Cultural HistoryPub Date : 2022-10-01DOI: 10.3366/cult.2022.0272
Brian M. Trump
{"title":"Thomas J. Balcerski, Bosom Friends: The Intimate World of James Buchanan and William Rufus King","authors":"Brian M. Trump","doi":"10.3366/cult.2022.0272","DOIUrl":"https://doi.org/10.3366/cult.2022.0272","url":null,"abstract":"","PeriodicalId":41779,"journal":{"name":"Cultural History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41663952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cultural HistoryPub Date : 2022-10-01DOI: 10.3366/cult.2022.0270
Tommaso Scaramella
{"title":"Manuel De Carli (ed.), Meravigliosi ragni danzanti: Interpretazioni del tarantismo nel Seicento","authors":"Tommaso Scaramella","doi":"10.3366/cult.2022.0270","DOIUrl":"https://doi.org/10.3366/cult.2022.0270","url":null,"abstract":"","PeriodicalId":41779,"journal":{"name":"Cultural History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49198735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cultural HistoryPub Date : 2022-10-01DOI: 10.3366/cult.2022.0268
Carissa Baker
{"title":"A Chinese ‘High-Tech Theme Park Full of Stories’: Exploring Fantawild Oriental Heritage","authors":"Carissa Baker","doi":"10.3366/cult.2022.0268","DOIUrl":"https://doi.org/10.3366/cult.2022.0268","url":null,"abstract":"Among the Chinese companies that run the great majority of theme parks in China, Fantawild is the quickest-expanding one, with more than two dozen full-fledged theme parks and many in development. The newest of their three primary theme park models, Oriental Heritage, employs traditional Chinese cultural material and specifically Chinese folklore and legends for its attractions and shows. The park thus differentiates itself not only from Fangte's previous park models, Adventure and Dreamland, which have often been derivative of other, Western park themes and ride systems, but also from the glocalizing approaches of such Western companies as Disney or Universal. Combining Chinese stories and heritage with new and innovative ride systems, Oriental Heritage also differs markedly from the ‘ethnic culture parks’ whose performative open-air displays dominated the first boom phase of the theme park in China during the mid-1990s. With its traditional Chinese architectural style, Chinese intellectual property or cultural traditions, and technically ambitious ride systems, the ‘high-tech theme park full of stories’, as it refers to itself, marks the culmination of Fangte's brand evolution from the imitative Adventure and Dreamland models to the confidently Chinese Oriental Heritage concept, making Fangte a particularly interesting and potentially representative model of where the Chinese theme park industry could be headed.","PeriodicalId":41779,"journal":{"name":"Cultural History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45637815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cultural HistoryPub Date : 2022-10-01DOI: 10.3366/cult.2022.0271
Sarah Künzler
{"title":"Guy Beiner, Forgetful Remembrance: Social Forgetting and Vernacular Historiography of a Rebellion in Ulster","authors":"Sarah Künzler","doi":"10.3366/cult.2022.0271","DOIUrl":"https://doi.org/10.3366/cult.2022.0271","url":null,"abstract":"","PeriodicalId":41779,"journal":{"name":"Cultural History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43092178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cultural HistoryPub Date : 2022-04-01DOI: 10.3366/cult.2022.0261
T. McGrath
{"title":"Hilary Hinds, A Cultural History of Twin Beds","authors":"T. McGrath","doi":"10.3366/cult.2022.0261","DOIUrl":"https://doi.org/10.3366/cult.2022.0261","url":null,"abstract":"","PeriodicalId":41779,"journal":{"name":"Cultural History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48176170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cultural HistoryPub Date : 2022-04-01DOI: 10.3366/cult.2022.0257
Christopher Ewing
{"title":"Alana Harris (ed.), The Schism of ’68: Catholic Contraception and ‘Humanae Vitae’ in Europe, 1945–1975","authors":"Christopher Ewing","doi":"10.3366/cult.2022.0257","DOIUrl":"https://doi.org/10.3366/cult.2022.0257","url":null,"abstract":"","PeriodicalId":41779,"journal":{"name":"Cultural History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47653884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cultural HistoryPub Date : 2022-04-01DOI: 10.3366/cult.2022.0252
Kimberley Monteyne
{"title":"Idealized Bodies and the Visual Turn after the First World War: American Children's Public Health Campaigns","authors":"Kimberley Monteyne","doi":"10.3366/cult.2022.0252","DOIUrl":"https://doi.org/10.3366/cult.2022.0252","url":null,"abstract":"As children's public health education in the United States became significantly invested in visual instruction and pleasurable learning experiences following World War I, these methods sought to redefine healthy bodies through a twofold approach: appeals to the burgeoning film industry and idealized celebrity bodies, and a wide-reaching program of statistical measurement initiatives. In this process the child's body was reimagined through the trope of the movie star – an immaterial and depthless projection immune from the physical effects of war – and also abstracted via mass statistical measurement programs that paralleled contemporary eugenics practices. Both methods aimed at a de-materialization of the body to ward off the painful reality of physically weak, malnourished children and the badly damaged bodies of returning veterans. Thus, post-WWI children's health education became an ambivalent corporeal topography in which the body functioned as a site of play and imaginative edification caught between the deeply misguided scientific idealism of eugenics and new forms of presenting physical perfection through modern cinema and beauty culture.","PeriodicalId":41779,"journal":{"name":"Cultural History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48271262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cultural HistoryPub Date : 2022-04-01DOI: 10.3366/cult.2022.0258
Jacob Bloomfield
{"title":"Vincent L. Stephens, Rocking the Closet: How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music","authors":"Jacob Bloomfield","doi":"10.3366/cult.2022.0258","DOIUrl":"https://doi.org/10.3366/cult.2022.0258","url":null,"abstract":"","PeriodicalId":41779,"journal":{"name":"Cultural History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44892790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cultural HistoryPub Date : 2022-04-01DOI: 10.3366/cult.2022.0254
Aishwarya Ramachandran, P. Vertinsky
{"title":"Speaking Back to Sheldon: Barbara Honeyman Heath as the New ‘Doyenne of Somatotyping’","authors":"Aishwarya Ramachandran, P. Vertinsky","doi":"10.3366/cult.2022.0254","DOIUrl":"https://doi.org/10.3366/cult.2022.0254","url":null,"abstract":"In 1991, a reviewer of Somatotyping-Development and Applications celebrated author Barbara Honeyman-Heath as the ‘doyenne of somatotyping’, crediting her for ‘entering this embattled arena 50 years after the publication that started it all, William Sheldon's Varieties of Human Physique (1940)’. Sheldon, creator of the somatotype, had been disparaged since the late 1940s for drawing undue relationships among social deviance, temperament and physique. Yet, even as constitutional research was marred by its eugenic underpinnings, interest in the potential connections between physique and temperament persisted. During the 1960s, the somatotyping system was reorganized by Honeyman-Heath, Sheldon's former assistant, who claimed to modify connections between temperament and physique. Joining Margaret Mead in New Guinea she gained access to the Manus community, somatotyping its members and using the data to develop her modified somatotype technique. Collaborating with physical educator Lindsay Carter she was primed to advertise their system widely among physical educators, especially those interested in elite sport. Indeed, the ‘Heath-Carter’ method lent itself well to analyses of sporting performance, contributing to the ongoing fascination of scientists and coaches with the perceived advantages of certain kinds of body types and compositions for athletic achievement, as well as perpetuating simple minded questions about racial differences.","PeriodicalId":41779,"journal":{"name":"Cultural History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47578121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cultural HistoryPub Date : 2022-04-01DOI: 10.3366/cult.2022.0253
B. Nygaard
{"title":"Mediating Rock and Roll: Tommy Steele in Denmark, 1957–8","authors":"B. Nygaard","doi":"10.3366/cult.2022.0253","DOIUrl":"https://doi.org/10.3366/cult.2022.0253","url":null,"abstract":"Though rarely acknowledged in later historiography, British singer Tommy Steele was a key figure in the early European negotiations of rock and roll in 1957–58. As an accommodating British working-class youth with an energetic, yet non-sexual mode of performance, he was favourably compared with the image of American rock and roll with its associations of juvenile delinquency, cultural ‘blackness’ and illegitimately sexuality as personified by Elvis Presley in particular. Yet, Tommy Steele's version of rock and roll provided not simply an alternative to the ‘hard’, more rebellious strands of American youth culture. Rather, it allowed him and his fans to negotiate the dominant adult conceptions of rock and roll and its cultural associations of place, race, gender, class and age, thus inadvertently creating a pattern for a rapid succession of new youth idols, including the relaunching of Presley and other American rock and roll artists to European youth though a complex pattern of locating counterparts to individual celebrities. In that sense, Tommy Steele functioned as a ‘vanishing mediator’ of rock and roll culture in Europe. This article is a particular case study of such developments of celebrity and fan culture as they occurred in 1950s Denmark.","PeriodicalId":41779,"journal":{"name":"Cultural History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42342603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}