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Studies in Musical Theatre最新文献

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Editorial 编辑
IF 0.1
Studies in Musical Theatre Pub Date : 2023-04-03 DOI: 10.1386/smt_00111_2
Elizabeth Wollman, J. Sternfeld
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引用次数: 0
Aggressively Millennial: A dialogue on & Juliet 积极的千禧一代:《与朱丽叶》的对话
IF 0.1
Studies in Musical Theatre Pub Date : 2023-04-03 DOI: 10.1386/smt_00113_1
Trevor Boffone, Danielle Rosvally
{"title":"Aggressively Millennial: A dialogue on & Juliet","authors":"Trevor Boffone, Danielle Rosvally","doi":"10.1386/smt_00113_1","DOIUrl":"https://doi.org/10.1386/smt_00113_1","url":null,"abstract":"The authors of this dialogue, two Millennial theatre scholars, spill the tea on the West End and Toronto productions of & Juliet on the eve of its transfer to Broadway. This conversation considers the successes and challenges of & Juliet as a contemporary jukebox musical, and includes analyses of the integration of Max Martin’s songbook and David West Read’s libretto. The authors discuss audience reception in London and Toronto while signalling why Millennial audiences might be drawn to the musical. This dialogue questions & Juliet’s role as a critical piece of popular culture, musical theatre history and Shakespearian adaptation, while considering what & Juliet offers to the canon of Shakespearean remixes.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43911254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Doing the Time Warp: Strange Temporalities and Musical Theatre, Sarah Taylor Ellis (2022) 莎拉·泰勒·埃利斯（Sarah Taylor Ellis）（2022）
IF 0.1
Studies in Musical Theatre Pub Date : 2023-04-03 DOI: 10.1386/smt_00117_5
Samuel Yates
{"title":"Doing the Time Warp: Strange Temporalities and Musical Theatre, Sarah Taylor Ellis (2022)","authors":"Samuel Yates","doi":"10.1386/smt_00117_5","DOIUrl":"https://doi.org/10.1386/smt_00117_5","url":null,"abstract":"Review of: Doing the Time Warp: Strange Temporalities and Musical Theatre, Sarah Taylor Ellis (2022)\u0000 London: Methuen Drama, 288 pp.,\u0000 ISBN 978-1-35015-172-7, h/bk, $115.00","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48806424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A conversation with Jeanine Tesori 与Jeanine Tesori的对话
IF 0.1
Studies in Musical Theatre Pub Date : 2023-04-03 DOI: 10.1386/smt_00114_7
Raymond Knapp, Holley Replogle-Wong
{"title":"A conversation with Jeanine Tesori","authors":"Raymond Knapp, Holley Replogle-Wong","doi":"10.1386/smt_00114_7","DOIUrl":"https://doi.org/10.1386/smt_00114_7","url":null,"abstract":"Jeanine Tesori, in conversation with Raymond Knapp and Holley Replogle-Wong of the UCLA Center for Musical Humanities, discusses her journey, creative process and commitment to telling the stories of people underrepresented on the musical stage. The Q&A that followed, with members of a recent student production of Fun Home, engaged her in further discussions about contemporary musical theatre and the specific challenges of bringing Fun Home to life onstage.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44211404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mormons, Musical Theater, and Belonging in America, Jake Johnson (2019)Lying in the Middle: Musical Theater and Belief at the Heart of America, Jake Johnson (2021) 《摩门教徒、音乐剧和在美国的归属》，杰克·约翰逊（2019）《躺在中间：美国心脏的音乐剧和信仰》，杰克·约翰逊（2021）
IF 0.1
Studies in Musical Theatre Pub Date : 2022-12-01 DOI: 10.1386/smt_00110_5
Jim Lovensheimer
{"title":"Mormons, Musical Theater, and Belonging in America, Jake Johnson (2019)\u0000Lying in the Middle: Musical Theater and Belief at the Heart of America, Jake Johnson (2021)","authors":"Jim Lovensheimer","doi":"10.1386/smt_00110_5","DOIUrl":"https://doi.org/10.1386/smt_00110_5","url":null,"abstract":"Review of: Mormons, Musical Theater, and Belonging in America, Jake Johnson (2019)\u0000 Urbana, Chicago and Springfield, IL: University of Illinois Press, 199 pp.,\u0000 ISBN 978-0-25208-433-1, p/bk, $25.00\u0000  \u0000 \u0000 Lying in the Middle: Musical Theater and Belief at the Heart of America, Jake Johnson (2021)\u0000 Urbana, Chicago and Springfield, IL: University of Illinois Press, 159 pp.,\u0000 ISBN 978-0-25208-599-4, p/bk, $24.95","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45741483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 编辑
IF 0.1
Studies in Musical Theatre Pub Date : 2022-12-01 DOI: 10.1386/smt_00100_2
Carolin Stahrenberg, N. Grosch
{"title":"Editorial","authors":"Carolin Stahrenberg, N. Grosch","doi":"10.1386/smt_00100_2","DOIUrl":"https://doi.org/10.1386/smt_00100_2","url":null,"abstract":"The editorial recounts the genesis of this collection of essays, which originated at the conference Song, Stage, and Screen XVI; the conference was held in 2021 in video format rather than in Salzburg and Linz due to the COVID-19 pandemic. We explain a few keywords related to mobility studies and the mobility paradigm.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48763783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Paradoxes of stillness in Caroline, or Change 《卡罗琳或改变》中的静止悖论
IF 0.1
Studies in Musical Theatre Pub Date : 2022-12-01 DOI: 10.1386/smt_00102_1
A. Bottero
{"title":"Paradoxes of stillness in Caroline, or Change","authors":"A. Bottero","doi":"10.1386/smt_00102_1","DOIUrl":"https://doi.org/10.1386/smt_00102_1","url":null,"abstract":"Beginning with its title, Tony Kushner and Jeanine Tesori’s 2004 musical Caroline, or Change encloses a dichotomy between movement and stillness. The word ‘change’ is associated with Caroline, the eponymous protagonist, a Black maid who defiantly resists and refuses even the smallest manifestations of turmoil that arise in Lake Charles, Louisiana. A static play, Caroline, or Change contradicts usual expectations of musical theatre’s capacity to generate the hopeful and soaring movements generally associated with utopia. This article argues, however, that far from fixating the musical within monolithic representations of history and Black women, Caroline, or Change’s stillness seems to offer a redefinition of utopia. Caroline explores moments of stasis as tipping points, in between mobility and immobility, that particularly highlight female performances’ capacity to transform the very genre of the musical.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49531366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le seul, le vrai, le paradis: Cultural mobility and French musical films (1930–50) 唯一的，真实的，天堂:文化流动和法国音乐电影(1930 - 50)
IF 0.1
Studies in Musical Theatre Pub Date : 2022-12-01 DOI: 10.1386/smt_00105_1
Franziska Kollinger
{"title":"Le seul, le vrai, le paradis: Cultural mobility and French musical films (1930–50)","authors":"Franziska Kollinger","doi":"10.1386/smt_00105_1","DOIUrl":"https://doi.org/10.1386/smt_00105_1","url":null,"abstract":"Maurice Chevalier, Juliette Gréco, Yves Montand, Édith Piaf, Charles Trenet – all these names refer to the close connection between French chanson and French cinema of the first half of the twentieth century. This article examines two dimensions of cultural mobility that align through a differentiated understanding of the artistic liaison between the popular music genre of French chanson and French musical films during the first decades of cinematic sound. First, the significant role and excessive use of the chanson will be examined along the parameters of cultural integration, distribution and transfer, all of which are inseparably linked to questions of cultural and social identity in the French musical of the 1930s and 1940s. Second, the formation, establishment and impact of the singer–actor as a professional field within the cinematic sphere will be discussed from the perspectives of mobility and migration. The methodologically areal term ‘space’ will be enhanced by notions of social and cultural mobility recently brought forth by the cultural disciplines. This article helps to decipher aspects of cultural mobility in French musical films and sheds light on the potential for the cinema in increasing music’s mobility.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46797334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘There was no one in the audience’: The first Soviet musical on a Czechoslovak stage “观众中没有人”：捷克斯洛伐克舞台上的第一部苏联音乐剧
IF 0.1
Studies in Musical Theatre Pub Date : 2022-12-01 DOI: 10.1386/smt_00104_1
Vojtěch Frank
{"title":"‘There was no one in the audience’: The first Soviet musical on a Czechoslovak stage","authors":"Vojtěch Frank","doi":"10.1386/smt_00104_1","DOIUrl":"https://doi.org/10.1386/smt_00104_1","url":null,"abstract":"After the 1968 Soviet invasion, the people of Czechoslovakia could not avoid the presence of Soviet culture, which was a symbolic manifestation of subordination to the Soviet hegemony. When researching the theatre culture of this era, one comes across a very specific tension between the state’s cultural politics, the principles of theatres’ repertoire-making and audience perceptions. As new Soviet musicals began to appear on Czechoslovak stages in the early 1970s, serving as obligatory Soviet titles, audiences were not very approving, even as the official discourse created a completely different image. The case study of the 1971 Prague production of the Soviet musical Nobody Is Happier Than Me by Andrei Eshpai shows the impact of cultural politics on the theatre industry, how the discourse balanced the unpopularity of the show and its political importance and how the production was perceived by various agents involved in it. Research on this previously untouched area can shed light on the cultural mechanisms of late communism in Czechoslovakia, the nature of popular culture in communist states and the relationship between the Soviet Union and its satellites.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43330756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music Theatre Now Conference, MTNOW Network, Chaired by Guy Coolen, O. Festival for Opera, Music, Theatre (2022) 音乐戏剧现在会议，MTNOW网络，由盖伊·库伦主持，O.歌剧、音乐、戏剧节(2022)
IF 0.1
Studies in Musical Theatre Pub Date : 2022-12-01 DOI: 10.1386/smt_00108_5
Caroline Wilkins
{"title":"Music Theatre Now Conference, MTNOW Network, Chaired by Guy Coolen, O. Festival for Opera, Music, Theatre (2022)","authors":"Caroline Wilkins","doi":"10.1386/smt_00108_5","DOIUrl":"https://doi.org/10.1386/smt_00108_5","url":null,"abstract":"","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41428029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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