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Happy Work: An Interview with Lila Matsumoto 快乐的工作:采访Lila Matsumoto
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-12-31 DOI: 10.1093/cww/vpaa020
Greg Thomas
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引用次数: 0
“If You Don’t Get Caught”: Islands, Isolation, and Entrapment in Contemporary Scottish Women’s Poetry “如果你没有被抓住”：当代苏格兰女性诗歌中的岛屿、孤立和陷阱
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-12-31 DOI: 10.1093/cww/vpaa022
Peter Mackay
{"title":"“If You Don’t Get Caught”: Islands, Isolation, and Entrapment in Contemporary Scottish Women’s Poetry","authors":"Peter Mackay","doi":"10.1093/cww/vpaa022","DOIUrl":"https://doi.org/10.1093/cww/vpaa022","url":null,"abstract":"\u0000 This essay explores the trope of the island in recent Scottish poetry and in particular the tendency to treat poems as islands and vice versa. With a particular focus on the work of Meg Bateman, Jen Hadfield, Kathleen Jamie, Jackie Kay, and Liz Lochhead, the essay discusses ideas of entrapment, freedom, and isolation, to suggest that alongside the Utopian imaginings of islands, there is also the possibility of them becoming, like St Kilda for Lady Grange, constrictive prison cells.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48191431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Why I Choose Poetry (What’s Nation Got to Do with It? What’s Gender Got to Do with It?): A Collective Poetry-Essay by 21 Poets Encountered in Scotland (2016–19) 我为什么选择诗歌（国家与之有什么关系？性别与之有何关系？）：苏格兰21位诗人的集体诗歌随笔（2016-19）
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-12-31 DOI: 10.1093/CWW/VPAA026
J. Goldman
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引用次数: 0
“Just a Couple of Queer Fish”: The Queer Possibilities of Rita Mae Brown’s Rubyfruit Jungle 《只是一对奇怪的鱼》:丽塔·梅·布朗的《红宝石丛林》的奇怪可能性
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-12-31 DOI: 10.1093/CWW/VPAB001
Josette Lorig
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引用次数: 0
“Daughterlands”: Personal and Political Mappings in Scottish Women’s Poetry “Daughterlands”:苏格兰女性诗歌中的个人与政治映射
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-12-23 DOI: 10.1093/cww/vpaa024
G. Norquay
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引用次数: 0
Late Negotiations: Ecopoetry and Kathleen Jamie 后期谈判:生态诗歌和凯瑟琳·杰米
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-11-28 DOI: 10.1093/cww/vpaa023
A. Gillis
{"title":"Late Negotiations: Ecopoetry and Kathleen Jamie","authors":"A. Gillis","doi":"10.1093/cww/vpaa023","DOIUrl":"https://doi.org/10.1093/cww/vpaa023","url":null,"abstract":"\u0000 This essay explores Kathleen Jamie’s ecopoetry, expanding upon previous discussions of her work in this context. Through close readings of key poems, a broader exploration of lyric poetry and ecopoetics is developed. The opening section discusses current debates. While there is agreement with a critical consensus that our environmental catastrophe necessitates new ways of thinking, it is queried whether this, regarding lyric poetry, necessitates rejection of all convention and previous approaches. The main section of the essay then reexamines the work of Jamie, a well-known ecopoet, to scrutinize ways in which an emphasis on close reading and attention to matters of form might allow for a richer understanding than is allowed for in current ecocritical debates.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa023","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43130517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ordinary Affects and Spectrality in Three Works: Carole Giangrande’s Midsummer, Brenda Missen’s Tell Anna She’s Safe, and Andrea Thompson’s Over Our Heads 三部作品中的普通情感和幽灵:卡罗尔·詹格兰德的《仲夏》、布伦达·米森的《告诉安娜她很安全》和安德里亚·汤普森的《在我们的头顶上》
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-10-03 DOI: 10.1093/cww/vpaa016
Silvia Caporale-Bizzini
{"title":"Ordinary Affects and Spectrality in Three Works: Carole Giangrande’s Midsummer, Brenda Missen’s Tell Anna She’s Safe, and Andrea Thompson’s Over Our Heads","authors":"Silvia Caporale-Bizzini","doi":"10.1093/cww/vpaa016","DOIUrl":"https://doi.org/10.1093/cww/vpaa016","url":null,"abstract":"This work was supported by a grant from the Spanish Ministry of Science and Innovation (FFI2015-63895-C2-1-R).","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa016","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45679840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fay Weldon, Feminism, and British Culture: Challenging Cultural and Literary Conventions 女权主义与英国文化:挑战文化与文学传统
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-10-03 DOI: 10.1093/cww/vpaa004
Margaret E. Mitchell
{"title":"Fay Weldon, Feminism, and British Culture: Challenging Cultural and Literary Conventions","authors":"Margaret E. Mitchell","doi":"10.1093/cww/vpaa004","DOIUrl":"https://doi.org/10.1093/cww/vpaa004","url":null,"abstract":"","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42778359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From the Effective to the Affective: Postmemory in Emma Donoghue’s The Sealed Letter 从有效到情感：艾玛·多诺霍《密封信》中的后记忆
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-10-03 DOI: 10.1093/cww/vpaa017
Natasha Alden
{"title":"From the Effective to the Affective: Postmemory in Emma Donoghue’s The Sealed Letter","authors":"Natasha Alden","doi":"10.1093/cww/vpaa017","DOIUrl":"https://doi.org/10.1093/cww/vpaa017","url":null,"abstract":"\u0000 This article has a dual focus. It demonstrates the recent repoliticization of Linda Hutcheon’s category of historiographic metafiction through the extension of Marianne Hirsch’s concept of postmemory to lesbian novelists, arguing that this theoretical framework offers a lens through which we can understand some recent trends in lesbian historical fiction. Focusing on the novelist and critic Emma Donoghue’s 2008 novel The Sealed Letter, it also argues that this text’s evocation of an imagined lesbian past, and its use of metafictional techniques, are illuminated by reading it as a highly political engagement with lesbian postmemory.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa017","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45941978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Grrrl Revlonution: Cosmetics, Ugly Beauty, and Grrrling Women in Emma Forrest’s Cherries in the Snow and Thin Skin Grrrl革命:化妆品，丑陋的美丽，和Grrrling女人在艾玛·福雷斯特的樱桃在雪和薄皮
IF 0.2 3区 文学
Contemporary Womens Writing Pub Date : 2020-10-03 DOI: 10.1093/cww/vpz019
Megan Sormus
{"title":"Grrrl Revlonution: Cosmetics, Ugly Beauty, and Grrrling Women in Emma Forrest’s Cherries in the Snow and Thin Skin","authors":"Megan Sormus","doi":"10.1093/cww/vpz019","DOIUrl":"https://doi.org/10.1093/cww/vpz019","url":null,"abstract":"\u0000 Thin Skin (2002) and Cherries in the Snow (2005) are coming-of-age novels set in reverse. This is to be expected when considered in conjunction with the “needy and attention seeking” narratives so typical of Emma Forrest’s oeuvre (Forrest, Thin Skin 123). Alighting on a deliberate confusion of girlhood and womanhood, both novels anticipate a contemporary (and postfeminist) rhetoric that, as Stephanie Harzewski identifies, is “uncomfortable with female adulthood itself, casting all women as girls to some extent” (9). As Forrest’s protagonists all carry an unease about being grown-up, despite the fact that they are grown-up, her work makes a timely intervention that both celebrates (and problematizes) the postfeminist trend and cultural phenomenon of girling women in the twenty-first century. Thin Skin, even down to its title, alludes to the simultaneous and often volatile encounters of girlish and grown-up, ugly and beautiful feminine identities through its twenty-something failed actress and self-proclaimed fucked-up girl, Ruby. In Cherries in the Snow, grown women are resold their former grrrlishness through the ugly makeup central to the fictional cosmetic company, Grrrl Cosmetics. In both novels, the girl/grrrl is instrumentalized by Forrest to tinker with established structures of feminine identity. I examine the extent to which the grrrling of women is politically, socially, or culturally progressive: does it really change anything or suggest a pathway to change? Or is it evidence not of resistance or rebellion but of a predictable tinkering with interpretations of femininity that have gained traction in contemporary consumer culture.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpz019","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44210055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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