ROMANCE QUARTERLY最新文献_第8页

Celebration and ambivalence in Lorca’s “Oda a Salvador Dalí”: Apollo and Dionysus, Noucentisme and Cadaqués, and the rose 洛尔卡的《Oda a Salvador Dalí》中的庆祝与矛盾:阿波罗与狄俄尼索斯，Noucentisme与cadaquacoms，以及玫瑰

IF 0.2 3区文学

ROMANCE QUARTERLY Pub Date : 2021-11-05 DOI: 10.1080/08831157.2021.1997070

A. Anderson

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引用次数: 0

Replaced: Andalucía, national belonging, and Jewishness in Lorca’s Los títeres de Cachiporra 取代：安达卢西亚、民族归属和洛尔卡的犹太人是卡奇波拉的傀儡

IF 0.2 3区文学

ROMANCE QUARTERLY Pub Date : 2021-10-02 DOI: 10.1080/08831157.2021.1978359

Adam Cohn

{"title":"Replaced: Andalucía, national belonging, and Jewishness in Lorca’s Los títeres de Cachiporra","authors":"Adam Cohn","doi":"10.1080/08831157.2021.1978359","DOIUrl":"https://doi.org/10.1080/08831157.2021.1978359","url":null,"abstract":"Abstract Federico García Lorca’s fascination with the cristobicas, a traditional Andalusian puppet show, led him to write and stage a number of these plays from early on in his career. Scholars of Lorca’s guignol often note that through the revitalization of this endangered art form, the young playwright sought to bring innovation to Spain’s theater. As a result, the actual contents of these plays have received little attention, and are generally viewed as using stock characters and conventional plots. The present article argues that Los títeres de Cachiporra (1922) stages a modern version of the Spanish nation as lived in Andalucía through a farcical take on the el viejo y la niña marriage plot. Specifically, I illustrate how Rosita’s three suitors have different relationships with regnant power structures and display various degrees of rootedness to the Andalusian town where the action unfolds. Particular attention is paid to Rosita’s former lover, Currito, who returns after abandoning both her and the town five years earlier. I demonstrate that the anti-Semitic insults directed at Currito reveal a deeper anxiety over who should be included in the modern Spanish nation. Contextualizing these comments among broader trends in European anti-Semitism and Spanish philo-Sephardism in the early twentieth century, I argue that Jewishness is a productive analytic for understanding Currito’s function in the play. A superseded Jewishness, in a final analysis, becomes the counterpoint against which Spanishness is measured.","PeriodicalId":41843,"journal":{"name":"ROMANCE QUARTERLY","volume":"68 1","pages":"209 - 222"},"PeriodicalIF":0.2,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47918816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Demonic Jews and Christian redemption in Berceo’s “Milagro de Teófilo” 恶魔般的犹太人和基督教的救赎在贝尔西奥的《Teófilo之歌》中

IF 0.2 3区文学

ROMANCE QUARTERLY Pub Date : 2021-10-02 DOI: 10.1080/08831157.2021.1978358

F. Riva

引用次数: 1

González-Allende, Iker. Hombres en movimiento. Masculinidades españolas en los exilios y emigraciones, 1939–1999 González-Allende, Iker。男人在运动。1939 - 1999年流亡和移民中的西班牙男子气概

IF 0.2 3区文学

ROMANCE QUARTERLY Pub Date : 2021-10-02 DOI: 10.1080/08831157.2021.1977579

Vinodh Venkatesh

引用次数: 0

Ficciones del origen y orígenes de la ficción en la obra de Juan José Nieto 胡安·何塞·涅托作品中小说的起源和起源

IF 0.2 3区文学

ROMANCE QUARTERLY Pub Date : 2021-09-30 DOI: 10.1080/08831157.2021.1978357

Felipe Martínez-Pinzón

{"title":"Ficciones del origen y orígenes de la ficción en la obra de Juan José Nieto","authors":"Felipe Martínez-Pinzón","doi":"10.1080/08831157.2021.1978357","DOIUrl":"https://doi.org/10.1080/08831157.2021.1978357","url":null,"abstract":"Abstract This essay approaches the ways in which Afro-Colombian intellectual, president and novelist, Juan José Nieto (1805–1866), represents Colombia as a new republic where education and personal merit, in contrast to lineage, are the sole purveyors of legitimacy to govern and write. In literary self-representations, Nieto erased his origins as a person of diverse racial origins and instead decided to represent himself as a “new republican notability” who made it to power through hard work. The present essay argues that Nieto, as the first writer of historical novels in Colombia, in his novel Ingermina o la hija de Calamar (1844), plots a new origin for the Republic – one akin to himself, mixed race, based on education and with popular support. As a new letrado in the midst of Romantic euphoria in the continent, Nieto would participate in debates about the origins of national literature for the new nations. As an outsider attacked because of his nonwhite origins, Nieto would contradictorily erase his own history and use the figure of French Romantic Alexandre Dumas, a novelist with Afro-Caribbean origins like himself, to legitimize his own public persona as a self-taught man and defender of republicanism. The essay concludes by suggesting that despite Nieto’s strategies to found a Republic that would erase racial origins as providing legitimacy to occupy positions of power, he was erased from literary and political Colombian history for over 150 years precisely because his antagonists could not accept a nation, and a national literature, without origins in Europe.","PeriodicalId":41843,"journal":{"name":"ROMANCE QUARTERLY","volume":"68 1","pages":"223 - 239"},"PeriodicalIF":0.2,"publicationDate":"2021-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46253692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Projected Nation: Argentine Cinema and the Social Margins 投影国家:阿根廷电影与社会边缘

IF 0.2 3区文学

ROMANCE QUARTERLY Pub Date : 2021-09-30 DOI: 10.1080/08831157.2021.1977578

D. Tierney

引用次数: 2

Dis/articulations and the writing of Aporias in Cristina Rivera Garza’s El mal de la taiga 克里斯蒂娜·里维拉·加尔扎的《泰加的歌》中Aporias的表达与写作

IF 0.2 3区文学

ROMANCE QUARTERLY Pub Date : 2021-09-23 DOI: 10.1080/08831157.2021.1978356

Brian T. Chandler

引用次数: 1

Clouds, style, and poetic generation in Descartes’s Météores (1637) 笛卡儿的《Météores》（1637）中的云、风格和诗歌生成

IF 0.2 3区文学

ROMANCE QUARTERLY Pub Date : 2021-07-03 DOI: 10.1080/08831157.2021.1960113

Jeffrey N. Peters

{"title":"Clouds, style, and poetic generation in Descartes’s Météores (1637)","authors":"Jeffrey N. Peters","doi":"10.1080/08831157.2021.1960113","DOIUrl":"https://doi.org/10.1080/08831157.2021.1960113","url":null,"abstract":"Abstract In this essay, I argue that the clouds in Descartes’s Météores (1637) tell us something valuable about the impact of contemporaneous deliberations around poetic writing on philosophical expression in early modern France. When Descartes replaces rainbows with clouds as the primary origin of meteorological wonder at the start of the Météores, he is engaged, I suggest, with a question of poetic style. To wonder at rainbows and clouds was, for a generation of humanists, philosophers, and rhetoricians, to become a poet. The meteora, those atmospheric phenomena which, according to Aristotelian tradition, lacked substantial form, were imperfectly mixed, and were therefore provisional and uncertain, could only be the object of a similarly speculative kind of poetic language. As he takes pains to distinguish the rainbow from the clouds, Descartes strips the language of meteorological investigation of its poetic ostentation and casts his broader repudiation of Aristotelian qualities as a rejection of the figure of enargeia in natural philosophy. I argue that the Météores are a reflection on writing in early modern France in which meteorological phenomena are shown to be, like poetic writing itself, the product of both material and ineffable forces.","PeriodicalId":41843,"journal":{"name":"ROMANCE QUARTERLY","volume":"68 1","pages":"144 - 159"},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41802138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cartography and the other side of the clouds 制图学和云层的另一边

IF 0.2 3区文学

ROMANCE QUARTERLY Pub Date : 2021-07-03 DOI: 10.1080/08831157.2021.1960115

Mark D. Rosen

引用次数: 0

Clouds as chaos machines 云是混乱的机器

IF 0.2 3区文学

ROMANCE QUARTERLY Pub Date : 2021-07-03 DOI: 10.1080/08831157.2021.1960112

Vincent Barletta

引用次数: 0