Connections and Missed Connections: Russian Emigrés Bring Ballet to An American City (Chicago, 1924)

IF 0.1 3区艺术学 0 DANCE

DANCE CHRONICLE Pub Date : 2023-06-29 DOI:10.1080/01472526.2023.2184629

K. Eliot

引用次数: 0

Abstract

Abstract At the turn of the twentieth century, many Russian dancers cast aside careers in the highly regarded Imperial Ballet for unknown futures in the West. Emigrating for a variety of personal and artistic reasons, some decided to remain abroad during the revolution and after the Tsar’s assassination. This microhistory explores one moment in the Russian exile movement when former Imperial Ballet dancers Adolph Bolm, Anna Pavlova, and Tamara Karsavina connected, or just missed connecting, in 1924 Chicago. Their reasons for being there diverged but all believed they had a mission to spread the gifts of Russian ballet.

查看原文本刊更多论文

联系与错过的联系:俄罗斯移民将芭蕾舞带到美国城市(芝加哥，1924)

摘要在二十世纪之交，许多俄罗斯舞者放弃了在备受推崇的帝国芭蕾舞团的职业生涯，转而在西方寻找未知的未来。出于各种个人和艺术原因，一些人在革命期间和沙皇遇刺后决定留在国外。这部微观历史探索了俄罗斯流亡运动中的一个时刻，1924年，前帝国芭蕾舞团舞者阿道夫·博尔姆、安娜·帕夫洛娃和塔玛拉·卡萨维娜在芝加哥建立了联系，或者只是错过了联系。他们在那里的原因各不相同，但都认为他们的使命是传播俄罗斯芭蕾舞的天赋。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

DANCE CHRONICLE DANCE-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.