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Camus's "Jonas ou L'Artiste au travail": A Statement of the Absurd Human Condition 加缪的《Jonas ou L'Artiste au travail》:对荒谬的人类状况的陈述
South Atlantic Review Pub Date : 1995-11-01 DOI: 10.2307/3201236
R. McGregor
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引用次数: 1
In Conclusion: Literature and Culture in the Last Essays of Cleanth Brooks 结语:布鲁克斯最后随笔中的文学与文化
South Atlantic Review Pub Date : 1995-11-01 DOI: 10.2307/3201240
J. Brooker, C. Brooks
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引用次数: 3
Michael Frayn and the World of Work 迈克尔·弗莱恩和工作世界
South Atlantic Review Pub Date : 1995-11-01 DOI: 10.2307/3201239
K. C. Blansfield
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引用次数: 1
Selected Poems from Les Fleurs du Mal (Flowers of Evil) 《邪恶之花》诗选
South Atlantic Review Pub Date : 1995-11-01 DOI: 10.2307/3201256
James S. Patty, F. Leakey
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引用次数: 5
Morality and Fiction: The Example of Henry James 道德与小说:以亨利·詹姆斯为例
South Atlantic Review Pub Date : 1995-11-01 DOI: 10.2307/3201234
Joseph A. Hynes
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引用次数: 1
One Goal Is Still Lacking: The Influence of Friedrich Nietzsche's Philosophy on William Faulkner's "The Sound and the Fury" 还缺一个目标:尼采哲学对福克纳《喧哗与骚动》的影响
South Atlantic Review Pub Date : 1995-11-01 DOI: 10.2307/3201235
Marco Abel
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引用次数: 4
"Time to Plant Tears": Elizabeth Bishop's Seminary of Tears “播种泪水的时间”:伊丽莎白主教的泪水神学院
South Atlantic Review Pub Date : 1995-11-01 DOI: 10.2307/3201237
J. Powers-Beck
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引用次数: 44
Tennyson's Fixations: Psychoanalysis and the Topics of the Early Poetry 丁尼生的固着:精神分析与早期诗歌主题
South Atlantic Review Pub Date : 1995-11-01 DOI: 10.2307/3201263
Paul N. Zietlow, Matthew Rowlinson
{"title":"Tennyson's Fixations: Psychoanalysis and the Topics of the Early Poetry","authors":"Paul N. Zietlow, Matthew Rowlinson","doi":"10.2307/3201263","DOIUrl":"https://doi.org/10.2307/3201263","url":null,"abstract":"Matthew Rowlinson proposes a revitalized and properly analytic formalism as the appropriate model for a reading of Tennyson. In a series of attentive close readings, he probes the nature of place and the structuring of desire in Tennyson's work. Focusing on the poet's most important early writings - fragments and poems produced between 1824 and 1833 - Rowlinson conflates deconstructive theory with psychoanalytic insights. The author begins by observing that the subjectivities articulated in these poems, from the strangely passive poet-seer of the \"Armageddon\" fragments to the embowered singers of \"Mariana,\" \"The Lady of Shalott,\" and \"The Hesperides\" to the absconding monarch of \"Ulysses,\" are all constituted in relation to ruined, abandoned, or inaccessible places. The placing of the subject allegorizes its relation to the signifier as well as to the discursive structures within which the signifier comes into being. On this premise, Rowlinson takes up Lacan's claim that it is through the signifier that it is through the signifier that all human desire is mediated. In the placement of the subjects he reads a distinctively Tennysonian articulation of desire. Following Paul de Man, Rowlinson demonstrates that allegory comes into being only with a structure of repetition. He has developed a formalist poetics that provides a psychoanalytic account of the most basic figurative and formal devices - allegory, metaphor, rhyme, and metre - and he offers an explication and critique of major concepts in Lacanian and Freudian psychoanalytic theory, including the gaze, the castration complex, the death drive, and the compulsion to repeat. By returning to the deconstruction, the author has resumed the challenges English studies took up in the 1970s and left incomplete in its rush to historicism. His readings offer fresh insights at the level of theory.","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"92 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1995-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133182966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 12
The Art of Rupture: Narrative Desire and Duplicity in the Tales of Guy de Maupassant 决裂的艺术:莫泊桑故事集中的叙事欲望与口是心非
South Atlantic Review Pub Date : 1995-11-01 DOI: 10.2307/3201258
G. Prince, C. J. Stivale
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引用次数: 5
Visual Culture: Images and Interpretations 视觉文化:图像与诠释
South Atlantic Review Pub Date : 1995-11-01 DOI: 10.2307/3201243
N. Bryson, M. Holly, K. Moxey
{"title":"Visual Culture: Images and Interpretations","authors":"N. Bryson, M. Holly, K. Moxey","doi":"10.2307/3201243","DOIUrl":"https://doi.org/10.2307/3201243","url":null,"abstract":"We can no longer see, much less teach, transhistorical truths, timeless works of art, and unchanging critical criteria without a highly developed sense of irony about the grand narratives of the past, declare the editors, who also coedited Visual Theory: Painting and Interpretation (1990). The field of art history is not unique in finding itself challenged and enlarged by cultural debates over issues of class, ethnicity, nationality, sexual orientation, and gender. Visual Culture assembles some of the foremost scholars of cultural studies and art history to explore new critical approaches to a history of representation seen as something different from a history of art. CONTRIBUTORS: Andres Ross, Michael Ann Holly, Mieke Bal, David Summers, Constance Penley, Kaja Silverman, Ernst Van Alphen, Norman Bryson, Wolfgang Kemp, Whitney Davis, Thomas Crow, Keith Moxey, John Tagg, Lisa Tickner.\"","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1995-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125039815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 82
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