第二共和国时期的巴斯克诗人:jossise María Agirre,“Xabier Lizardi”和Esteban Urkiaga,“Lauaxeta”,在他们的艺术背景下

IF 0.2 Q4 SOCIAL SCIENCES, INTERDISCIPLINARY
Jon Kortazar
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引用次数: 0

摘要

本文旨在追踪jos María Agirre,“Lizardi”(1896-1933)和Esteban Urkiaga,“Lauaxeta”(1905-37)的诗歌作品中的一些影响,他们两人都通过西班牙现代主义与象征主义有明显的联系。他们被认为是巴斯克诗歌的现代化推动者,是共和时代最常被引用的范例。为此,将采取双重视角。就利扎尔迪而言,他的文学背景将被讨论,将他与胡安Ramón吉米内斯(1881-1958)和何塞·奥尔特加·伊·加塞特(1883-1955)联系起来。为了接近劳阿克塞塔的作品,我们将提出与Federico García Lorca(1898-1936)的诗歌,Jesús Guridi(1886-1961)及其zarzuela El Caserío(1926)的音乐的一些相似之处。我们还将建立他的作品与一些印象派和象征主义画家之间的联系,如Darío Regoyos (1857-1913), Valentín de Zubiaurre(1879-1963)和Aurelio Arteta(1879-1940)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Basque poets during the Second Republic: José María Agirre, ‘Xabier Lizardi’, and Esteban Urkiaga, ‘Lauaxeta’, in their artistic context1
This article aims to follow the trail of some of the influences in the poetic works of José María Agirre, ‘Lizardi’ (1896–1933), and Esteban Urkiaga, ‘Lauaxeta’ (1905–37), both of whom are clearly connected to Symbolism through Spanish Modernism. They are considered the modernizers of Basque poetry and are the most frequently cited examples as paradigms of the Republican era. To this end, a double perspective will be followed. In the case of Lizardi, his literary affiliations will be addressed, relating him to Juan Ramón Jiménez (1881–1958) and José Ortega y Gasset (1883–1955). In order to approach the work of Lauaxeta, we will suggest a number of similarities to the poetry of Federico García Lorca (1898–1936), and to the music of Jesús Guridi (1886–1961) and his zarzuela, El Caserío (1926). We will also establish links between his work and some Impressionist and Symbolist painters, such as Darío Regoyos (1857–1913), Valentín de Zubiaurre (1879–1963) and Aurelio Arteta (1879–1940).
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来源期刊
INTERNATIONAL JOURNAL OF IBERIAN STUDIES
INTERNATIONAL JOURNAL OF IBERIAN STUDIES SOCIAL SCIENCES, INTERDISCIPLINARY-
CiteScore
0.40
自引率
33.30%
发文量
18
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