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Studies in Musical Theatre最新文献

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From Camelot to Spamalot: Musical Retellings of Arthurian Legend on Stage and Screen, Megan Woller (2021) 《从卡梅洛特到斯帕伽洛:亚瑟王传奇在舞台和银幕上的音乐重述》，梅根·沃勒(2021)
IF 0.1
Studies in Musical Theatre Pub Date : 2022-04-01 DOI: 10.1386/smt_00090_5
Adam Rush
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引用次数: 1
Editorial 编辑
IF 0.1
Studies in Musical Theatre Pub Date : 2022-04-01 DOI: 10.1386/smt_00082_2
Elizabeth Wollman, J. Sternfeld
{"title":"Editorial","authors":"Elizabeth Wollman, J. Sternfeld","doi":"10.1386/smt_00082_2","DOIUrl":"https://doi.org/10.1386/smt_00082_2","url":null,"abstract":"","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42553197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reviews Editorial 评论编辑
IF 0.1
Studies in Musical Theatre Pub Date : 2022-04-01 DOI: 10.1386/smt_00086_2
Hannah Robbins, Dominic Broomfield-McHugh
{"title":"Reviews Editorial","authors":"Hannah Robbins, Dominic Broomfield-McHugh","doi":"10.1386/smt_00086_2","DOIUrl":"https://doi.org/10.1386/smt_00086_2","url":null,"abstract":"","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48396663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musicals, operettas and Heiteres Musiktheater in East Germany 1949–89 1949 - 1989年东德的音乐剧、轻歌剧和剧院
IF 0.1
Studies in Musical Theatre Pub Date : 2022-04-01 DOI: 10.1386/smt_00084_1
Kevin Clarke
{"title":"Musicals, operettas and Heiteres Musiktheater in East Germany 1949–89","authors":"Kevin Clarke","doi":"10.1386/smt_00084_1","DOIUrl":"https://doi.org/10.1386/smt_00084_1","url":null,"abstract":"This article examines the development of operetta and musicals in East and West Germany from 1949 until the reunification in 1989–90. It focuses on the special ideological requirements of popular musical entertainment in the socialist east, discusses how works by Offenbach and Strauss were adapted, considers how works from the Soviet Union were imported and examines how new works were created to fulfil the ideal of ‘socialist realism’. The arrival of Broadway musicals in East Germany in the 1960s were typically made to fit into the system of state subsidized theatre.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42750265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Original Cast Album: Company, D. A. Pennebaker (dir.) (1970) 原创专辑:Company, d.a. Pennebaker(导演)(1970)
IF 0.1
Studies in Musical Theatre Pub Date : 2022-04-01 DOI: 10.1386/smt_00087_5
A. Buchman
{"title":"Original Cast Album: Company, D. A. Pennebaker (dir.) (1970)","authors":"A. Buchman","doi":"10.1386/smt_00087_5","DOIUrl":"https://doi.org/10.1386/smt_00087_5","url":null,"abstract":"Review of: Original Cast Album: Company, D. A. Pennebaker (dir.) (1970)\u000053 minutes (52:56), ISBN 978-1-68143-868-9, Streaming on the Criterion Channel, available on (1K) DVD, $23.95 and Blu-Ray (4K) DVD, USD $31.96","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47935084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America, Stacy Wolf (2020) 《超越百老汇：美国音乐剧的快乐与希望》，斯泰西·沃尔夫（2020）
IF 0.1
Studies in Musical Theatre Pub Date : 2022-04-01 DOI: 10.1386/smt_00088_5
Barrie Gelles
{"title":"Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America, Stacy Wolf (2020)","authors":"Barrie Gelles","doi":"10.1386/smt_00088_5","DOIUrl":"https://doi.org/10.1386/smt_00088_5","url":null,"abstract":"Review of: Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America, Stacy Wolf (2020) New York: Oxford University Press, 382 pp., ISBN 978-0-19-063953-2, p/bk, USD $99.00","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42269702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Audio mediation technology and liveness in modern musical theatre performance 音频调解技术与现代音乐剧表演中的活跃性
IF 0.1
Studies in Musical Theatre Pub Date : 2022-04-01 DOI: 10.1386/smt_00083_1
Makulumy Alexander-Hills
{"title":"Audio mediation technology and liveness in modern musical theatre performance","authors":"Makulumy Alexander-Hills","doi":"10.1386/smt_00083_1","DOIUrl":"https://doi.org/10.1386/smt_00083_1","url":null,"abstract":"The widespread use of audio technology in musical theatre – and, in particular, how the use of this audio technology interfaces with the presence of live musicians – complicates the sonic notion of liveness in the theatrical setting. This article will delve into the more complex details of what we call liveness in mainstream musical theatre, with special attention paid to live musicians in this highly mediated environment. The first half of the article explores the roots of contemporary audio technology norms for musical theatre and argues that they have developed in part to maximize the sonic similarity of the live performance to its mediatized forms (primarily cast recordings). The second section explores the impact of audio mediation norms on pit musicians and features comments drawn from interviews with a number of Broadway musicians. The use of audio technology in contemporary musical theatre performance, while perhaps making it easier to align mediatized and live performance forms for audience consumption, results in complex notions of quasi-liveness with respect to the live musicians.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44680123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Putting It Together: How Stephen Sondheim and I Created Sunday in the Park with George, James Lapine (2021) 组合：斯蒂芬·桑德海姆和我如何与乔治、詹姆斯·拉平在公园里创造周日（2021）
IF 0.1
Studies in Musical Theatre Pub Date : 2022-04-01 DOI: 10.1386/smt_00089_5
Lara E. Housez
{"title":"Putting It Together: How Stephen Sondheim and I Created Sunday in the Park with George, James Lapine (2021)","authors":"Lara E. Housez","doi":"10.1386/smt_00089_5","DOIUrl":"https://doi.org/10.1386/smt_00089_5","url":null,"abstract":"Review of: Putting It Together: How Stephen Sondheim and I Created Sunday in the Park with George, James Lapine (2021)\u0000New York: Farrar, Straus and Giroux, 416 pp.,\u0000ISBN 978-0-37420-009-1, h/bk, GBP £32","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44499098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MT/D, or change: An anti-racist musical theatre reading group MT/D，或改变：一个反种族主义的音乐剧阅读小组
IF 0.1
Studies in Musical Theatre Pub Date : 2022-04-01 DOI: 10.1386/smt_00085_1
Donatella Galella, Masi Asare, Jordan Ealey, Saj, H. Kim, Matthew D. Morrison, Fred Moten, Karen Shimakawa, C. Shimizu
{"title":"MT/D, or change: An anti-racist musical theatre reading group","authors":"Donatella Galella, Masi Asare, Jordan Ealey, Saj, H. Kim, Matthew D. Morrison, Fred Moten, Karen Shimakawa, C. Shimizu","doi":"10.1386/smt_00085_1","DOIUrl":"https://doi.org/10.1386/smt_00085_1","url":null,"abstract":"In this roundtable held at the Association for Theatre in Higher Education conference in 2021, the participants discussed the racialized politics of citation in musical theatre studies. Some of the speakers lifted up anti-racist scholarly pieces that have significantly shaped their work: SAJ considered Douglas Jones Jr’s chapter ‘Slavery, performance, and the design of African American theatre’, Jordan Ealey shared lessons from Matthew D. Morrison’s article ‘The sound(s) of subjection: Constructing American popular music and racial identity through Blacksound’, Masi Asare expanded upon Fred Moten’s essay ‘Taste, dissonance, flavor, escape’ to think through sweeping away and stealing away, Donatella Galella applied Karen Shimakawa’s book National Abjection: The Asian American Body Onstage to contemporary yellowface, and Hye Won Kim talked about the influence of Celine Parreñas Shimizu’s book The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene on her own work. Morrison, Moten, Shimakawa and Shimizu reflected on why they wrote those pieces of scholarship and how they understand their research years later. Finally, the co-authors spoke to reasons why scholars situated in musical theatre studies have so rarely cited research in fields like Black and Asian American performance studies and imagined radical possibilities beyond a racist citation framework.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46066010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Jesus, the Ark for Today’: Evangelizing through Sight & Sound Theatres’s Noah “耶稣，今天的方舟”:通过视觉和声音剧院的诺亚传播福音
IF 0.1
Studies in Musical Theatre Pub Date : 2021-12-01 DOI: 10.1386/smt_00075_1
Chelsea Taylor
{"title":"‘Jesus, the Ark for Today’: Evangelizing through Sight & Sound Theatres’s Noah","authors":"Chelsea Taylor","doi":"10.1386/smt_00075_1","DOIUrl":"https://doi.org/10.1386/smt_00075_1","url":null,"abstract":"Sight & Sound Theatres, a Christian theatre company known for their musical adaptations of stories from the Bible, takes up the mission of evangelizing through musical theatre. While the genre of musical theatre can transform harsh religious messaging into an accessible and entertaining\u0000 form, it can also undermine religious messaging by introducing camp and trivializing supernatural deities. This article examines how Sight & Sound Theatres’s Noah keeps with and breaks musical theatre conventions effectively to evangelize to their audiences.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42176497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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