{"title":"“You Are Turning into a Hive Mind”: Storytelling, Ecological Thought, and the Problem of Form in Generation A","authors":"Jenny Kerber","doi":"10.7202/1062368AR","DOIUrl":null,"url":null,"abstract":"This article discusses the relationship between literary form and contemporary ecological anxiety in Douglas Coupland’s novel Generation A . Coupland’s speculative fiction envisions a possible future in the wake of Colony Collapse Disorder, but the more generalized eco-anxiety the novel explores is applicable to a number of contemporary environmental issues ranging from climate change to ocean acidification. I argue that Coupland’s novel invites readers to consider the problem of representing ecological problems characterized by global scale, temporal uncertainty, and multiple origins. I then explore how Coupland responds to these challenges by stretching form in two directions. First, he juxtaposes and recycles a series of stories in a manner that capitalizes on lateral, shortened forms of attention, leading readers to detect larger patterns of significance within a database of what might initially seem like insignificant or banal details. Second, he cultivates the development of a form of “hive mind” among characters and readers that stretches ideas of personhood beyond the corporeal boundaries of the individual subject. The latter opens new possibilities for conceiving of a collective, networked mode of political agency in the era of social media and global scale effects.","PeriodicalId":42265,"journal":{"name":"STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE","volume":"28 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN CANADIAN LITERATURE-ETUDES EN LITTERATURE CANADIENNE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/1062368AR","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN","Score":null,"Total":0}
引用次数: 0
Abstract
This article discusses the relationship between literary form and contemporary ecological anxiety in Douglas Coupland’s novel Generation A . Coupland’s speculative fiction envisions a possible future in the wake of Colony Collapse Disorder, but the more generalized eco-anxiety the novel explores is applicable to a number of contemporary environmental issues ranging from climate change to ocean acidification. I argue that Coupland’s novel invites readers to consider the problem of representing ecological problems characterized by global scale, temporal uncertainty, and multiple origins. I then explore how Coupland responds to these challenges by stretching form in two directions. First, he juxtaposes and recycles a series of stories in a manner that capitalizes on lateral, shortened forms of attention, leading readers to detect larger patterns of significance within a database of what might initially seem like insignificant or banal details. Second, he cultivates the development of a form of “hive mind” among characters and readers that stretches ideas of personhood beyond the corporeal boundaries of the individual subject. The latter opens new possibilities for conceiving of a collective, networked mode of political agency in the era of social media and global scale effects.