INTERNATIONAL JOURNAL OF IBERIAN STUDIES最新文献

Memories of the Spanish Civil War, exile and political repression under Franco: Basque children’s personal testimonies (1936–40) 对西班牙内战、流亡和佛朗哥时期政治压迫的回忆：巴斯克儿童的个人证词（1936-40 年）

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INTERNATIONAL JOURNAL OF IBERIAN STUDIES Pub Date : 2024-03-01 DOI: 10.1386/ijis_00123_7

Begoña Garrido

{"title":"Memories of the Spanish Civil War, exile and political repression under Franco: Basque children’s personal testimonies (1936–40)","authors":"Begoña Garrido","doi":"10.1386/ijis_00123_7","DOIUrl":"https://doi.org/10.1386/ijis_00123_7","url":null,"abstract":"The following interviews were conducted during the field work of my doctoral thesis, funded by the University of Reading. Interviews were conducted face to face in the summer of 2019 in Bizkaia. Both interviewees were over 90 years old when interviewed and lived through the state repression suffered under Franco’s regime following their childhood exile. The fear that they endured remained latent. These excerpts are parts of interviews relating to their personal experience of childhood exile in the context of the Spanish Civil War. When the war intensified on the northern front with the bombing of the civilian population (specifically the bombings of Otxandio in July 1936 and Gernika in April 1937), the Basque Government of the Second Spanish Republic organized the so-called ‘expediciones infantiles’ (‘childhood expeditions’) for the evacuation of children. These first-person testimonies show how these children lived their experience of exile as refugees and their subsequent integration into Franco’s Spain, a hostile space for them, as the evacuated children were considered traitors, ‘los hijos de los rojos’ (‘the children of Reds’).","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140399802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Imaginarios neo-colonizadores, Santiago Abascal y discursos (post)imperiales en redes sociales 社交网络中的新殖民化想象、圣地亚哥-阿瓦斯卡尔和（后）帝国话语

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INTERNATIONAL JOURNAL OF IBERIAN STUDIES Pub Date : 2024-03-01 DOI: 10.1386/ijis_00122_1

Celia Martínez Sáez

引用次数: 0

New editors’ introduction 新编辑介绍

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INTERNATIONAL JOURNAL OF IBERIAN STUDIES Pub Date : 2024-03-01 DOI: 10.1386/ijis_00118_2

Deirdre Kelly, Anton Pujol

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Visualizing a ‘missing people’ in Sousa Dias’ Still Life: The filmmaker as metallurgist 在 Sousa Dias 的《静物》中将 "失踪的人 "视觉化：作为冶金学家的电影制作人

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INTERNATIONAL JOURNAL OF IBERIAN STUDIES Pub Date : 2024-03-01 DOI: 10.1386/ijis_00120_1

David Rojinsky

{"title":"Visualizing a ‘missing people’ in Sousa Dias’ Still Life: The filmmaker as metallurgist","authors":"David Rojinsky","doi":"10.1386/ijis_00120_1","DOIUrl":"https://doi.org/10.1386/ijis_00120_1","url":null,"abstract":"Drawing from Deleuze and Guattari’s geophilosophy, Patricia Pisters adopts the term ‘metallurgical’ to describe the filmmaking of contemporary directors of political cinema who exploit the unprecedented opportunities afforded by digital technology to recycle and remediate transnational visual archives. Similarly, in the light of Deleuze’s meditations on modern film in Cinema 2: The Time-Image (1989), Pisters identifies metallurgical filmmaking with the ‘forging’ of a supra-national ‘world memory’ and a liberated ‘people to come’. My interest in this article is to ponder the extent to which these concepts might be useful for analysing the intermedial documentaries of Portuguese filmmaker, Susana de Sousa Dias (1962–present). More specifically, I am interested in exploring how Sousa Dias’ work with archival photographs of political prisoners in her early film Still Life (2005) might suggest both an ‘interruption’ of a chronological national history and, at the same time, an appeal to the suppressed social memory of a ‘missing people’ from Portugal’s dictatorial past. To elucidate this premise, I propose that the mugshots function as symbolic counterpoints to the transcontinental ‘patriotic masses’ of regime propaganda with which they are intercut in the film. By extension, I also propose that they evoke the de-individuated memorial consciousness associated with a ‘world memory’.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140406613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Legacies of the Portuguese Colonial Empire: Nationalism, Citizenship and Popular Culture, Elsa Peralta and Nuno Domingos (eds) (2023) 葡萄牙殖民帝国的遗产：民族主义、公民身份和大众文化》，Elsa Peralta 和 Nuno Domingos（编辑）（2023 年）

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INTERNATIONAL JOURNAL OF IBERIAN STUDIES Pub Date : 2024-03-01 DOI: 10.1386/ijis_00126_5

João Moreira da Silva

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Feeling Sick: The Early Years of Aids in Spain, Dean Allbritton (2023) 感觉生病：西班牙艾滋病早期》，Dean Allbritton (2023)

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INTERNATIONAL JOURNAL OF IBERIAN STUDIES Pub Date : 2024-03-01 DOI: 10.1386/ijis_00124_5

Duncan Wheeler

引用次数: 0

The impact on Spain of Anglo-French informal imperialism in the colonization of Morocco, 1898–1914 1898-1914 年英法非正规帝国主义在摩洛哥殖民化过程中对西班牙的影响

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INTERNATIONAL JOURNAL OF IBERIAN STUDIES Pub Date : 2024-03-01 DOI: 10.1386/ijis_00121_1

N. Sharman

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On shifting sands: Exploring the role of the third space in new Basque cinema’s Pikadero and Oreina 风云变幻：探索巴斯克新电影《皮卡德罗》和《奥莱娜》中第三空间的作用

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INTERNATIONAL JOURNAL OF IBERIAN STUDIES Pub Date : 2024-03-01 DOI: 10.1386/ijis_00119_1

Beñat Doxandabaratz

{"title":"On shifting sands: Exploring the role of the third space in new Basque cinema’s Pikadero and Oreina","authors":"Beñat Doxandabaratz","doi":"10.1386/ijis_00119_1","DOIUrl":"https://doi.org/10.1386/ijis_00119_1","url":null,"abstract":"Cinema is a powerful tool for depicting and critically addressing the dual nature of identity (composed of both individual and social traits). This article analyses two underrated titles of the post-2005 wave of Basque-language cinema: Pikadero (Sharrock 2015) and Oreina (The Deer) (Almandoz 2018). In both films, certain liminal third spaces – the ‘non-places’ coined by Augé and the ‘in-between’ spaces formulated by Bhabha – seem to interact with the misfit characters, who live between rootedness and lack of belonging within a new social context created by the influx of migrants and the economic crisis in the Basque Country. The article argues that these on-screen third spaces (mainly the railway station and the peripheral marshlands in Pikadero and The Deer, respectively) become a kind of resilient deuteragonist in their own right, i.e. witnesses or accomplices to the protagonists’ wanderings and their shallow and fleeting relationships. There is, however, a difference between the non-places featured in Pikadero, which mainly evoke solitude and similarity, and those in-between spaces present in The Deer. The latter appear as metaphorical hybrid places that can harbour otherness and foster collective solidarity, thus playing a role in shaping the new centrality of Basque identity.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140400785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Cinema of Manoel de Oliveira: Modernity, Intermediality and the Uncanny, Hajnal Király (2022) 马诺埃尔-德-奥利维拉的电影：现代性、中间性和不可思议，哈伊纳尔-基拉利（2022 年）

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INTERNATIONAL JOURNAL OF IBERIAN STUDIES Pub Date : 2024-03-01 DOI: 10.1386/ijis_00127_5

Pedro Camacho Costa

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Matilde de la Torre: Sex, Socialism, and Suffrage in Republican Spain, Deborah Madden (2022) Matilde de la Torre：西班牙共和时期的性别、社会主义和选举权》，德博拉-马登（2022 年）

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INTERNATIONAL JOURNAL OF IBERIAN STUDIES Pub Date : 2024-03-01 DOI: 10.1386/ijis_00125_5

Roberta Quance

引用次数: 0