STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE最新文献_第8页

Back Matter 背面内容

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STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE Pub Date : 2019-08-21 DOI: 10.7202/1062929ar

引用次数: 0

A Hell of a Voice 地狱之声

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STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE Pub Date : 2019-08-21 DOI: 10.7202/1062927ar

P. Chafe

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Altering Subjectivities 改变主体性

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STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE Pub Date : 2019-08-21 DOI: 10.7202/1062916ar

Caroline Rae

引用次数: 1

“All Cunt and No ‘Conscience’” "只有屄，没有'良心'"

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STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE Pub Date : 2019-08-21 DOI: 10.7202/1062921ar

H. Nicholls

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“You Are Turning into a Hive Mind”: Storytelling, Ecological Thought, and the Problem of Form in Generation A “你正在变成一个蜂群思维”:讲故事、生态思想和a代的形式问题

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STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE Pub Date : 2019-07-24 DOI: 10.7202/1062368AR

Jenny Kerber

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引用次数: 0

Les envers de la ville : de nouveaux paysages en poésie québécoise 城市的反面:魁北克诗歌中的新风景

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STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE Pub Date : 2019-07-24 DOI: 10.7202/1062360AR

Élise Lepage

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引用次数: 0

“A Whole New Take on Indigenous”: Margaret Atwood’s Oryx and Crake as Wild Animal Story “对土著的全新认识”:玛格丽特·阿特伍德的《羚羊和秧鸡的野生动物故事》

4区文学

STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE Pub Date : 2019-07-24 DOI: 10.7202/1062362AR

Lee Frew

{"title":"“A Whole New Take on Indigenous”: Margaret Atwood’s Oryx and Crake as Wild Animal Story","authors":"Lee Frew","doi":"10.7202/1062362AR","DOIUrl":"https://doi.org/10.7202/1062362AR","url":null,"abstract":"Margaret Atwood’s MaddAddam trilogy has met with popular acclaim and generated considerable scholarly interest since the 2003 publication of its first volume, Oryx and Crake . The implicit critique of Western capitalism presented in Atwood’s dystopian vision of a post-democratic, post-national, and post-human future seems to offer a wide appeal, particularly at a time of sustained environmental crisis. Instead of evaluating the merits of Atwood’s critique, however, this paper examines the ways in which the speculative future of Oryx and Crake and the warnings it contains are delimited by a problematic Second World paradigm. More specifically, the novel can be read in terms of the wild animal story, a genre first established in late-nineteenth-century Canada that Atwood herself was instrumental in defining as such in her controversial 1972 study Survival: A Thematic Guide to Canadian Literature . In keeping with the conventions of the wild animal story, boundary crossings in Atwood’s novel engage in indigenizing fantasy. Despite its powerful warning of imminent disaster, Oryx and Crake nevertheless obscures ongoing colonializing acts by privileging a settler subject-position conceived as endangered by the forces of modernity","PeriodicalId":42265,"journal":{"name":"STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE","volume":"49 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88603522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

A Poetics of Simpson Pass: Natural History and Place-Making in Rocky Mountains Park 辛普森山口的诗学:落基山脉公园的自然历史与造地

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STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE Pub Date : 2019-07-24 DOI: 10.7202/1062355AR

S. Krotz

{"title":"A Poetics of Simpson Pass: Natural History and Place-Making in Rocky Mountains Park","authors":"S. Krotz","doi":"10.7202/1062355AR","DOIUrl":"https://doi.org/10.7202/1062355AR","url":null,"abstract":"This essay examines A Sprig of Mountain Heather , an early pamphlet designed by J.B. Harkin and Mabel Williams to promote Canada’s dominion parks. Familiar in some historical circles but less so in literary ones, the pamphlet provides a fascinating glimpse into the colonial practice of natural history and its role in shaping European relationships to wild spaces such as Simpson Pass, on the border of Rocky Mountains (now Banff) Park. Containing both an actual specimen – a pressed flower from an alpine meadow on the pass – and “a story of the heather” that connects it to Scottish lore and culture, A Sprig of Mountain Heather demonstrates how natural history made it possible for European settlers to imbue even a remote and alien space with the homely resonance of place – a key attribute of the national parks’ colonial and curatorial relationship to wilderness. Read in the light of a wider history of botanical inventory and description both in the mountain parks and elsewhere in Canada, A Sprig of Mountain Heather exemplifies the potency of the natural object as a locus of memory that could at once transport and transplant emigrants, allowing them to establish a deeper connection to lands that were remote both geographically and culturally.","PeriodicalId":42265,"journal":{"name":"STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82242816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“This page faintly stained with / green”: Compost Aesthetics in John Steffler’s That Night We Were Ravenous “这一页微微沾上/绿色”:约翰·斯特弗勒《我们饥肠辘辘的那个晚上》中的堆肥美学

4区文学

STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE Pub Date : 2019-07-24 DOI: 10.7202/1062364AR

Adam Beardsworth

引用次数: 1

A Paler Shade of Green: Suburban Nature in Margaret Atwood’s Cat's Eye 浅浅的绿色:玛格丽特·阿特伍德《猫眼》中的郊区自然

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STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE Pub Date : 2019-07-24 DOI: 10.7202/1062357AR

Robert Ross

{"title":"A Paler Shade of Green: Suburban Nature in Margaret Atwood’s Cat's Eye","authors":"Robert Ross","doi":"10.7202/1062357AR","DOIUrl":"https://doi.org/10.7202/1062357AR","url":null,"abstract":"Critics of Canadian literature such as Cheryl Cowdy, Frank Davey, and Franca Bellarsi construe suburbia as existing somewhere in between the concrete jungle and the verdant wilderness. The ecocritical implications of this geographic and critical positioning, however, have not yet been thoroughly examined. Common images of suburbanites portray people in the “enclosed private worlds of fences, parlours and automobiles,” cut off from their larger communities and environments in collective isolation. Margaret Atwood’s Cat’s Eye (1988) depicts how this separate-from-nature culture is fostered. As Elaine Risley faces the repressed, traumatizing experiences of her childhood, she confronts her and her society’s various interrelationships with the natural world, showing how a suburban upbringing can produce unsatisfactory relationships with both human and non-human nature. In so doing, Cat’s Eye critiques common, urbane conceptions of nature from a point of view that is quintessentially ecocritical. Aside from the obvious environmental concerns vocalized by Elaine’s biologist father, ecological issues are relevant to three other aspects of the novel: Elaine’s early childhood in northern Ontario, her later summer vacations there, and the social pressures and cultural practices that Elaine experiences in suburbia. Through these elements of the narrative, Cat’s Eye articulates some of the fundamental relationships with nature experienced by those living in suburban Canada and seeks to move beyond conventional portrayals of this relationship.","PeriodicalId":42265,"journal":{"name":"STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87635939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0