Journal of Latin Cosmopolitanism and European Literatures最新文献

Editorial Note 编辑注意

Journal of Latin Cosmopolitanism and European Literatures Pub Date : 2023-07-12 DOI: 10.21825/jolcel.87629

Han Lamers

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Anglo-Latin macaronic verse in early modern England: A new survey of manuscript evidence 近代早期英格兰的盎格鲁-拉丁马卡罗尼诗:手稿证据的新调查

Journal of Latin Cosmopolitanism and European Literatures Pub Date : 2022-12-20 DOI: 10.21825/jolcel.81971

Victoria Moul, Giulia Li Calzi, Victoria Moul

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引用次数: 0

From Commonplacing to Expressing Confessional Identity: The Sturmian Paroemiology in Strasbourg and the Hungarian Albert Szenci Molnár 从平凡到表达忏悔的身份:斯特拉斯堡的斯图尔米亚人的paroemology和匈牙利的阿尔伯特·Szenci Molnár

Journal of Latin Cosmopolitanism and European Literatures Pub Date : 2022-06-13 DOI: 10.21825/jolcel.81969

Gábor Förköli

{"title":"From Commonplacing to Expressing Confessional Identity: The Sturmian Paroemiology in Strasbourg and the Hungarian Albert Szenci Molnár","authors":"Gábor Förköli","doi":"10.21825/jolcel.81969","DOIUrl":"https://doi.org/10.21825/jolcel.81969","url":null,"abstract":"In the early modern period, commonplacing was a general method for structuring knowledge and taking notes. At the protestant gymnasium of Strasbourg, the disciples of Johann Sturm encouraged their pupils to compose their own handwritten commonplace-books to acquire a richness in subject knowledge and in idioms. This paper focuses on the annotations of one of their Hungarian students, Albert Szenci Molnár (1574-1634), a most important author of the Calvinist late humanism in the Kingdom of Hungary and in Transylvania. Analysing this unique source enables us to understand how the normative prescriptions of excerpting as a scholarly exercise were put into practice by students. The paper argues that Molnár’s commonplace-book follows the structure that his teacher, Johann Bentz determined in one of his textbooks. The manuscript seems to meet the general requirements of protestant education, it also documents Molnár’s interest in Hungarian contributions to international humanism and his serious conflict with Lutheran authorities about issues in communion theology. Hence, the notebook has, above its conventional contents, a more personalised layer where individual choices of readings become visible.","PeriodicalId":421554,"journal":{"name":"Journal of Latin Cosmopolitanism and European Literatures","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133883607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ins and Outs and Opened and Closed 进和出，开和关

Journal of Latin Cosmopolitanism and European Literatures Pub Date : 2022-06-10 DOI: 10.21825/jolcel.84829

D. Shanzer

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Writing in a World of Strangers: The Invention of Jewish Literature Revisited 在陌生人的世界里写作:重新审视犹太文学的发明

Journal of Latin Cosmopolitanism and European Literatures Pub Date : 2022-06-10 DOI: 10.21825/jolcel.84828

I. Zwiep

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THE ORDEAL OF A SIXTH-CENTURY JOSEF K: BOETHIUS’ DE CONSOLATIONE PHILOSOPHIAE AS A MODERNIST DRAMA 六世纪约瑟夫的磨难:波伊提乌的安慰哲学作为一部现代主义戏剧

Journal of Latin Cosmopolitanism and European Literatures Pub Date : 2022-03-25 DOI: 10.21825/jolcel.81977

P. Gerbrandy

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Writing in a World of Strangers: the Invention of Jewish Literature Revisited 在陌生人的世界里写作:重新审视犹太文学的发明

Journal of Latin Cosmopolitanism and European Literatures Pub Date : 2022-03-09 DOI: 10.21825/jolcel.81968

Dinah Wouters

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"Two Styles More Opposed" “两种更对立的风格”

Journal of Latin Cosmopolitanism and European Literatures Pub Date : 2021-12-31 DOI: 10.21825/jolcel.v6i0.11801

Melissa L Gustin

{"title":"\"Two Styles More Opposed\"","authors":"Melissa L Gustin","doi":"10.21825/jolcel.v6i0.11801","DOIUrl":"https://doi.org/10.21825/jolcel.v6i0.11801","url":null,"abstract":"This paper explores how Harriet Hosmer (1930-1908) positioned two early busts, Daphne (1853/4) and Medusa (1854) in opposition to Gianlorenzo Bernini's works of thes same subject through careful deployment of Winckelmannian principles. This engages with the first English translation of Winckelmann's History of the Art of Antiquity by Giles Henry Lodge in 1850, as well as the rich body of antique material available to Hosmer in Rome. It problematises art historical approaches to Hosmer's work that emphasise biographically-led readings over object-led interpretations informed by contemporary translations, discourses of originality, and display practices. It demonstrates the conflicting position of Bernini in the middle and late nineteenth century as the \"Prince of Degenerate Sculpture\", and shows that Winckelmann's victimisation of Bernini led to his poor reputation. This reputation as skilled but degenerate provided the foil for Hosmer to reclaim these subjects, demonstrate her correct understanding of classical principles and citation, and prove her superiority. Ultimately, however, the two artists will be shown to have more similarities than differences in their use of classical references; only access to Winckelmann's writings separates their reception in the nineteenth century.","PeriodicalId":421554,"journal":{"name":"Journal of Latin Cosmopolitanism and European Literatures","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132654937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The Future of Winckelmann’s Classical Form 温克尔曼古典形式的未来

Journal of Latin Cosmopolitanism and European Literatures Pub Date : 2021-12-31 DOI: 10.21825/jolcel.vi6.11709

Elizabeth Prettejohn

{"title":"The Future of Winckelmann’s Classical Form","authors":"Elizabeth Prettejohn","doi":"10.21825/jolcel.vi6.11709","DOIUrl":"https://doi.org/10.21825/jolcel.vi6.11709","url":null,"abstract":"Winckelmann’s thought and writing are routinely acknowledged to have had a profound influence on the artistic practices of the half-century after his death, known under the label ‘Neoclassicism’. Standard accounts of modernism in the arts, however, assume that this influence came to an abrupt end around 1815. According to such accounts, the anti-classical reaction that followed the Battle of Waterloo and the demise of Neoclassicism was itself a motive force in the generation of modern art and modernism. This paper argues, on the contrary, that Winckelmann’s ideas not only remained relevant, but gained in power through the generations after the fall of Napoleon. Mediated by critics and artists among whom Walter Pater and Frederic Leighton serve as the principal examples, Winckelmann’s thought made a decisive contribution to twentieth-century modernism. In particular, the articulation in both criticism and artistic practice of ideas about classical form, indebted to Winckelmann, had a subtler and more complex impact on the modernist doctrine of ‘formalism’ than literary or art historians have acknowledged. A renewed attention to classical form will help future scholars to write a more nuanced account of modernism in the visual arts. More importantly, it will call attention to artistic projects that have been excluded from histories of modern art due to reductive assumptions that classicism and modernism are inherently contradictory. The paper concentrates on Frederic Leighton as a case study of an artist whose historical importance and aesthetic merit have been occluded by reductive thinking of this kind.","PeriodicalId":421554,"journal":{"name":"Journal of Latin Cosmopolitanism and European Literatures","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130848706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Winckelmann in Nineveh 温克尔曼在尼尼微

Journal of Latin Cosmopolitanism and European Literatures Pub Date : 2021-12-31 DOI: 10.21825/jolcel.vi6.11749

Y. Le Pape

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