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Contemporary Womens Writing最新文献

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Rebel with a Cause: Domnica Radulescu’s Theater Translated into Spanish 反抗的原因:多米尼卡·拉杜列斯库的戏剧翻译成西班牙语
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-10-03 DOI: 10.1093/cww/vpaa012
Catalina Iliescu-Gheorghiu
{"title":"Rebel with a Cause: Domnica Radulescu’s Theater Translated into Spanish","authors":"Catalina Iliescu-Gheorghiu","doi":"10.1093/cww/vpaa012","DOIUrl":"https://doi.org/10.1093/cww/vpaa012","url":null,"abstract":"\u0000 This paper focuses on Domnica Radulescu’s creative solutions when deconstructing myths, stereotypes, and prejudices and on the translator’s responses. In Domnica Radulescu’s plays, Exile is My Home and The Virgins of Seville (compiled, in their Spanish versions, in Dos Obras Dramáticas/Two Plays), the translator’s knowledge of both the author’s background and the target readership’s duality (Spanish host society and Romanian migrants) plays an important role in her decisions. Acknowledging that theater as a genre directly exposes hybridity of the author, translator, actors, and audience, this paper discusses the cultural context underpinning the original texts and translational options. At the same time, the reception of the translation into Spanish is partially confirmed through a small survey of Romanian diaspora and Spanish readers.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa012","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42480125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Grief As It Is: Genre and Narrative Withholding in the Miserable Memoir 悲伤的现状：《悲惨回忆录》的风格与叙事抑制
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-10-03 DOI: 10.1093/cww/vpaa015
Tesla Schaeffer
{"title":"Grief As It Is: Genre and Narrative Withholding in the Miserable Memoir","authors":"Tesla Schaeffer","doi":"10.1093/cww/vpaa015","DOIUrl":"https://doi.org/10.1093/cww/vpaa015","url":null,"abstract":"\u0000 One of the consequences of the so-called “memoir boom” of the 1990s and early 2000s is that it both reflected and generated an enormous hunger for memoirs of grief and suffering; these memoirs combine to provide that increasingly codified genre of storytelling (what the Bookseller magazine and industry jargon term “misery lit”) with fixed conventions. Here, I look at two memoirs, Helene Cooper’s The House at Sugar Beach (2009) and Joan Didion’s The Year of Magical Thinking (2007), in order to trace writerly strategies of resistance against the modes of interpretation that the genre expectations of the grief memoir create. I analyze the moves that the writers make in order to honor the stories they tell despite the pressures that attend generic discourses of suffering, including where those discourses are moored to racial and gender associations.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa015","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43926016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Making Her Time (and Time Again): Feminist Phenomenology and Form in Recent British and Irish Fiction Written by Women 为她创造时间(又一次):近代英国和爱尔兰女性小说中的女性主义现象学和形式
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-10-03 DOI: 10.1093/cww/vpaa014
M. Gray.
{"title":"Making Her Time (and Time Again): Feminist Phenomenology and Form in Recent British and Irish Fiction Written by Women","authors":"M. Gray.","doi":"10.1093/cww/vpaa014","DOIUrl":"https://doi.org/10.1093/cww/vpaa014","url":null,"abstract":"\u0000 This article reads Ali Smith’s 2014 novel How to Be Both alongside Deborah Levy’s Hot Milk (2016) and Sally Rooney’s Conversations with Friends (2017). Using Lauren Berlant’s conception of neoliberal “crisis subjectivity” and Sara Ahmed’s vision of feminist wonderment as an antidote to the neoliberal “promise of happiness,” it argues that each novel considers what might be salvaged and what might grow from situations in which young women become attuned to their mutual incarceration in neoliberal time’s double bind. It contends that the forced improvisation and feminist reorientation undertaken by the protagonists can be analyzed through the lens of temporality. Finally, it contemplates how the disciplinary-specific modes through which the novels’ protagonists consider temporality might be connected to the specific literary projects of their authors.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa014","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46870484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Rape, Victimization, and Agency in Fang Siqi’s Paradise of First Love 房《初恋乐园》中的强奸、受害与代理
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-10-03 DOI: 10.1093/cww/vpaa013
Lisa Chu Shen
{"title":"Rape, Victimization, and Agency in Fang Siqi’s Paradise of First Love","authors":"Lisa Chu Shen","doi":"10.1093/cww/vpaa013","DOIUrl":"https://doi.org/10.1093/cww/vpaa013","url":null,"abstract":"\u0000 This article undertakes a feminist analysis of rape in the semi-autobiographical novel Fang Siqi’s Paradise of First Love (“房思琪的初恋乐园” / “Fang Siqi de chulian leyuan”) by Taiwanese author Lin Yihan (林奕含). For Siqi, the traumatic experience of rape intertwines with a discourse of love, interpreted as an effort to disavow victimization and claim agency. A major strength of the novel is the way depictions of personal tragedies are accompanied by lucid exposures of rape as a decidedly social act, which shifts the conventional focus of rape narratives from victims to perpetrators and, in so doing, interrogates the victim-blaming culture and places the responsibility on both social factors and individual perpetrators. In the end, the novel identifies women’s bonding and collective resistance as an effective site for hope and agency.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa013","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49642570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Valerie Gillies: Inscriptions in the Wind 瓦莱丽·吉利斯:风中铭文
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-09-24 DOI: 10.1093/cww/vpaa019
L. Severin
{"title":"Valerie Gillies: Inscriptions in the Wind","authors":"L. Severin","doi":"10.1093/cww/vpaa019","DOIUrl":"https://doi.org/10.1093/cww/vpaa019","url":null,"abstract":"\u0000 This article focuses on Valerie Gillies’s contribution to women’s poetry through an examination of her 2016 exhibition, A Garden of Time and Silence, with textile artist Anna S. King, at Dawyck Botanic Gardens in the Scottish Borders. While Gillies is an acclaimed print-page poet, this piece represents her skill at alternative uses of poetry. Throughout her career, Gillies has employed collaborative multimedia art to engage in contemporary political discussion, often on the environment, in order to challenge, more directly than is possible with print text, poetry’s gendered assumptions.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa019","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43103812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Concrete Poetry and Scottish Women’s Writing: The Case of Veronica Forrest-Thomson 具体诗歌与苏格兰女性写作:维罗妮卡·福雷斯特-汤姆森个案
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-07-01 DOI: 10.1093/CWW/VPAA021
Greg Thomas
{"title":"Concrete Poetry and Scottish Women’s Writing: The Case of Veronica Forrest-Thomson","authors":"Greg Thomas","doi":"10.1093/CWW/VPAA021","DOIUrl":"https://doi.org/10.1093/CWW/VPAA021","url":null,"abstract":"\u0000 This article explores the relationship between concrete poetry and women’s writing, focusing especially on the concrete-influenced work of the Scottish poet and literary critic Veronica Forrest-Thomson. I initially acknowledge the male-dominated nature of the concrete poetry movement, consider some sociological reasons for the exclusion of women from the movement, and bring to light some examples of women creatively involved with concrete poetry. I then explore Forrest-Thomson’s early concrete-influenced verse and argue that Forrest-Thomson’s willingness and ability to experiment with concrete and other late-modernist literary styles reflected an exceptional degree of intellectual and economic independence. Finally, I consider the possibility that the term “Scottish women’s poetry” sometimes indicates a resistance to intellectually adventurous work such as Forrest-Thomson’s.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/CWW/VPAA021","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43131189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Long Thoughts With Aritha van Herk. An Interview 与Aritha van Herk的长思。访谈
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-06-09 DOI: 10.1093/CWW/VPAA007
Veronika Schuchter
{"title":"Long Thoughts With Aritha van Herk. An Interview","authors":"Veronika Schuchter","doi":"10.1093/CWW/VPAA007","DOIUrl":"https://doi.org/10.1093/CWW/VPAA007","url":null,"abstract":"","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/CWW/VPAA007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44499415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Place and Postcolonial Ecofeminism: Pakistani Women’s Literary and Cinematic Fictions 地方与后殖民生态女权主义：巴基斯坦女性文学电影创作
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-03-01 DOI: 10.1093/cww/vpaa018
C. Chambers
{"title":"Place and Postcolonial Ecofeminism: Pakistani Women’s Literary and Cinematic Fictions","authors":"C. Chambers","doi":"10.1093/cww/vpaa018","DOIUrl":"https://doi.org/10.1093/cww/vpaa018","url":null,"abstract":"","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa018","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47351739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“I Know I Can’t Change the Future, But I Can Change the Past”: Toni Morrison, Robin Coste Lewis, and the Classical Tradition “我知道我不能改变未来，但我可以改变过去”：托尼·莫里森、罗宾·科斯特·刘易斯与古典传统
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2019-12-31 DOI: 10.1093/cww/vpaa001
Grace McGowan
{"title":"“I Know I Can’t Change the Future, But I Can Change the Past”: Toni Morrison, Robin Coste Lewis, and the Classical Tradition","authors":"Grace McGowan","doi":"10.1093/cww/vpaa001","DOIUrl":"https://doi.org/10.1093/cww/vpaa001","url":null,"abstract":"\u0000 “A central figure in transnational intellectual history” (Roynon, 2013), Toni Morrison’s oeuvre has helped deconstruct the triangulated relationship between a European Graeco-Roman classical tradition, Africa, and America. Morrison’s deconstruction of the classical past and its aesthetics have laid the foundation for the reconstructive work of a new generation of writers, including Robin Coste Lewis. Both writers renegotiate and reclaim a classical aesthetic by recovering its African roots and situating it in an African American context. In addition, the article (1) examines the role of a classical aesthetic in beauty discourse and Robin Coste Lewis’s re-vision of the black female body and (2) addresses what this means for canonicity, linking Lewis’s ambivalence about reclaiming a classical aesthetic to Morrison’s ambivalence in “Unspeakable Things Unspoken” (1987).","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa001","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49431823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Toni Morrison and the New Black: Reading God Help the Child 托尼·莫里森与新黑人：阅读上帝帮助孩子
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2019-12-31 DOI: 10.1093/cww/vpaa005
Y. Begum
{"title":"Toni Morrison and the New Black: Reading God Help the Child","authors":"Y. Begum","doi":"10.1093/cww/vpaa005","DOIUrl":"https://doi.org/10.1093/cww/vpaa005","url":null,"abstract":"","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45154405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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