenora de Copacabana de Andamarca and San Jose de Soracachi were constructed during the 17th and 18th centuries, around the important colonial Ruta de la Plata, between Potosi city and Arica harbor on the Pacific coast of South America. Most pigments used in the wall paintings correspond to inorganic minerals as well as to organic colorants. Fully chlorinated copper phthalocyanine (green), copper phthalocyanine (blue), β-naphthol (yellow) and benzoimidazolone (red), were identified in the corresponding colored areas suggesting subsequent recent interventions or restorations. Ground layer materials were also characterized. The present results allow for discussion of the pictorial techniques used in the Andean highland during the colonial period and allow conservators and restorers to make important decisions regarding the type of intervention to perform in the case of these important historical and patrimonial monuments.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"75 12","pages":"117-137"},"PeriodicalIF":0.2,"publicationDate":"2018-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72453630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 6

Cleaning and Restoration of an Oil Painting with a Polymer Gel in Iran 在伊朗用聚合物凝胶清洗和修复一幅油画

IF 0.2

Conservation Science in Cultural Heritage Pub Date : 2018-03-28 DOI: 10.6092/ISSN.1973-9494/7952

S. Alizadeh

引用次数: 4

The Academic Publication Service AlmaDL Journals and the New Challenges of Open Access 学术出版服务与开放获取的新挑战

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Conservation Science in Cultural Heritage Pub Date : 2018-03-28 DOI: 10.6092/ISSN.1973-9494/7956

P. Grandesso

引用次数: 0

The Muqarnas Ceiling of the Palatina Chapel in Palermo 巴勒莫Palatina教堂的Muqarnas天花板

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Conservation Science in Cultural Heritage Pub Date : 2018-03-28 DOI: 10.6092/ISSN.1973-9494/7940

G. Fatta, T. Campisi, M. L. Castri, Giuseppe Costa

{"title":"The Muqarnas Ceiling of the Palatina Chapel in Palermo","authors":"G. Fatta, T. Campisi, M. L. Castri, Giuseppe Costa","doi":"10.6092/ISSN.1973-9494/7940","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/7940","url":null,"abstract":"St. Peter’s Basilica inside the Royal Palace of Palermo, known as the Palatina Chapel, is one of the most popular medieval monuments in Sicily. Built between 1130 and 1163, it contains interesting wooden framings that represent both bearing and finishing structures. Studies about the Arab-Norman church have often concentrated on the very rich and suggestive decorative mosaic apparatus of walls and floorings, as well as the pictorial cycle of wooden ceilings. Knowledge about the constructive techniques adopted and, in particular, about the realization of the coverings, is very limited: there are wooden floors built at different levels, vaults and wooden ceilings and among these is the portion that covers the main nave, housing the muqarnas decorations. The fortunate coincidence of the restoration building yard made it possible to gain precious knowledge of this extraordinary wooden structure, also through a laser scanning survey of a significant area of the wooden ceiling, performed with a low range device. The collected data adequately represent the geometry and the state of conservation of the ceiling and have been used to develop a spatial and geometrical analysis of the muqarnas and relate it to the structural layout. The survey of the internal and external sides of the covering enabled us to investigate further the materials and constructive techniques employed in this ancient wooden ceiling. At the same time, we were also able to document the original structural system and the completion parts, its conservation status and the interventions and modifications it has undergone through many centuries.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"40 1","pages":"65-85"},"PeriodicalIF":0.2,"publicationDate":"2018-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85002297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Stepping Stone to Greater Impact for Quality Journals is “Influence”; it is about Discoverability and Usage “影响力”是优质期刊提高影响力的敲门砖这是关于可发现性和使用

IF 0.2

Conservation Science in Cultural Heritage Pub Date : 2018-03-28 DOI: 10.6092/ISSN.1973-9494/7939

Donald P. Doak

{"title":"The Stepping Stone to Greater Impact for Quality Journals is “Influence”; it is about Discoverability and Usage","authors":"Donald P. Doak","doi":"10.6092/ISSN.1973-9494/7939","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/7939","url":null,"abstract":"Although publishers and authors hope to see their publications having an impact in the discipline, focusing only on the quality of the published articles may not guarantee the desired impact. Papers should also respond to principles of quality not only from a scientific point of view, as it is also very important to understand and capitalize on the critical phases that lead to usage — namely ensuring exposure and discoverability of the publications by the target audience. Apart from partnering with subscription agents that offer value-added services for online publications to ensure that linking to full text is accurate and stable, full-text databases also offer an effective channel to bring high-quality journal contents to a target audience that may eventually cite the consulted articles in their own researches. Nonetheless, the publisher, and at times the editor-in-chief, also wants to make sure that the full-text databases they work with are not going to bring a negative impact on the journal subscription. Therefore, it is critical that publishers look to partners that support all areas of their business in an optimal way. This is what has been achieved across the years by the Journal “Conservation Science in Cultural Heritage” which has had excellent results in its dissemination and scientific content.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"27 1","pages":"59-63"},"PeriodicalIF":0.2,"publicationDate":"2018-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83550766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Versatile Figure of Michail Vasil'evič Lomonosov 米哈伊尔·瓦西里·埃维茨·罗蒙诺索夫的多才多艺的人物

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Conservation Science in Cultural Heritage Pub Date : 2018-03-28 DOI: 10.6092/issn.1973-9494/7955

Aleksandre P. Lobodanov

引用次数: 0

Polychrome ceramics, artistic diagnosis and resulting ambiances in a Marinid Mosque, Algeria 阿尔及利亚马里尼清真寺的彩色陶瓷，艺术诊断和由此产生的氛围

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Conservation Science in Cultural Heritage Pub Date : 2018-03-28 DOI: 10.6092/ISSN.1973-9494/7937

Meriem Benkhedda, K. T. Aoul

引用次数: 0

Semiotics of Animal Motifs in the Jewelry of the Achaemenid Era 阿契美尼德时代珠宝中动物图案的符号学

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Conservation Science in Cultural Heritage Pub Date : 2018-03-28 DOI: 10.6092/ISSN.1973-9494/7954

Shahryar Shokrpour, Reyhaneh Rashidi, Fatemeh Barmaki

引用次数: 1

Elimination of Xylophages from Wood through Microwave Treatment: Microstructural Experiments 微波处理去除木材中的木噬细胞:显微结构实验

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Conservation Science in Cultural Heritage Pub Date : 2018-03-28 DOI: 10.6092/issn.1973-9494/7938

Cesare Crova, F. Chiadini, L. Maio, L. Guerriero, Luca Pescione

引用次数: 3

Forensic Art History: the Ädel Painting Dispute 1839-1841 法医艺术史:Ädel绘画争议1839-1841

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Conservation Science in Cultural Heritage Pub Date : 2018-03-28 DOI: 10.6092/ISSN.1973-9494/7941

I. Nyström, Jacob L. Thomas, Yvonne Fors, Liv Friis, Anders Assis, K. Thuresson

{"title":"Forensic Art History: the Ädel Painting Dispute 1839-1841","authors":"I. Nyström, Jacob L. Thomas, Yvonne Fors, Liv Friis, Anders Assis, K. Thuresson","doi":"10.6092/ISSN.1973-9494/7941","DOIUrl":"https://doi.org/10.6092/ISSN.1973-9494/7941","url":null,"abstract":"This article concerns a 19th century dispute about twenty pieces of decorated furniture painted by the 19th century painter Anders Erik Adel (1809-1888) from Soderhamn, Halsingland, Sweden. Adel is considered to be one of the foremost painters in Halsingland. His art works - painted furniture and interiors - are displayed in museums and can also be found in the Decorated Farmhouses of Halsingland, UNESCO World Heritage. In 1839, Adel accused his client, the farmer Erik Olofsson, in court of having paid too little for the objects he had painted as he had used more pigments than those for which he had been paid. Almost 180 years later scientific methods combined with historic source research were used to understand what pigments Adel actually used. Through this study we demonstrate how multidisciplinary collaboration between sciences and humanities can contribute to deeper knowledge and new interpretations. The scientific analyses were preceded by analyses of the judicial protocols found. Non-invasive analyses using XRF instruments were conducted in situ, supplemented by other spectroscopic methods in the lab. The judicial protocols give an insight into what pigments Adel had access to, and when combined with the scientific analyses, this information provides historic evidence of the artist's materials and painting technique.","PeriodicalId":42483,"journal":{"name":"Conservation Science in Cultural Heritage","volume":"4 1","pages":"87-99"},"PeriodicalIF":0.2,"publicationDate":"2018-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73200846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0