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The Spider and the Crab: Ways of Being with Practice-as-Research 蜘蛛与螃蟹实践即研究的存在方式
IF 0.3 3区 艺术学
Dance Research Pub Date : 2023-11-01 DOI: 10.3366/drs.2023.0402
Paul Paschal, E. Protopapa
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引用次数: 0
Dancing and the Stance: Mapping a Creative Practice in African Dance-Drama 舞蹈与姿态:绘制非洲舞蹈剧的创作实践图
IF 0.3 3区 艺术学
Dance Research Pub Date : 2023-11-01 DOI: 10.3366/drs.2023.0403
‘Funmi Adewole Elliott
{"title":"Dancing and the Stance: Mapping a Creative Practice in African Dance-Drama","authors":"‘Funmi Adewole Elliott","doi":"10.3366/drs.2023.0403","DOIUrl":"https://doi.org/10.3366/drs.2023.0403","url":null,"abstract":"This article documents ‘Funmi Adewole Elliott's Practice as Research project into her solo performance practice which is derived from African dance-drama. Her aim is to develop the theoretical context of her practice. Using methods proposed by Robin Nelson, Linda Candy and Ernest Edmonds, her project focuses on the making of a short solo performance The Blind Side (2022). Through analysis of The Blind Side, Adewole Elliott describes how she utilises conventions of African storytelling and Neotraditional Creative Dance to create the performance piece and locate its discursive context. The project opens up a space of ‘know-what’ for her practice leading her to form three lines of inquiry; the conceptual-cultural domain in African dance-drama, the physical dramaturgy of the storyteller and what physical dramaturgy can offer Neotraditional Creative Dance practice.","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":"230 2 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139299757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bruce Baird, A History of Butô 布鲁斯-贝尔德,《布托历史
IF 0.3 3区 艺术学
Dance Research Pub Date : 2023-11-01 DOI: 10.3366/drs.2023.0408
S. Fraleigh
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引用次数: 0
Introduction: Studies in Practice as Research 导言:作为研究的实践研究
IF 0.3 3区 艺术学
Dance Research Pub Date : 2023-11-01 DOI: 10.3366/drs.2023.0399
Sarah Whatley
{"title":"Introduction: Studies in Practice as Research","authors":"Sarah Whatley","doi":"10.3366/drs.2023.0399","DOIUrl":"https://doi.org/10.3366/drs.2023.0399","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":"34 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139298744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dancing on the Strand: The Adelphi Theatre’s Dance Repertoire, 1840–1860 斯特兰德的舞蹈阿德尔菲剧院的舞蹈剧目,1840-1860 年
IF 0.3 3区 艺术学
Dance Research Pub Date : 2023-11-01 DOI: 10.3366/drs.2023.0405
Amanda Hodgson
{"title":"Dancing on the Strand: The Adelphi Theatre’s Dance Repertoire, 1840–1860","authors":"Amanda Hodgson","doi":"10.3366/drs.2023.0405","DOIUrl":"https://doi.org/10.3366/drs.2023.0405","url":null,"abstract":"Dance was ubiquitous on the early Victorian stage but theatre dance of the period has received little critical attention. Examination of the repertoire of the Adelphi Theatre in London in 1840–1860 shows that dance occurred in a wide range of theatrical contexts including melodrama, farce, extravaganza and burlesque. The Adelphi also specialised in adaptations of Romantic ballets that combined spectacle, narrative, dance and song. In such theatre pieces dance could be not only decorative, but also fully integrated into the structural and thematic contexts in which it was embedded. In The Enchanted Isle, for example, dance makes a suggestive contribution to the political agenda of the play.","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":"7 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139299859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Janet Borgerson and Jonathan Schroeder, Designed for Dancing: How Midcentury Records Taught America to Dance 珍妮特-博格森和乔纳森-施罗德,《为舞蹈而设计》:中世纪唱片如何教美国人跳舞
IF 0.3 3区 艺术学
Dance Research Pub Date : 2023-11-01 DOI: 10.3366/drs.2023.0411
Jo Read
{"title":"Janet Borgerson and Jonathan Schroeder, Designed for Dancing: How Midcentury Records Taught America to Dance","authors":"Jo Read","doi":"10.3366/drs.2023.0411","DOIUrl":"https://doi.org/10.3366/drs.2023.0411","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139296711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Creativity, Skill, Integrity, Intelligence and Community: A Conversation on the Nature of Practice in Hip Hop 创造力、技能、正直、智慧和社区:关于街舞实践本质的对话
IF 0.3 3区 艺术学
Dance Research Pub Date : 2023-11-01 DOI: 10.3366/drs.2023.0401
Robert Hylton, Jonathan Burrows
{"title":"Creativity, Skill, Integrity, Intelligence and Community: A Conversation on the Nature of Practice in Hip Hop","authors":"Robert Hylton, Jonathan Burrows","doi":"10.3366/drs.2023.0401","DOIUrl":"https://doi.org/10.3366/drs.2023.0401","url":null,"abstract":"Robert Hylton is a first-generation UK hip hop theatre practitioner, who is currently writing a PhD at the Centre for Dance Research Coventry University on the nature of transmission of knowledge in black British Popping. Jonathan Burrows is a choreographer and Associate Professor at C-DaRE Coventry, who has worked for many years with hip hop artist Jonzi-D, mentoring hip hop artists interested in theatre practice. Robert and Jonathan have shared a long and ongoing conversation over many years about the nature of hip hop and its uneasy relationship to contemporary dance. The following text reflects that conversation, focussing specifically on the nature of practice in hip hop dance including transmission of physical and philosophical knowledge, respect for lineage, innovation and the relationship or not to academic research and the space of theatre.","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":"245 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139296813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Massimiliano Locanto, Stravinsky and the Musical Body: Creative Process and Meaning Massimiliano Locanto,《斯特拉文斯基与音乐身体》:创作过程与意义
IF 0.3 3区 艺术学
Dance Research Pub Date : 2023-11-01 DOI: 10.3366/drs.2023.0409
Stephanie Jordan
{"title":"Massimiliano Locanto, Stravinsky and the Musical Body: Creative Process and Meaning","authors":"Stephanie Jordan","doi":"10.3366/drs.2023.0409","DOIUrl":"https://doi.org/10.3366/drs.2023.0409","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":"31 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139298501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Grace Barnes, National Identity and the British Musical 格蕾丝-巴恩斯,国家认同与英国音乐剧
IF 0.3 3区 艺术学
Dance Research Pub Date : 2023-11-01 DOI: 10.3366/drs.2023.0410
Luke Purshouse
{"title":"Grace Barnes, National Identity and the British Musical","authors":"Luke Purshouse","doi":"10.3366/drs.2023.0410","DOIUrl":"https://doi.org/10.3366/drs.2023.0410","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":"11 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139293453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performing for Napoleon: Production Quarrels at the Paris Opéra 为拿破仑演出巴黎歌剧院的制作之争
IF 0.3 3区 艺术学
Dance Research Pub Date : 2023-11-01 DOI: 10.3366/drs.2023.0407
E. Cazzato
{"title":"Performing for Napoleon: Production Quarrels at the Paris Opéra","authors":"E. Cazzato","doi":"10.3366/drs.2023.0407","DOIUrl":"https://doi.org/10.3366/drs.2023.0407","url":null,"abstract":"This study addresses the collaboration of the stage designer Ignazio Degotti (1758–1824) with the choreographer Pierre Gardel (1758–1840) in a series of works presented at the Théâtre de l’Opéra in Paris during the Napoleonic administration (1804–1815). Backstage episodes in three key performances demonstrate that although the Opéra was politically crucial to Napoleon, there were practical problems in theatre management on his watch. This study argues that the inadequacy of spaces for artistic creation and a lack of coordination among the creative team were the most pressing issues in this respect.","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":"188 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139291844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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