视觉文化:图像与诠释

N. Bryson, M. Holly, K. Moxey
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引用次数: 82

摘要

《视觉理论:绘画与阐释》(Visual Theory: Painting and Interpretation, 1990)的编辑们表示,如果没有对过去宏大叙事的高度讽刺意识,我们就无法再看到、更不用说教授超越历史的真相、永恒的艺术作品和不变的批判标准。艺术史领域并不是唯一发现自己受到阶级、种族、国籍、性取向和性别等问题的文化辩论的挑战和扩大的领域。《视觉文化》集合了一些文化研究和艺术史上最重要的学者,探索新的批判方法来研究被视为不同于艺术史的再现史。贡献者:Andres Ross, Michael Ann Holly, Mieke Bal, David Summers, Constance Penley, Kaja Silverman, Ernst Van Alphen, Norman Bryson, Wolfgang Kemp, Whitney Davis, Thomas Crow, Keith Moxey, John Tagg, Lisa Tickner。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Visual Culture: Images and Interpretations
We can no longer see, much less teach, transhistorical truths, timeless works of art, and unchanging critical criteria without a highly developed sense of irony about the grand narratives of the past, declare the editors, who also coedited Visual Theory: Painting and Interpretation (1990). The field of art history is not unique in finding itself challenged and enlarged by cultural debates over issues of class, ethnicity, nationality, sexual orientation, and gender. Visual Culture assembles some of the foremost scholars of cultural studies and art history to explore new critical approaches to a history of representation seen as something different from a history of art. CONTRIBUTORS: Andres Ross, Michael Ann Holly, Mieke Bal, David Summers, Constance Penley, Kaja Silverman, Ernst Van Alphen, Norman Bryson, Wolfgang Kemp, Whitney Davis, Thomas Crow, Keith Moxey, John Tagg, Lisa Tickner."
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