DANCE CHRONICLE最新文献

{"title":"To Feel and to Move: Tracing the Borders of Dance Studies and Refugee Studies","authors":"Juan Manuel Aldape Muñoz","doi":"10.1080/01472526.2023.2249288","DOIUrl":"https://doi.org/10.1080/01472526.2023.2249288","url":null,"abstract":"Published in Dance Chronicle (Vol. 46, No. 3, 2023)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"3 11","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"In Memoriam: Naomi Mindlin (1948-2022)","authors":"Olive Demar","doi":"10.1080/01472526.2023.2220623","DOIUrl":"https://doi.org/10.1080/01472526.2023.2220623","url":null,"abstract":"Published in Dance Chronicle (Vol. 46, No. 3, 2023)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"68 27","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Expanding Butoh Studies: Now We Have a Chronicle","authors":"Tanya Calamoneri","doi":"10.1080/01472526.2023.2173942","DOIUrl":"https://doi.org/10.1080/01472526.2023.2173942","url":null,"abstract":"Published in Dance Chronicle (Vol. 46, No. 3, 2023)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"68 25","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Baladi and Beyond","authors":"Leila Mire","doi":"10.1080/01472526.2023.2191581","DOIUrl":"https://doi.org/10.1080/01472526.2023.2191581","url":null,"abstract":"Published in Dance Chronicle (Vol. 46, No. 3, 2023)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"3 12","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Broken Promises: Developing a Practice of Listening and Attuning to Feminists in Breaking","authors":"Jason “J-Sun” Noer","doi":"10.1080/01472526.2023.2248846","DOIUrl":"https://doi.org/10.1080/01472526.2023.2248846","url":null,"abstract":"Breaking prioritizes the value of respect, which is connected to the physical movements of the dance practice. However, despite promoting this value, Breaking faces a threat from within: unaddresse...","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"68 10","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"How “modern” has German Modern Dance Remained?—The Case with the 2022 UNESCO Inscription","authors":"Filip Petkovski","doi":"10.1080/01472526.2023.2248851","DOIUrl":"https://doi.org/10.1080/01472526.2023.2248851","url":null,"abstract":"This research focuses on the process of heritagization and how it functions to both legitimize a dance practice and generate a new set of values for the practice. More specifically, I explore how t...","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"3 2","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Fate of <i>La Feste</i> : An Affective Reading of Maximilien Gardel’s Mirsa Ballets","authors":"Amanda Danielle Moehlenpah","doi":"10.1080/01472526.2023.2251364","DOIUrl":"https://doi.org/10.1080/01472526.2023.2251364","url":null,"abstract":"AbstractIn 1781, ballet master Maximilien Gardel presented La Feste de Mirsa, a sequel to his 1779 ballet en action Mirza. Given the latter’s success, Opéra audiences anticipated another evening of praiseworthy entertainment, but the La Feste proved a total failure, disappearing after one performance. Critics denounced the ballet for its disappointing lack of finesse, but a close reading of the two ballets and their reviews uncovers more aesthetic and narrative similarities than differences. What does distinguish them is the role of affect: Mirza inspiring sympathetic connections to imperial hegemony and white masculinity, La Feste to diversity, femininity, and human equality.Key words: AffectballetMirzaFrancerace AcknowledgmentsThe author would like to thank Olivia Sabee and the anonymous reviewers for their insightful comments on initial versions of this article and the New York Public Library (Grant ID: 2431) for their support and assistance in the research process.Notes1 “Spectacles: Opéra,” Journal de Paris, February 23, 1781, 217, Gallica.2 “Spectacles: Académie royale de musique,” Mercure de France, March 3, 1781, 84, Google Books.3 “Spectacles,” Mercure, March 3, 1781, 84.4 “Spectacles,” Mercure, March 3, 1781, 29.5 “Spectacles,” Mercure, March 3, 1781, 29.6 Joseph Harris, Inventing the Spectator: Subjectivity and the Theatrical Experience in Early Modern France (Oxford, New York: Oxford University Press, 2014), 137.7 Harris, Inventing, 137.8 “Spectacles,” Mercure, March 3, 1781, 30.9 Charles Altieri, The Particulars of Rapture: An Aesthetics of the Affects (Ithaca, London: Cornell University Press, 2003), 120.10 Altieri, Particulars, 125-26.11 Altieri, Particulars, 223.12 Altieri, Particulars, 228.13 Altieri, “Interpreting Emotions,” chap. 3 in Particulars, 72-108; Altieri, Particulars, 109-11.14 “Spectacles: Académie royale de musique,” Mercure de France, November 27, 1779, 177, Google Books.15 “Spectacles,” Mercure, November 27, 1779, 181.16 “Spectacles,” Mercure, November 27, 1779, 182.17 “Spectacles,” Mercure, November 27, 1779, 182.18 “Spectacles,” Mercure, November 27, 1779, 182.19 “Spectacles,” Mercure, November 27, 1779, 182.20 “Spectacles,” Mercure, November 27, 1779, 182.21 Maximilien Gardel, Mirza, ballet en action, de la Composition de M. Gardel l’aîné, Maître des Dallets du Roi, en survivance, Représenté devant Leurs Majestés, à Versailles en Mars 1779, score by François-Joseph Gossec, Paris, 1779, 6, *MGTZ-Res. (Mirsa), Cia Fornaroli Collection, Performing Arts Research Collections-Dance, New York Public Library.22 Gardel, Mirza, 6.23 Gardel, Mirza, 8.24 Gardel, Mirza, 8-9.25 “Spectacles,” Mercure, November 27, 1779, 181.26 “Spectacles,” Mercure, March 3, 1781, 31.27 Louis Petit de Bachaumont, Mémoires secrets pour servir à l’histoire de la république des lettres en France depuis MDCCLXII jusquà nos jours; ou, Journal d’un observateur (London, 1784), 17:69, Google Books.28 “Spectacles,” Mercure, March 3, 1781, 30.29 “Specta","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134968402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Unlocking the Beauty of Screendance: A Journey through History, Curatorial Practice, and Personal Reflections <i>Screendance from Film to Festival: Celebration and Curatorial Practice</i> By Cara Hagan. 207pp. Illustrated. North Carolina: McFarland &amp; Company, Inc, 2022. $39.95 softcover, $23.99 e-book. ISBN 9781476669847, ISBN 9781476645452.","authors":"Jennifer Petuch","doi":"10.1080/01472526.2023.2254554","DOIUrl":"https://doi.org/10.1080/01472526.2023.2254554","url":null,"abstract":"Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsJennifer PetuchJENNIFER AKALINA PETUCH is a dancer, digital choreographer, multimedia artist, and an Instructional Assistant Professor of Dance at Texas A&M University in the School of Performance, Visualization, and Fine Arts. She graduated from Florida State University’s School of Dance Program with her Master of Fine Arts in Choreography and Performance with a focus in Dance Technology. Her MFA thesis resulted in a two-year collaboration with FSU Computer Science faculty and students creating and publishing an original interactive Augmented Reality software for the stage called ViFlow. Petuch served for four years as Adjunct Faculty and Staff at FSU’s School of Dance teaching tech classes ranging from Dance on Camera and Projection Design. Petuch has created numerous dance films and was Co-Director with Annali Rose on their underwater dance film, Liminality, which has received national and international recognition and been screened in over 55 film festivals since 2020.","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134969664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reimagining Byzantine Dance <i>XOPÓΣ: The Dance of Adam. The Making of Byzantine Chorography, The Anthropology of the Choir of Dance</i> <i>in</i> <i>Byzantium</i> By Nicoletta Isar. 448 pp. Illustrated. Leiden: Alexandros Press, 2011. €250 paper. ISBN: 78-94-90387-04-4 paper. <b> <i>Elemental Chorology: Vignettes Imaginales</i> </b> <b>By</b> Nicoletta Isar. 448 pp. Illustrated. Leiden: Alexandros Press, 2020. €250 paper. ISBN: 978-90-80 64760-2 paper.","authors":"Kathryn Dickason","doi":"10.1080/01472526.2023.2208486","DOIUrl":"https://doi.org/10.1080/01472526.2023.2208486","url":null,"abstract":"Click to increase image sizeClick to decrease image size Notes* Isar borrows the term chorology from John Sallis, who applied it to his study of the archaic and enigmatic making of the cosmos in Plato’s Timaeus, see Sallis, Chorology: On Beginning in Plato’s Timaeus (Bloomington: Indiana University Press, 1999).1 Nicoletta Isar, “The Dance of Adam: Reconstructing the Byzantine Chorós,” Byzantinoslavica 61 (2003): 179–204.2 Alexei Lidov, “Hierotopy: The Creation of Sacred Spaces as a Form of Creativity and Subject of Cultural History,” in Hierotopy: Creation of Sacred Spaces in Byzantium and Medieval Russia, edited by Alexei Lidov (Moscow: Progress-Tradition, 2006), 32–58.3 Lidov, “Hierotopy,” 36.4 Mircea Eliade, The Sacred and the Profane: The Nature of Religion, translated by Willard Trask (New York: Harcourt, Brace, and World, Inc., 1957), 20–29.5 Nicoletta Isar, “Chorography (Chȏra, Chorós) – A Performative Paradigm of Creation of Sacred Space in Byzantium,” in Hierotopy: Creation of Sacred Spaces in Byzantium and Medieval Russia, edited by Alexei Lidov (Moscow: Progress-Tradition, 2006), 59–90.6 Julia Kristeva, Revolution in Poetic Language, translated by Margaret Waller (New York: Columbia University Press, 1984 [1974]).7 Bissera Pentcheva, The Sensual Icon: Space, Ritual, and the Senses in Byzantium (University Park: Pennsylvania State University Press, 2010), 155–82.8 Kimerer LaMothe, Why We Dance: A Philosophy of Bodily Becoming (New York: Columbia University Press, 2015).9 Robert Farris Thompson, African Art in Motion: Icon and Act (Berkeley: University of California Press, 1974); Thompson, “An Aesthetic of the Cool: West African Dance,” African Forum 2, no. 2 (1966): 85–102.10 Alfred Gell, Art and Agency: An Anthropological Theory (Oxford: Clarendon Press, 2013 [1998]).Additional informationNotes on contributorsKathryn DickasonKATHRYN DICKASON is a Public Relations Specialist at Simmons University in Boston. She has a PhD in Religious Studies from Stanford University and has published widely on Western medieval dance, iconography, literature, and sign theory. Her first book, Ringleaders of Redemption: How Medieval Dance Became Sacred, was published in 2021 by Oxford University Press. Currently, she is guest editing a special issue of postmedieval: A Journal of Medieval Cultural Studies on the legacies of medieval dance and is writing her second book on Western medieval dance iconography.","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134969693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Connections and Missed Connections: Russian Emigrés Bring Ballet to An American City (Chicago, 1924)","authors":"K. Eliot","doi":"10.1080/01472526.2023.2184629","DOIUrl":"https://doi.org/10.1080/01472526.2023.2184629","url":null,"abstract":"Abstract At the turn of the twentieth century, many Russian dancers cast aside careers in the highly regarded Imperial Ballet for unknown futures in the West. Emigrating for a variety of personal and artistic reasons, some decided to remain abroad during the revolution and after the Tsar’s assassination. This microhistory explores one moment in the Russian exile movement when former Imperial Ballet dancers Adolph Bolm, Anna Pavlova, and Tamara Karsavina connected, or just missed connecting, in 1924 Chicago. Their reasons for being there diverged but all believed they had a mission to spread the gifts of Russian ballet.","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"46 1","pages":"171 - 199"},"PeriodicalIF":0.4,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45649541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}