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Comprehending Dance through Empathy: A Spectator’s Total Body-Mind Experience of Watching Wind of May (Moon, 2020) 通过移情理解舞蹈:观看《五月的风》(Moon, 2020)的身心全体验
IF 0.3 3区 艺术学
Dance Research Pub Date : 2022-05-01 DOI: 10.3366/drs.2022.0358
Youngeun Yang
{"title":"Comprehending Dance through Empathy: A Spectator’s Total Body-Mind Experience of Watching Wind of May (Moon, 2020)","authors":"Youngeun Yang","doi":"10.3366/drs.2022.0358","DOIUrl":"https://doi.org/10.3366/drs.2022.0358","url":null,"abstract":"This article advances a hermeneutico-phenomenological enquiry into the lived experience of watching the recently created ballet, Wind of May (Moon, 2020), to examine the role of empathy in comprehending this dance performance. Drawing on Edith Stein’s work, it shows how dance spectatorship entails dynamic interactions between the core processes of empathy formation, namely, direct multimodal perception, emotional engagement, and cognitive thinking. It further employs Dee Reynolds’s concept of ‘affect’ to highlight how empathic experience can be physically embodied yet non-emotional. In doing so, it argues that empathy involves a total mind-body experience that can be valuable to dance interpretation.","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47742067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kathryn Dickason, Ringleaders of Redemption. How Medieval Dance Became Sacred Kathryn Dickason，救赎的领军人物。中世纪舞蹈如何神圣化
IF 0.3 3区 艺术学
Dance Research Pub Date : 2021-11-01 DOI: 10.3366/drs.2021.0349
L. Hellsten
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引用次数: 10
A Neoliberal Semi-Public Space in the Era of the JDP: Tango in Istanbul JDP时代的新自由主义半公共空间:伊斯坦布尔的探戈
IF 0.3 3区 艺术学
Dance Research Pub Date : 2021-11-01 DOI: 10.3366/drs.2021.0341
Melin Levent Yuna
{"title":"A Neoliberal Semi-Public Space in the Era of the JDP: Tango in Istanbul","authors":"Melin Levent Yuna","doi":"10.3366/drs.2021.0341","DOIUrl":"https://doi.org/10.3366/drs.2021.0341","url":null,"abstract":"How has Argentine tango dance, that appears to represent publicly an erotic relationship between the female and the male, found the space to expand in Turkey pioneered by urban Istanbul despite the conservative JDP regime? While the tango dance shifted to a global entertainment and culture industry in the 21st century providing global belongingness, it locally became one neoliberal semi-public space of secular upper and middle class Turkish Muslims to reflect and reproduce their self-identity by distinguishing themselves from new Islamic bourgeoisie as well as lower social classes. This character provided the grounds for its spread even under the conservative government of President Recep Tayyip Erdoğan, and it is still on practice despite such a conservative rule, even existing online during the Covid-19 Pandemic.","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43498826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Back matter 回到问题
IF 0.3 3区 艺术学
Dance Research Pub Date : 2021-11-01 DOI: 10.3366/drs.2021.0353
{"title":"Back matter","authors":"","doi":"10.3366/drs.2021.0353","DOIUrl":"https://doi.org/10.3366/drs.2021.0353","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46705248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Approaches to Dance (3): Naïveté and Curiosity 舞蹈之道(3):Naïveté和Curiosity
IF 0.3 3区 艺术学
Dance Research Pub Date : 2021-11-01 DOI: 10.3366/drs.2021.0346
J. Van Zile
{"title":"Approaches to Dance (3): Naïveté and Curiosity","authors":"J. Van Zile","doi":"10.3366/drs.2021.0346","DOIUrl":"https://doi.org/10.3366/drs.2021.0346","url":null,"abstract":"Part autobiography, memoir, and autoethnography, this essay sketches a pathway that zig-zags and follows switchbacks as it moves from childhood ballet lessons to a profession in academic teaching and research. The path embraces dance notation, Korean dance, movement analysis, history, iconography, aesthetics, language, and communication as it continues beyond university employment into retirement, revealing the evolution of thought processes and the intertwining of the personal and professional.","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43502612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Decolonising or Recolonising: Struggles on Cultural Heritage 去殖民化还是再殖民化：文化遗产之争
IF 0.3 3区 艺术学
Dance Research Pub Date : 2021-11-01 DOI: 10.3366/drs.2021.0345
E. Bakka, Gediminas Karoblis
{"title":"Decolonising or Recolonising: Struggles on Cultural Heritage","authors":"E. Bakka, Gediminas Karoblis","doi":"10.3366/drs.2021.0345","DOIUrl":"https://doi.org/10.3366/drs.2021.0345","url":null,"abstract":"This article directly responds to an article authored by Iacono and Brown published in Dance Research (2016), and considers issues emerging since its publication. The core topic is the UNESCO Convention from 2003, and in our view, criticism in the 2016 article is based on misinterpretation. We address the claims that the Convention is marked by binarism and provide in-depth background for the concept of intangible cultural heritage. We also caution against using the biomorphic term ‘living cultural heritage’ as its application stands in an ambiguous relation toward essentialist, organicist and totalitarian ideologies. We end with a discussion on attitudes toward globalisation and the concept of innovation. These, we argue, have profound implications for recent discussions on decolonisation.","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42581355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nietzsche's Looming Presence in the 1930s Dance Polemics of John Martin and Lincoln Kirstein 尼采在20世纪30年代约翰·马丁和林肯·柯斯坦的舞蹈论战中的隐现
IF 0.3 3区 艺术学
Dance Research Pub Date : 2021-11-01 DOI: 10.3366/drs.2021.0342
Rachel Straus
{"title":"Nietzsche's Looming Presence in the 1930s Dance Polemics of John Martin and Lincoln Kirstein","authors":"Rachel Straus","doi":"10.3366/drs.2021.0342","DOIUrl":"https://doi.org/10.3366/drs.2021.0342","url":null,"abstract":"Some of the most perplexingly antagonistic comments about the differences between modern dance and ballet can be found strewn throughout the works of two pioneering twentieth-century American dance writers: John Martin (1893–1985) –  The New York Times's first permanent dance critic, champion of modern dancers and early supporter of Martha Graham ( Kisselgoff et al. 1988 : 44) – and Lincoln Kirstein (1907–1996), the prodigious author, impresario, and balletomane, who cofounded with George Balanchine the New York City Ballet. Looming behind a significant number of Martin's and Kirstein's appraisals and condemnations of modern dance and ballet are Friedrich Nietzsche's aesthetics, particularly his Apollonian-Dionysian conceptualisations. This essay investigates the reception of Nietzsche in the context of the 1930s writing of these two dance critics, particularly in respect to their treatment of gender. Foundational for this essay's development are the analyses of Nietzsche's reception by earlier twentieth-century dance figures in the works of Susan Jones (2013 , 2010 ), Susan Manning (2006) and Kimerer LaMothe (2006) .","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42117251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Developing Craft in the Ballet Class 在芭蕾舞课上发展工艺
IF 0.3 3区 艺术学
Dance Research Pub Date : 2021-11-01 DOI: 10.3366/drs.2021.0340
Susie Crow
{"title":"Developing Craft in the Ballet Class","authors":"Susie Crow","doi":"10.3366/drs.2021.0340","DOIUrl":"https://doi.org/10.3366/drs.2021.0340","url":null,"abstract":"The ballet class is a complex pedagogical phenomenon in which an embodied tradition is transmitted in practice from one generation to the next, shaping not just the dancing but the attitudes and perceptions of dancers throughout their careers. This paper emerges from observations and experience of recent and current ballet class practice, and theoretical investigations into embodied learning in the arts. It outlines the influential role of large hegemonic institutions in shaping how ballet is currently taught and learned; and the effect of this on the class's evolving relation to ballet's repertoire of old and emerging dances as artworks. It notes the increasing importation into ballet pedagogy of thinking rooted in sports science, engendering the notion of the dancer as athlete; and of historic attitudes which downplay the agency of the dancer. I propose an alternative model for understanding the nature of learning in the ballet class, relating it to what Donald Schön calls ‘deviant traditions of education for practice’ in other performing and visual arts ( Schön 1987 p16). I look at the dancer's absorption via the class of ballet's danse d’école, its core technique of academic dance content. I suggest how this process might more constructively be understood through the lens of craft learning and the development of craftsmanship via apprenticeship, the dancer learning alongside the teacher as experienced artist practitioner who models behaviours that foster creativity.","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45260445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kathrina Farrugia-Kriel (ed.), Princess Poutiatine and the Art of Ballet in Malta 凯瑟琳·法鲁吉亚-克里尔主编，《马耳他的普提亚廷公主与芭蕾艺术》
IF 0.3 3区 艺术学
Dance Research Pub Date : 2021-11-01 DOI: 10.3366/drs.2021.0350
G. Morris
{"title":"Kathrina Farrugia-Kriel (ed.), Princess Poutiatine and the Art of Ballet in Malta","authors":"G. Morris","doi":"10.3366/drs.2021.0350","DOIUrl":"https://doi.org/10.3366/drs.2021.0350","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43848009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Christel Stalpaert, Guy Cools and Hildegard De Vuyst (eds), The Choreopolitics of Alain Platel's les Ballets C de la B: Emotions, Gesture, Politics 克里斯特尔·斯塔尔帕特、盖伊·库尔斯和希尔德加德·德·韦斯特主编，《阿兰·普拉特尔芭蕾舞团的舞蹈政治:情感、姿态、政治》
IF 0.3 3区 艺术学
Dance Research Pub Date : 2021-11-01 DOI: 10.3366/drs.2021.0352
G. Schiller
{"title":"Christel Stalpaert, Guy Cools and Hildegard De Vuyst (eds), The Choreopolitics of Alain Platel's les Ballets C de la B: Emotions, Gesture, Politics","authors":"G. Schiller","doi":"10.3366/drs.2021.0352","DOIUrl":"https://doi.org/10.3366/drs.2021.0352","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47882274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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