JDP时代的新自由主义半公共空间:伊斯坦布尔的探戈

IF 0.3 3区 艺术学 0 DANCE
Melin Levent Yuna
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引用次数: 0

摘要

阿根廷探戈似乎公开表现了男女之间的情爱关系,它是如何在土耳其找到扩张的空间的?当探戈舞在21世纪转变为全球娱乐和文化产业,提供全球归属感时,它在当地成为世俗的土耳其中上层穆斯林的新自由主义半公共空间,通过将自己与新的伊斯兰资产阶级和下层社会阶级区分开来,反映和再现他们的自我认同。即使在保守派总统雷杰普·塔伊普(Recep Tayyip) Erdoğan执政时期,这一特点也为其传播提供了依据,即使在这样保守的规则下,它仍然在实践中,甚至在新冠疫情期间也存在于网上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Neoliberal Semi-Public Space in the Era of the JDP: Tango in Istanbul
How has Argentine tango dance, that appears to represent publicly an erotic relationship between the female and the male, found the space to expand in Turkey pioneered by urban Istanbul despite the conservative JDP regime? While the tango dance shifted to a global entertainment and culture industry in the 21st century providing global belongingness, it locally became one neoliberal semi-public space of secular upper and middle class Turkish Muslims to reflect and reproduce their self-identity by distinguishing themselves from new Islamic bourgeoisie as well as lower social classes. This character provided the grounds for its spread even under the conservative government of President Recep Tayyip Erdoğan, and it is still on practice despite such a conservative rule, even existing online during the Covid-19 Pandemic.
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CiteScore
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