Studies in Theatre and Performance最新文献

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Hyper-femininity as radical resistance: re-envisaging the starlet through a feminist practice of solidarity in It’s Sophie! (2018) 作为激进抵抗的超女性化:通过《是苏菲》中的女权主义团结实践重新审视女明星!(2018)
IF 0.3 3区 艺术学
Studies in Theatre and Performance Pub Date : 2024-06-16 DOI: 10.1080/14682761.2024.2342654
Sophie Swoffer
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引用次数: 0
Am I really the only one dancing? Seeking solidarity in wit(h)ness 真的只有我在跳舞吗?在机智中寻求团结
IF 0.3 3区 艺术学
Studies in Theatre and Performance Pub Date : 2024-06-16 DOI: 10.1080/14682761.2024.2342705
Marguerite Galizia
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引用次数: 0
Divorced, beheaded, defied: solidarity in individual and collective herstories in SIX the Musical (2017) 离婚、斩首、反抗:音乐剧《SIX》中个人和集体故事中的团结(2017 年)
IF 0.3 3区 艺术学
Studies in Theatre and Performance Pub Date : 2024-06-16 DOI: 10.1080/14682761.2024.2341371
Leah Everquill
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引用次数: 0
‘Therapy with My Exotic Self’ 我的异域自我疗法
IF 0.3 3区 艺术学
Studies in Theatre and Performance Pub Date : 2024-04-28 DOI: 10.1080/14682761.2024.2339013
Negar Tahsili
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引用次数: 0
The body as territory: a movement perspective 作为领地的身体:运动视角
IF 0.3 3区 艺术学
Studies in Theatre and Performance Pub Date : 2024-04-25 DOI: 10.1080/14682761.2024.2342716
Amira I. Ramírez Salgado
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引用次数: 0
Collective resistance roundtable discussion 集体抵抗圆桌讨论会
IF 0.3 3区 艺术学
Studies in Theatre and Performance Pub Date : 2024-04-10 DOI: 10.1080/14682761.2024.2338974
Jason Benson, S. Sachsenmaier, Indu Jain, Kathryn Mederos Syssoyeva, Julia Listengarten
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引用次数: 0
Performance | Process | Politics 绩效 | 流程 | 政治
IF 0.3 3区 艺术学
Studies in Theatre and Performance Pub Date : 2024-04-09 DOI: 10.1080/14682761.2024.2338968
Stefanie Gabriele Sachsenmaier
{"title":"Performance | Process | Politics","authors":"Stefanie Gabriele Sachsenmaier","doi":"10.1080/14682761.2024.2338968","DOIUrl":"https://doi.org/10.1080/14682761.2024.2338968","url":null,"abstract":"Published in Studies in Theatre and Performance (Ahead of Print, 2024)","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"12 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140542145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Me and the Sky’: smashing the glass ceiling in Come from Away , neoliberal feminism, and climate change 我与天空》:打破《从远方来》中的玻璃天花板、新自由主义女权主义和气候变化
IF 0.3 3区 艺术学
Studies in Theatre and Performance Pub Date : 2024-03-07 DOI: 10.1080/14682761.2024.2325305
Evelyn O’Malley
{"title":"‘Me and the Sky’: smashing the glass ceiling in\u0000 Come from Away\u0000 , neoliberal feminism, and climate change","authors":"Evelyn O’Malley","doi":"10.1080/14682761.2024.2325305","DOIUrl":"https://doi.org/10.1080/14682761.2024.2325305","url":null,"abstract":"This article considers neoliberal feminism and environmental concerns in Irene Sankoff and David Hein’s musical Come from Away . While the musical is not directly concerned with anthropogenic climate change, many types of skies appear as thematic and meta-phorical preoccupations in the piece: feminist blue skies, stormy Newfoundland skies, the clear skies of the American Dream, skies of terror, and skies of war. I argue that Come from Away hides the tragedy of climate change in plain sight, in the sky. Undertaking a close analysis of the showstopping number ‘Me and the Sky,’ sung by the airline pilot Beverly Bass – based on the real-life woman of the same name – I observe the rift between neoliberal feminist success, acts of terror, and the slow-moving tempo of a changing climate. Come from Away’ s celebration of neoliberal feminism is cut short in the song, but it foreshadows the possibilities of a more successful recognition of the conjunction between feminist and environmental awareness.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"56 17","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140258653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performance and race: teaching Shakespeare to Saudi students using current events and popular culture 表演与种族:利用时事和流行文化向沙特学生教授莎士比亚戏剧
IF 0.3 3区 艺术学
Studies in Theatre and Performance Pub Date : 2024-02-18 DOI: 10.1080/14682761.2024.2319116
Naseem A. Alotaibi
{"title":"Performance and race: teaching Shakespeare to Saudi students using current events and popular culture","authors":"Naseem A. Alotaibi","doi":"10.1080/14682761.2024.2319116","DOIUrl":"https://doi.org/10.1080/14682761.2024.2319116","url":null,"abstract":"This article considers the relevance of Shakespeare’s works to foreign students when taught in a non-native context, specifically, in Saudi Arabia. It argues that a student-centred approach could s...","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"2 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139922938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“The messenger has arrived”: the Angel of America as a prophet of intra-action on stage "使者已到":美国天使作为舞台上的内部行动先知
IF 0.3 3区 艺术学
Studies in Theatre and Performance Pub Date : 2024-02-05 DOI: 10.1080/14682761.2024.2303920
Anna Bendrat
{"title":"“The messenger has arrived”: the Angel of America as a prophet of intra-action on stage","authors":"Anna Bendrat","doi":"10.1080/14682761.2024.2303920","DOIUrl":"https://doi.org/10.1080/14682761.2024.2303920","url":null,"abstract":"","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"33 7","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139805009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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