ZEITSCHRIFT FUR SLAWISTIK最新文献_第10页

Die Deutsche Dostojewskij-Gesellschaft 德国陀思妥耶夫斯基学会

IF 0.2 4区文学

ZEITSCHRIFT FUR SLAWISTIK Pub Date : 2021-08-01 DOI: 10.1515/slaw-2021-0021

Christoph Garstka

引用次数: 0

Zur Syntax der russischen Leichten Sprache 一个快速的俄罗斯语语法

IF 0.2 4区文学

ZEITSCHRIFT FUR SLAWISTIK Pub Date : 2021-08-01 DOI: 10.1515/slaw-2021-0019

Claudia Radünzel

引用次数: 0

Nachruf auf Professor Dr. Hans Rothe (5. Mai 1928–31. März 2021) 《罗马书》(英语)5月1928-31 .2021年3月)

IF 0.2 4区文学

ZEITSCHRIFT FUR SLAWISTIK Pub Date : 2021-08-01 DOI: 10.1515/slaw-2021-0022

L. Udolph

引用次数: 0

Autopsie einer Graphic Novel: Dostoevskijs Prestuplenie i nakazanie (1866) in der Adaption von Alain Korkos und David Zane Mairowitz (2008) 平面小说的尸检：阿兰·科尔科斯和大卫·赞恩·迈罗维茨（2008）改编的陀思妥耶夫斯基的《前任》（1866）

IF 0.2 4区文学

ZEITSCHRIFT FUR SLAWISTIK Pub Date : 2021-08-01 DOI: 10.1515/slaw-2021-0018

B. Schultze, Beata Weinhagen

{"title":"Autopsie einer Graphic Novel: Dostoevskijs Prestuplenie i nakazanie (1866) in der Adaption von Alain Korkos und David Zane Mairowitz (2008)","authors":"B. Schultze, Beata Weinhagen","doi":"10.1515/slaw-2021-0018","DOIUrl":"https://doi.org/10.1515/slaw-2021-0018","url":null,"abstract":"Summary This study offers a comprehensive comparative analysis between F. M. Dostoevskij’s classic Prestuplenie i nakazanie (PSS 6, 1973) and the black-and-white adaptation Crime and Punishment created by Alain Korkos and David Zane Mairowitz (2008). According to author and artist, the adaptation is meant for recipients acquainted with the novel and first readers of the graphic novel alike. With 417 pages of close-printed canonic text turned into a picture-dominated graphic novel of 118 pages, the adaptation – paying attention to the sequence of crucial fictional scenes – follows the storyline from the beginning of the canonic text to the Epilogue. About 95 % of the precisely and densely formulated verbal material contained in captions can easily be traced back to Dostoevskij’s classic. In this respect, the adaptation is „true to the source material“ (Kick 2012). However, as large portions of text concerning Sonja or Sonja and Raskol’nikov are – discernibly purposefully – eliminated, the adaptation turns out to be a revised version of the canonic novel. E.g., Sonja neither reads the Lazarus-chapter to Raskol’nikov nor follows him to Siberia. In contrast to Sonja, Raskol’nikov – with his emotional-mental instability, rebellion against the state of the world, self-authorization to commit crimes – is represented in accordance with the source text. The hermeneutic gain caused through verbal-pictorial reproduction of the classic text – i. e. through meaningful handling of panels and graphic design within the panels – is significantly enlarged through verbal-pictorial material not inspired by the classic text, e. g. a poster showing Edvard Munch’s graphics The Cry. In view of the 21st century’s preference for visual and multimedial presentation, the study encourages the coexistence and ‚co-reception‘ of the literary classic and the graphic novel as well as further forms of cultural processing.","PeriodicalId":41834,"journal":{"name":"ZEITSCHRIFT FUR SLAWISTIK","volume":"66 1","pages":"363 - 445"},"PeriodicalIF":0.2,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45222308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Frontmatter Frontmatter

IF 0.2 4区文学

ZEITSCHRIFT FUR SLAWISTIK Pub Date : 2021-08-01 DOI: 10.1515/slaw-2021-frontmatter3

引用次数: 0

Zum Gedenken an Heinz Schuster-Šewc (8. Februar 1927–10. Februar 2021) 为了纪念海因茨·舒斯特·舍维奇（8。1927年2月-10日。2021年2月）

IF 0.2 4区文学

ZEITSCHRIFT FUR SLAWISTIK Pub Date : 2021-08-01 DOI: 10.1515/slaw-2021-0023

Uwe Junghanns

引用次数: 0

Wprowadzenie do genologii 遗传学导论

IF 0.2 4区文学

ZEITSCHRIFT FUR SLAWISTIK Pub Date : 2021-06-01 DOI: 10.1515/slaw-2021-0016

Zofia Bilut-Homplewicz, A. Hanus

引用次数: 5

Designs of Soviet war monuments, 1941–1945: transformation of the memorial genre, the models, the visual language and its sources 1941-1945年苏联战争纪念碑的设计：纪念碑类型、模型、视觉语言及其来源的转变

IF 0.2 4区文学

ZEITSCHRIFT FUR SLAWISTIK Pub Date : 2021-06-01 DOI: 10.1515/slaw-2021-0014

V. Bass

{"title":"Designs of Soviet war monuments, 1941–1945: transformation of the memorial genre, the models, the visual language and its sources","authors":"V. Bass","doi":"10.1515/slaw-2021-0014","DOIUrl":"https://doi.org/10.1515/slaw-2021-0014","url":null,"abstract":"Summary The article examines Soviet memorial designs of the Great Patriotic War period (1941–1945). These monuments were unorthodox in terms of visual language, and they differed strikingly from the Stalinist neoclassical mainstream of the previous decade. Architects tried to find means of commemoration of the enormous tragedy of war that they faced. Analysis of the poetics of their designs along with the commonplaces of the respective critical discourse reveals the process whereby the memorial genre was transformed. This article discusses the monumental tradition developed by the 1940 s, the models, the sources of motifs and solutions, and some stylistic and architectural peculiarities characteristic of wartime projects. Whereas previously the Soviet architects from the early 1930s had been working on the ‘ultimate’ monument – the Palace of Soviets in Moscow – with the beginning of the war they shifted to improvising in order to ‘stretch’ the limits of genre. I examine the ways in which they broke the limits and shaped the dense, overwhelming memorial narrative to be transmitted by the monuments. New memorials were considered as a form of heroic epic, analogous to the literary epics but expressed by means of architecture and sculpture. The nationalistic sentiments typical of the war years were reflected in both the design ideology and the perception of memorials. Alongside persistent motifs (such as 'prancing' tanks) emerged new themes (the commemoration of victims along with heroes). The technique of provoking the viewer’s emotions, as well as the visual language and architectural style of some structures and particular solutions (such as massive stone cubes), demonstrate the inheritance from the post-Revolutionary Modernist architecture. This unorthodox stylistic flexibility illustrates the ‘liberation’ of architects – and the short cultural ‘liberalization’ on the wartime period.","PeriodicalId":41834,"journal":{"name":"ZEITSCHRIFT FUR SLAWISTIK","volume":"66 1","pages":"290 - 322"},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/slaw-2021-0014","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42136323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Antonomasia in BCMS and a woman’s place in the Balkan society BCMS中的安东诺玛西亚和女性在巴尔干社会中的地位

IF 0.2 4区文学

ZEITSCHRIFT FUR SLAWISTIK Pub Date : 2021-06-01 DOI: 10.1515/slaw-2021-0009

Deja Piletić, Milica Vuković Stamatović

{"title":"Antonomasia in BCMS and a woman’s place in the Balkan society","authors":"Deja Piletić, Milica Vuković Stamatović","doi":"10.1515/slaw-2021-0009","DOIUrl":"https://doi.org/10.1515/slaw-2021-0009","url":null,"abstract":"Summary Antonomasia implies two opposing semantic mechanisms: the replacement of a proper name by an appellative, epithet or periphrasis (e. g. the Iron Lady standing for Margaret Thatcher), or the attribution of a proper name to an appellative or a set of certain personality traits (e. g. a Penelope standing for a faithful, devoted wife). The aim of this paper is to show that studying antonomasia as a figure of speech driven by a cognitive metonymic and metaphoric mechanism can contribute to revealing how women are conceptualised and consequently talked about. We do so by analysing figurative antonomasia in a dataset of 307 examples extracted from Bosnian/Croatian/Montenegrin/Serbian (BCMS) webpages, although the findings are generisable to other languages as well. We show that antonomasia is frequently based on entrenched stereotypes about women and that in the collective consciousness of the BCMS speakers women are often conceptualised as (sexual) objects, typically valued by aesthetic criteria, as well as in relation to their possession of certain stereotypical female traits (self-sacrifice or subordination to others, excessive emotion but also cruelty, manipulativeness, showiness, talkativeness, etc.). In addition, the analysis also revealed that a woman is principally identified through her relations with other beings (as a mother, sister, wife or lover). Our study thus confirms that studying antonomasia within gender and language studies is a goal well worth pursuing.","PeriodicalId":41834,"journal":{"name":"ZEITSCHRIFT FUR SLAWISTIK","volume":"66 1","pages":"183 - 207"},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45754500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Translanguaging in Polish minority schools in Ukraine and Lithuania 乌克兰和立陶宛波兰少数民族学校的译语教学

IF 0.2 4区文学

ZEITSCHRIFT FUR SLAWISTIK Pub Date : 2021-06-01 DOI: 10.1515/slaw-2021-0011

Kinga Geben, Maria Zelinska

引用次数: 0