VASOS COMUNICANTES DEL NEOBARROCO: SOBRE LAS ESCENAS Y SENTIDOS COMPARTIDOS ENTRE LAS OBRAS DE NÉSTOR PERLONGHER Y PEDRO LEMEBEL

IF 0.1 3区文学 0 LITERATURE, ROMANCE

Acta Literaria Pub Date : 2017-12-01 DOI:10.4067/S0717-68482017000200051

Jorge ClD

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引用次数: 2

Abstract

espanolResumen: Este articulo analiza de manera general el funcionamiento estructural de la transtextualidad en las literaturas neobarrocas y de manera particular el intenso dialogo transtextual advertido entre el ensayo "Matan a un marica" de Nestor Per-longher y la cronica "Las amapolas tambien tienen espinas" de Pedro Lemebel. Con este fin evaluaremos la conceptualizacion intertextual desarrollada por escritores e intelectuales vinculados a la reflexion sobre neobarroco y los procedimientos hiper-textuales en los que se evidencia la influencia decisiva de la obra del poeta argentino Perlongher en la del cronista chileno Lemebel. EnglishAbstract: This article presents a discussion about the structural performance of the transtextuality in the baroque literature and the intense transtextual dialogue noticed between the essay "They kill a fag" and the chronic "The poppies also have thorns". For this purpose we will evaluate the intertextual conceptualization developed by wri ters and intellectuals linked to the neobarroco and the hypertext procedures upon which is evident the decisive influence by the work of the Argentinean poet on the Chilean writer.

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新巴洛克的交流容器:关于nestor PERLONGHER和PEDRO LEMEBEL作品之间共享的场景和感觉

espanolResumen结构:这篇分析作为一个整体运作中的transtextualidad neobarrocas和特别是文学之间的激烈对话transtextual警告内斯特Per-longher杀死一个猫咪”试验和cronica“罂粟花说成是Pedro Lemebel冠冕”。在本文中，我们分析了阿根廷诗人Perlongher的作品对智利编年史家Lemebel的决定性影响，并将其与新巴洛克主义和超文本程序的反思联系起来。英语stract:本文讨论了巴洛克文学中transtextuality的结构表现，以及文章“They kill a fag”和“the poppies alhave thorns”之间的强烈的transtextuality对话。为此目的，我们将评估作家和知识分子在新巴洛克和超文本程序方面所发展的互文概念化，这证明了阿根廷诗人的作品对智利作家的决定性影响。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Acta Literaria LITERATURE, ROMANCE-

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0.10

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0.00%

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期刊介绍： Acta Literaria offers its readers seven articles of academics and academics from Chile, Argentina and Mexico. The texts of the researchers and researchers included in the number we present constitute a current reflection of the orientations of literary studies in Latin America.