Acta Literaria最新文献

{"title":"\"FEDERICO GARCÍA LORCA, POETA DRAMÁTICO\". SOBRE UN TEXTO INÉDITO DE MANUEL ALTOLAGUIRRE","authors":"R. Arias","doi":"10.4067/S0717-68482017000200145","DOIUrl":"https://doi.org/10.4067/S0717-68482017000200145","url":null,"abstract":"espanolResumen: Recientemente, se han encontrado en el archivo historico del Instituto Gorki de Literatura Internacionales de la Academia de Ciencias de Moscu una serie de materiales pertenecientes a autores antifascistas internacionales que la historia habia dejado olvidados en la oscuridad del deposito. Entre tales escritos se ha locali zado un breve ensayo de Manuel Altolaguirre acerca de la obra dramatica lorquiana. Siendo uno de los primeros testimonios escritos de la recepcion del poeta granadino, \"Federico Garcia Lorca, poeta dramatico\" de 1937 es un documento inestimable para entender el giro de seriedad que hubo de dar la literatura espanola en el contexto de emergencia de la Guerra Civil, y los usos que se hicieron de Lorca en dicho contexto. EnglishAbstract: Recently, several materials written by international antifascist authors fa llen into oblivion have been found in the historical archives of the Gorky Literature Institute of International Academy of Sciences in Moscow. Among them there was a short essay written by Manuel Altolaguirre on Lorca's play-writing, which marks one of the first written evidences in the reception of Lorca ever. \"Federico Garcia Lorca, a dramatic poet\" (1937) is therefore an invaluable document for the understanding of the serious turn in Spanish literature in the emergency context brought by the Spanish Civil War, and the uses of Lorca's play-writing in this respect.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91191901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EDUARDO L. HOLMBERG Y LA RENOVACIÓN DE LA NOVELA POR LA FANTASÍA","authors":"H. B. Molina","doi":"10.4067/S0717-68482017000200013","DOIUrl":"https://doi.org/10.4067/S0717-68482017000200013","url":null,"abstract":"espanolResumen: El cientifico y escritor argentino Eduardo Ladislao Holmberg (1852-1937) es pionero en diversas modalidades narrativas, sobre todo el relato fantastico, el poli cial, la fantasia cientifica y la ciencia-ficcion. En este articulo se analiza como renueva la poetica de la novela, en un proceso que culmina en La bolsa de huesos (1896). La novedad radica en que Holmberg realza la funcion creadora de la fantasia en la es tructuracion del discurso novelistico y, por ende, potencia lo ficcional como elemento sustantivo de la novela, en contraste con las tendencias romanticas y naturalistas, que priorizaban lo verosimil moral (la novela como espejo de la sociedad). EnglishAbstract: The Argentine scientist and writer Eduardo Ladislao Holmberg (1852 1937) is a pioneer in different narrative genres, particularly fantastic stories, police stories, scientific fantasy and science fiction. This article analyzes how he renews the poetics of the novel in a process ending with La bolsa de huesos (1896). His novelty lies in enhancing the creative function of fantasy in structuring novel discourse, thus maximizing fiction as a substantive element of the novel. This contrasts with romantic and naturalistic tendencies which prioritized what was morally credible (the novel as a mirror of society).","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81131187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"\"¿CÓMO DECIRLE NO?\" LA MUERTE EN LA POESÍA DE FLORIDOR PÉREZ","authors":"Edson Faúndez, A. D. Río","doi":"10.4067/S0717-68482017000200109","DOIUrl":"https://doi.org/10.4067/S0717-68482017000200109","url":null,"abstract":"espanolResumen: Este articulo estudia los posibles sentidos que surgen de las relaciones que el poeta establece con la muerte de los otros y con la inminencia de la muerte pro pia. El duelo, la memoria, la hospitalidad son algunos de los rasgos que singularizan una escritura que resiste la muerte e intensifica la vida. EnglishAbstract: This article studies the possible meanings that arise from the relationships the poet establishes with the death of others and with immanence of his own death. Grief, memory and hospitality are some of the distinguishing features that stand out in a writing that resists death and intensifies life.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76354700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"RÉPLICAS DEL CAMPO LITERARIO EN LA NARRATIVA CHILENA RECIENTE. TRAZARSE EN EL TEXTO Y EXHORTAR AL CAMPO","authors":"Constanza Andrea Ternicier Espinosa","doi":"10.4067/S0717-68482017000200091","DOIUrl":"https://doi.org/10.4067/S0717-68482017000200091","url":null,"abstract":"El presente articulo expone las posturas literarias de una muestra de na rradores, nacidos desde fines de los 70s en adelante, recientemente aparecidos en el campo literario chileno. El concepto, acunado por Jerome Meizoz (2007), refiere a la impostacion de estrategias formales que poseen los escritores para presentarse a si mismos ante el publico. Pensar en terminos de posturas literarias implica la capa cidad del individuo de renegociar el estatus y los roles que le son asignados. Su fin ultimo sera gestionar un determinado posicionamiento dentro del campo, de acuerdo a una esfera de codigos de practicas. Dichas posturas apareceran reproducidas alego rica o directamente en las obras. El genero que permite desviar este esfuerzo desde lo epitextual (entrevistas, resenas, congresos) a lo puramente textual es la autoficcion. En definitiva, a traves de tales posturas los autores establecen un dialogo con los agentes del campo: el mercado editorial, la critica y el sistema-mundo. Dentro de un espacio de lucha de fuerzas, la queja frente a un ambito estrecho y endogamico acaba resonando como un eco al interior de una nueva novelistica que, a ratos, parece mas ocupada en forjar escritores que entregada al simple acto de escribir.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81108017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TADEYS DE OSVALDO LAMBORGHINI: CONSTRUCCIÓN DE UNA POÉTICA QUE DESESTABILIZA EL PATRIARCADO HETERONORMATIVO","authors":"F. Amaro","doi":"10.4067/S0717-68482017000200033","DOIUrl":"https://doi.org/10.4067/S0717-68482017000200033","url":null,"abstract":"espanolResumen: El estudio analiza las estrategias narrativas que conforman una poeti ca que desestabiliza el patriarcado heteronormativo en la novela postuma Tadeys (1983) de Osvaldo Lamborghini. Las estrategias desarticulan la concepcion patriarcal del cuerpo, ya que es construido como un flujo de pulsiones donde se instalan sub jetividades -protesis artificiales- disenadas por el Estado de La Comarca. Una de las estrategias narrativas es la confeccion de personajes masculinos motivados por impulsos primarios en un pais patriarcal. En este sentido, el orden patriarcal se con figura como una mascara cinica siempre transgredida por el deseo homoerotico de los ambivalentes personajes. La segunda estrategia narrativa es la deconstruccion del genero femenino con la incorporacion de la carcel La Roca, espacio simbolico donde se transforma el cuerpo delictual masculino en una docil mujer dispuesta al matrimo nio. En esta carcel el genero femenino se representa y reproduce como performance, carece de una esencia a priori, puesto que es producto de instituciones que lo crean, reglamentan y naturalizan. EnglishAbstract: This study analyzes the narrative strategies that form a poetics that des tabilizes the heteronormative patriarchy of the posthumous novel Tadeys (1983) by Osvaldo Lamborghini. The strategies disassemble the patriarchal conception of the body, as it is built as a flow of urges where subjectivities are installed -artifi cial prosthesis- designed by La Comarca State. One of the narrative strategies is the making of male characters motivated by primary drives in a patriarchal country. In this sense, the patriarchal order sets as a cynical mask always transgressed by the homoerotic desire of the ambivalent characters. The second narrative strategy is the deconstruction of the female gender with the incorporation of the prison La Roca, symbolic space where the male criminal body is transformed into a docile woman ready to get married. In this prison, the female gender represents and reproduces as performance, it lacks of an essence a priori, as it is the product of the institutions that create it, regulate it and naturalize it.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75033650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"VASOS COMUNICANTES DEL NEOBARROCO: SOBRE LAS ESCENAS Y SENTIDOS COMPARTIDOS ENTRE LAS OBRAS DE NÉSTOR PERLONGHER Y PEDRO LEMEBEL","authors":"Jorge ClD","doi":"10.4067/S0717-68482017000200051","DOIUrl":"https://doi.org/10.4067/S0717-68482017000200051","url":null,"abstract":"espanolResumen: Este articulo analiza de manera general el funcionamiento estructural de la transtextualidad en las literaturas neobarrocas y de manera particular el intenso dialogo transtextual advertido entre el ensayo \"Matan a un marica\" de Nestor Per-longher y la cronica \"Las amapolas tambien tienen espinas\" de Pedro Lemebel. Con este fin evaluaremos la conceptualizacion intertextual desarrollada por escritores e intelectuales vinculados a la reflexion sobre neobarroco y los procedimientos hiper-textuales en los que se evidencia la influencia decisiva de la obra del poeta argentino Perlongher en la del cronista chileno Lemebel. EnglishAbstract: This article presents a discussion about the structural performance of the transtextuality in the baroque literature and the intense transtextual dialogue noticed between the essay \"They kill a fag\" and the chronic \"The poppies also have thorns\". For this purpose we will evaluate the intertextual conceptualization developed by wri ters and intellectuals linked to the neobarroco and the hypertext procedures upon which is evident the decisive influence by the work of the Argentinean poet on the Chilean writer.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78675597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"AVELLANEDA Y BÉCQUER: DEL MAGISTERIO FEMENINO A LA BIOGRAFÍA SENTIMENTAL","authors":"Isabel Navas Ocaña","doi":"10.4067/S0717-68482017000100099","DOIUrl":"https://doi.org/10.4067/S0717-68482017000100099","url":null,"abstract":"espanolResumen: La relacion de Becquer con algunas celebres contemporaneas suyas suscito muy pronto el interes de la critica. Reconocidos becquerianistas como Ruben Benitez y Joseph Gulsoy no dudaron en senalar entre las fuentes de las Leyendas los relatos de Cecilia Bohl de Faber y de Gertrudis Gomez de Avellaneda. De hecho, La ondina azul, una de las leyendas mas famosas de Avellaneda, es considerada la fuente de Los ojos verdes y El rayo de luna de Gustavo Adolfo Becquer. Ademas, las Rimas fueron desde finales del XIX motivo de encendidos debates en torno a sus posibles vinculos con la poesia de Rosalia de Castro y de Carolina Coronado. No obstante, la influencia ejercida por Gertrudis Gomez de Avellaneda sobre la prosa de Gustavo Adolfo Becquer, a pesar de haber sido analizada, necesita desde mi punto de vista una revision, porque prejuicios de genero han determinado a menudo las valoraciones criticas de la obra de Becquer y de Avellaneda. Ademas, examinaremos las relaciones personales que mantuvieron Becquer y Avellaneda, y mostraremos como este aspecto de sus biografias ha determinado tambien la valoracion que sus leyendas han recibido de la critica. EnglishAbstract: Becquer's relationship with some famous contemporary women writers soon attracted the interest of critics. Important becquerianistas such as Ruben Benitez and Joseph Gulsoy did not hesitate in pointing the stories of Cecilia Bohl de Faber and Gertrudis Gomez de Avellaneda among the sources of Becquer's Leyendas. In fact, La ondina azul, one of the most famous Avellaneda's tale, is considered the origin of Becquer's Los ojos verdes and El rayo de Luna. In addition, the celebrated Rimas were from the late nineteenth century cause of heated debate about their possible links with the poetry of Rosalia de Castro and Carolina Coronado. However, the influence exerted by Gertrudis Gomez de Avellaneda on Gustavo Adolfo Becquer' prose, despite having been also analyzed, in my view needs revision, because gender bias often have determined critical views about both Avellaneda y Becquer. Furthermore we will examine personal relationships that kept Avellaneda and Becquer and how this aspect of their biographies have also determined the assessment that their tales received by critics.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76328707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ATLÁNTICO NEGRO: EL OCÉANO EN LA NARRATIVA DE ESCLAVIZADOS","authors":"Daiana Nascimiento Dos Santos","doi":"10.4067/S0717-68482017000100029","DOIUrl":"https://doi.org/10.4067/S0717-68482017000100029","url":null,"abstract":"espanolResumen: El articulo plantea un analisis de las representaciones del binarismo oceano/barco en la configuracion del imaginario negroafricano de textos literarios de lengua portuguesa y espanola de America Latina, el Caribe y Africa. Esto a partir de construcciones simbolicas que sobrepasan lo estrictamente literario y se entrecruzan con los espacios historicos y culturales que conforman la(s) memoria(s) e imaginario(s) de este grupo colectivo. Atendiendo a otros rasgos, se incluyen referencias a los estudios sobre memoria y oralidad, que permiten comprender la forma en que la construccion simbolica mar/barco elabora las configuraciones dentro de los relatos sobre las experiencias oceanicas. EnglishAbstract: The article presents an analysis of the representations of the ocean / ship in shaping the imagination of literary texts black African Portuguese and Spanish language in Latin America, the Caribbean and Africa binarism. This from symbolic constructions that go beyond strictly literary and intersect with historical and cultural spaces that make the report (s) and imaginary (s) of this collective group. In response to other features, references to studies on memory and orality, which allow us to understand how symbolic building sea/boat made configurations within the stories about ocean experiences are included.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80062016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La invención de Morel: anotaciones sobre el territorio y la obsolescencia","authors":"Camilo-Ernesto Lozano-Rivera","doi":"10.4067/S0717-68482017000100143","DOIUrl":"https://doi.org/10.4067/S0717-68482017000100143","url":null,"abstract":"espanolResumen: En este trabajo se explora la densidad metaforica de la nocion de \"isla\" y su utilidad para la conceptualizacion del territorio. Esto se realiza con base en algunas anotaciones inspiradas por el estudio de la novela La invencion de Morel del escritor argentino Adolfo Bioy Casares, publicada en 1940. Se argumenta en favor de la pertinencia de la obra literaria en general y sus interpretaciones como fuentes de conocimiento academicamente valido, en particular, porque se presenta La invencion de Morel como una pieza significativa de la intertextualidad necesaria en la produccion de conceptos alusivos al territorio, sobre todo cuando contemplan la obsolescencia como una cualidad importante en la comprension de las territorialidades y las formas de territorializacion. EnglishAbstract: This paper explores the metaphorical density of \"island\" notion and it's functionality to conceptualize territory. This is made by linking some notes inspired on the study of the novel La invencion de Morel, written by renowned Argentinian author Adolfo Bioy Casares (1940). The paper argues for the appropriateness of literary references in general and it's several interpretations as a valuable source for academic knowledge. In particular because this paper presents La invencion de Morel as a meaningful part of the required intertextuality for producing concepts about territory, especially when obsolescence is taken into account as an important quality to comprehend territorialities and ways of territorialisation.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88747853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LA ESTRUCTURA MUSICAL EN LA NARRATIVA DE KATHERINE MANSFIELD Y JAMES JOYCE","authors":"María Jiménez Garcerán","doi":"10.4067/S0717-68482017000100197","DOIUrl":"https://doi.org/10.4067/S0717-68482017000100197","url":null,"abstract":"","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76057327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}