Transatlantica : Revue d'Études Américaines最新文献

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Tennessee Williams’s post-pastoral Southern gardens in text and on the movie screen 田纳西·威廉姆斯的后田园南方花园在文本和电影屏幕上
Transatlantica : Revue d'Études Américaines Pub Date : 2011-12-20 DOI: 10.4000/transatlantica.5406
T. Tuhkunen
{"title":"Tennessee Williams’s post-pastoral Southern gardens in text and on the movie screen","authors":"T. Tuhkunen","doi":"10.4000/transatlantica.5406","DOIUrl":"https://doi.org/10.4000/transatlantica.5406","url":null,"abstract":"This study explores the representation of the American South in the film adaptations of five plays by the Mississippi-born playwright, Tennessee Williams: A Streetcar Named Desire (Elia Kazan, 1951), Baby Doll (Elia Kazan, 1956), Cat on a Hot Tin Roof (Richard Brooks, 1958), Suddenly Last Summer (Joseph L. Mankiewicz, 1959) and The Night of the Iguana (John Huston, 1964). The article focuses on the disrespectful representations of the paradigmatic Southern garden which remains dynamic while maintaining some of its classic or biblical features. By relying on the conception of the pastoral garden as theorized by Leo Marx in The Machine in the Garden (1964), the author pays specific attention to the way mid-xxth century cinema kept recreating Williams’s Southern gardens as a corrupted and dehumanized space pierced through by disquieting shrieks.","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"142 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127492551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Glenda Carpio & Werner Sollors, eds., African American Literary Studies: New Texts, New Approaches, New Challenges. Amerikastudien/American Studies, vol. 55, n°4, 2010 格伦达·卡皮奥和沃纳·索洛斯编。非裔美国文学研究:新文本、新方法、新挑战。《美国研究》,2010年第4期
Transatlantica : Revue d'Études Américaines Pub Date : 2011-12-20 DOI: 10.4000/transatlantica.5272
A. Savin
{"title":"Glenda Carpio & Werner Sollors, eds., African American Literary Studies: New Texts, New Approaches, New Challenges. Amerikastudien/American Studies, vol. 55, n°4, 2010","authors":"A. Savin","doi":"10.4000/transatlantica.5272","DOIUrl":"https://doi.org/10.4000/transatlantica.5272","url":null,"abstract":"This special issue of Amerikastudien/American Studies edited by Glenda Carpio and Werner Sollors offers an embarrassment of riches. First and foremost, the reader discovers an exceptional gathering of hitherto unknown primary sources: five short stories by Zora Neale Hurston, two of her previously unpublished letters as well as new texts by Jamaica Kincaid and Ishmael Reed are printed here for the first time. The volume also includes several scholarly articles casting new perspectives on the ...","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116287068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“Key to the highway”: blues records and the great migration “通往高速公路的钥匙”:布鲁斯唱片和大迁徙
Transatlantica : Revue d'Études Américaines Pub Date : 2011-12-20 DOI: 10.4000/transatlantica.5325
Louis Mazzari
{"title":"“Key to the highway”: blues records and the great migration","authors":"Louis Mazzari","doi":"10.4000/transatlantica.5325","DOIUrl":"https://doi.org/10.4000/transatlantica.5325","url":null,"abstract":"This paper looks at the way “race record” blues of the 1920s and 1930s reinforced the decision of poor farmers, sharecroppers, and working men and women to move to the cities of the North. The theme is the way black southerners used the blues as the soundtrack of the Great Migration. In a sense, the Delta blues was a musical travel narrative for tens of thousands of people who were leaving the rural South for an unknown, modern and industrial future. The paper will explore blues music as an expression of the fluidity of African American society and culture during the Great Depression.While avoiding direct protest, blues singers and musicians—first women, later men—crafted an art form and employed the technology of the phonograph to encourage freedom of movement and choice. At the moment the “race record” industry was being born, and black farmers and families were quietly picking up and leaving the South, the music they traveled with was the blues. The paper will look at examples of blues singers whose records dealt specifically with the Great Migration and consider their influence on listeners.","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"51 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132864264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Magic Portraits Drawn by the Sun”: New Orleans, Yellow Fever, and the sense(s) of death in Josh Russell’s Yellow Jack “太阳描绘的神奇肖像”:新奥尔良、黄热病和乔什·拉塞尔的《黄杰克》中的死亡感
Transatlantica : Revue d'Études Américaines Pub Date : 2011-12-20 DOI: 10.4000/transatlantica.5393
Owen Robinson
{"title":"“Magic Portraits Drawn by the Sun”: New Orleans, Yellow Fever, and the sense(s) of death in Josh Russell’s Yellow Jack","authors":"Owen Robinson","doi":"10.4000/transatlantica.5393","DOIUrl":"https://doi.org/10.4000/transatlantica.5393","url":null,"abstract":"In ways comparable to the horrors of Hurricane Katrina and its aftermath in 2005, the series of yellow fever epidemics that devastated New Orleans through the nineteenth century were also the result, in part, of the city’s geographical position, its unforgiving climate, and the policies of interested parties; the fever’s awful death toll was likewise accompanied by a grotesque array of sights, sounds and smells. This article will focus upon Josh Russell’s 1999 novel Yellow Jack, which provides a complex portrait of the mid-nineteenth-century city, its fever epidemics, and its conflicting narratives. As well as providing an intense fictional encounter with a formative period in New Orleans’s history, Yellow Jack is a sophisticated study of the role of visual imagery in documenting such horrors, whose prose is steeped in the smells and sounds of the time and place. This article, then, will discuss this novel’s intense engagement with the various “senses” of a very particular Southern place.","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127844270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imagining Jefferson and Hemings in Paris 想象杰弗逊和海明在巴黎
Transatlantica : Revue d'Études Américaines Pub Date : 2011-12-20 DOI: 10.4000/TRANSATLANTICA.5391
S. W. Jones
{"title":"Imagining Jefferson and Hemings in Paris","authors":"S. W. Jones","doi":"10.4000/TRANSATLANTICA.5391","DOIUrl":"https://doi.org/10.4000/TRANSATLANTICA.5391","url":null,"abstract":"In Yearning: Race, Gender, and Cultural Politics, cultural critic bell hooks argues that “no one seems to know how to tell the story” of white men romantically involved with slave women because long ago another story supplanted it: “that story, invented by white men, is about the overwhelming desperate longing black men have to sexually violate the bodies of white women.” Narratives of white exploitation and black solidarity have made it difficult to imagine consensual sex and impossible to i...","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124619454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Who calls the tune 是谁在指挥
Transatlantica : Revue d'Études Américaines Pub Date : 2011-04-01 DOI: 10.4000/transatlantica.5052
C. Chastagner
{"title":"Who calls the tune","authors":"C. Chastagner","doi":"10.4000/transatlantica.5052","DOIUrl":"https://doi.org/10.4000/transatlantica.5052","url":null,"abstract":"","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"111 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134022599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Colloque « Regards croisés sur le 11 septembre - Perspectives on 9/11 » “9/11的交叉视角- 9/11的视角”研讨会
Transatlantica : Revue d'Études Américaines Pub Date : 2010-12-15 DOI: 10.4000/transatlantica.5075
Yves Davo
{"title":"Colloque « Regards croisés sur le 11 septembre - Perspectives on 9/11 »","authors":"Yves Davo","doi":"10.4000/transatlantica.5075","DOIUrl":"https://doi.org/10.4000/transatlantica.5075","url":null,"abstract":"Le colloque de ce mois d’octobre, co-organise par le Laboratoire d’Etudes et de Recherche sur le Monde Anglophone (LERMA) et l’Equipe de Recherche sur l’Imaginaire Contemporain, la Litterature, les Images et les Nouvelles Textualites (ERIC LINT), fait suite a la journee d’etudes du 5 juin 2009 qui avait pose les jalons d’une recherche tournee vers la litterature anglophone post-11 septembre. De par sa nature tres internationale et son partenariat avec l’Universite du Quebec a Montreal, ce co...","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122653392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How to Unread Shelley Jackson 如何不读雪莱·杰克逊
Transatlantica : Revue d'Études Américaines Pub Date : 2010-12-15 DOI: 10.4000/TRANSATLANTICA.5158
Stéphane Vanderhaeghe
{"title":"How to Unread Shelley Jackson","authors":"Stéphane Vanderhaeghe","doi":"10.4000/TRANSATLANTICA.5158","DOIUrl":"https://doi.org/10.4000/TRANSATLANTICA.5158","url":null,"abstract":"This article aims at examining the activity of reading as it is precisely questioned by Shelley Jackson’s novel, Half Life. Playing on binary oppositions and twinning, the text undoes itself as it displays its attraction to blankness and erasure.","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126029223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“‘Making Places to Live’: Native American Poetry Past and Present” “创造居住的地方”:美国土著诗歌的过去与现在”
Transatlantica : Revue d'Études Américaines Pub Date : 2010-07-01 DOI: 10.4000/transatlantica.4915
Lionel Larré
{"title":"“‘Making Places to Live’: Native American Poetry Past and Present”","authors":"Lionel Larré","doi":"10.4000/transatlantica.4915","DOIUrl":"https://doi.org/10.4000/transatlantica.4915","url":null,"abstract":"Depuis 2006, Simone Pellerin (Universite Paul Valery, Montpellier 3) organise annuellement un colloque international sur les litteratures amerindiennes. Le colloque, auquel participe des specialistes de renom, est a chaque fois d’excellente tenue. En 2006, il etait consacre a l’ecrivain anishinaabe Gerald Vizenor, en sa presence, et donna naissance a un volume de la collection « Profils americains » (Gerald Vizenor, Simone Pellerin ed., Presses universitaires de la Mediterranee, 2008) contena...","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"131 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115896148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sous l’empire de la folie : Moby-Dick, Shakespeare & compagnie 《疯狂帝国:白鲸、莎士比亚和公司》
Transatlantica : Revue d'Études Américaines Pub Date : 2010-06-22 DOI: 10.4000/transatlantica.5009
M. Imbert
{"title":"Sous l’empire de la folie : Moby-Dick, Shakespeare & compagnie","authors":"M. Imbert","doi":"10.4000/transatlantica.5009","DOIUrl":"https://doi.org/10.4000/transatlantica.5009","url":null,"abstract":"This article aims at translating Moby-Dick back into Shakespeare’s ornate lingo, and back again into a Swiftian or Sternian brand of “jabberwocky,” in order to expose the sheer nonsense that underlies lame attempts at standing for the Body Politic called Leviathan, understanding it, or making sense of the whale as a whole.","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"2013 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121554919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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