{"title":"“如果你没有被抓住”：当代苏格兰女性诗歌中的岛屿、孤立和陷阱","authors":"Peter Mackay","doi":"10.1093/cww/vpaa022","DOIUrl":null,"url":null,"abstract":"\n This essay explores the trope of the island in recent Scottish poetry and in particular the tendency to treat poems as islands and vice versa. With a particular focus on the work of Meg Bateman, Jen Hadfield, Kathleen Jamie, Jackie Kay, and Liz Lochhead, the essay discusses ideas of entrapment, freedom, and isolation, to suggest that alongside the Utopian imaginings of islands, there is also the possibility of them becoming, like St Kilda for Lady Grange, constrictive prison cells.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“If You Don’t Get Caught”: Islands, Isolation, and Entrapment in Contemporary Scottish Women’s Poetry\",\"authors\":\"Peter Mackay\",\"doi\":\"10.1093/cww/vpaa022\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This essay explores the trope of the island in recent Scottish poetry and in particular the tendency to treat poems as islands and vice versa. With a particular focus on the work of Meg Bateman, Jen Hadfield, Kathleen Jamie, Jackie Kay, and Liz Lochhead, the essay discusses ideas of entrapment, freedom, and isolation, to suggest that alongside the Utopian imaginings of islands, there is also the possibility of them becoming, like St Kilda for Lady Grange, constrictive prison cells.\",\"PeriodicalId\":41852,\"journal\":{\"name\":\"Contemporary Womens Writing\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Womens Writing\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/cww/vpaa022\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Womens Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/cww/vpaa022","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
“If You Don’t Get Caught”: Islands, Isolation, and Entrapment in Contemporary Scottish Women’s Poetry
This essay explores the trope of the island in recent Scottish poetry and in particular the tendency to treat poems as islands and vice versa. With a particular focus on the work of Meg Bateman, Jen Hadfield, Kathleen Jamie, Jackie Kay, and Liz Lochhead, the essay discusses ideas of entrapment, freedom, and isolation, to suggest that alongside the Utopian imaginings of islands, there is also the possibility of them becoming, like St Kilda for Lady Grange, constrictive prison cells.
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