Studies in Theatre and Performance最新文献_第3页

“The messenger has arrived”: the Angel of America as a prophet of intra-action on stage "使者已到"：美国天使作为舞台上的内部行动先知

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2024-02-05 DOI: 10.1080/14682761.2024.2303920

Anna Bendrat

引用次数: 0

Reality theatre as a method for social science research: the Vietnamese diaspora in central europe 作为社会科学研究方法的现实剧场：散居在中欧的越南人

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2024-01-08 DOI: 10.1080/14682761.2023.2301215

Veronika Veselková

引用次数: 0

History plays in the twenty-first century: new tools for interpreting the contemporary performance of the past 21世纪的历史剧:解释过去的当代表现的新工具

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-11-17 DOI: 10.1080/14682761.2023.2266205

Rebecca Benzie, Benjamin Poore

引用次数: 0

Editorial, 43.2 编辑,43.2

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-10-11 DOI: 10.1080/14682761.2023.2260215

Tom Six

引用次数: 0

Scenographic ‘stuff’: attending to everyday objects in performance (and beyond) 场景“素材”:关注表演中的日常物品(以及其他)

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-09-19 DOI: 10.1080/14682761.2023.2258748

Georgie Hook

引用次数: 0

On being a body listening: vocal expression beyond words in Ant Hampton and Britt Hatzius’ this is not my voice speaking and nature theater of Oklahoma life and times - episodes 3 & 4 关于身体倾听:超越语言的声音表达在Ant Hampton和Britt Hatzius的“这不是我的声音”和俄克拉何马州生活和时代的自然剧场-第3和第4集

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-08-17 DOI: 10.1080/14682761.2023.2244852

Rebecca Collins

{"title":"On being a body listening: vocal expression beyond words in Ant Hampton and Britt Hatzius’ this is not my voice speaking and nature theater of Oklahoma life and times - episodes 3 & 4","authors":"Rebecca Collins","doi":"10.1080/14682761.2023.2244852","DOIUrl":"https://doi.org/10.1080/14682761.2023.2244852","url":null,"abstract":"ABSTRACTVocal expression beyond words, such as the excess of speech production found in coughs, rhythm, intonation, humming, offer a mode of being that does not require the endorsement of the world through language, but rather favours the act of dwelling in sonority. I make use of creative and critical writing to evidence how my body listens in the auditorium. I consider Ant Hampton and Britt Hatzius’ This is Not My Voice Speaking (2011) and Nature Theater of Oklahoma’s Life and Times – Episodes 3 & 4 (2012). The decision to discuss these two pieces arises from an interest in how each makes use (albeit differently) of audio-based instructions and sounds outside of linguistic units. I focus on the respective deployment of disrupted rhythms and altered intonation of spoken language to question how performance and performative writing, might reveal and in turn cultivate our attention towards what is beyond the surface of our dialogical exchanges and vocal interactions. I put forward the idea of dwelling in sonority to extend the moment of perceptive encounter and endorse engagement with more elusive aspects of being.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Performing memory and testimony after a national disaster: the Sewol mothers in Talking about Her (2016), VEGA (2016), and His and Her Closet (2016) △国家灾难后的记忆和证词:《谈论她》(2016)、《VEGA》(2016)、《他和她的衣橱》(2016)中的世越号母亲们

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-07-05 DOI: 10.1080/14682761.2023.2230625

Areum Jeong

{"title":"Performing memory and testimony after a national disaster: the Sewol mothers in Talking about Her (2016), VEGA (2016), and His and Her Closet (2016)","authors":"Areum Jeong","doi":"10.1080/14682761.2023.2230625","DOIUrl":"https://doi.org/10.1080/14682761.2023.2230625","url":null,"abstract":"ABSTRACTIn response to the Sewol Ferry disaster and mishandling of the South Korean government, Korean activists and artists mobilized collaboration with the victims’ families to produce activist theatre productions that center not only the trauma of those most affected by the disaster but also their lived experiences and wishes, especially those of the mothers. Furthermore, the performance community has come to include and represent the mothers not only as victims but as active participants whose grief is transmuted through performance into political activism. Combining tools of active viewing and participant observation, this article examines three of these works—Talking about Her (2016a) and VEGA (Jaguar 2016), which are performance pieces adapted from testimonies by the mothers, and Yellow Ribbon’s first performance, His and Her Closet (2016b). This article focuses on the ways these works, through utilizing the memories and testimonies of the mothers, have come to constitute a kind of collaborative public counter-memory against state cover-ups and unempathetic accounts, centering demands for change in commemoration practices and transforming the meaning of Sewol into a catalyst for political and social change.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Editorial 43.1 编辑43.1

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-06-02 DOI: 10.1080/14682761.2023.2211869

Bryony White

引用次数: 1

Scenes from Preceding Years 前些年的场景

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-03-22 DOI: 10.1080/14682761.2022.2136344

Seán Elder

引用次数: 0

Summer Cannibals 夏天的食人族

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-03-22 DOI: 10.1080/14682761.2022.2136296

Izdihar Afyouni

引用次数: 0