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Louis XIII, Richard I, and the Duchess of Devonshire: Nineteenth-Century Jews in Fancy Dress Costume 路易十三、理查一世和德文郡公爵夫人:19世纪穿着奇装异服的犹太人
IF 0.4
Images Pub Date : 2020-12-22 DOI: 10.1163/18718000-12340136
M. Klein
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引用次数: 2
¿Dónde están los Judíos en la “Vida Americana?”: Art, Politics, and Identity on Exhibit 犹太人在“美国生活”中的地位是什么?= =地理= =根据美国人口普查,这个县的总面积为,其中土地和(0.964平方公里)水。
IF 0.4
Images Pub Date : 2020-12-02 DOI: 10.1163/18718000-12340138
J. Shandler
{"title":"¿Dónde están los Judíos en la “Vida Americana?”: Art, Politics, and Identity on Exhibit","authors":"J. Shandler","doi":"10.1163/18718000-12340138","DOIUrl":"https://doi.org/10.1163/18718000-12340138","url":null,"abstract":"\u0000\u0000Vida Americana: Mexican Muralists Remake American Art, 1925–1945, an exhibition that opened at the Whitney Museum of American Art in February, 2020, proposed to remake art history by demonstrating the profound impact Mexican painters had on their counterparts in the United States, inspiring American artists “to use their art to protest economic, social, and racial injustices.” An unexamined part of this chapter of art history concerns the role of radical Jews, who constitute almost one half of the American artists whose work appears in the exhibition. Rooted in a distinct experience, as either immigrants or their American-born children, these Jewish artists had been making politically charged artworks well before the Mexican muralists’ arrival in the United States. Considering the role of left-wing Jews in this period of art-making would complicate the curatorial thesis of Vida Americana. Moreover, the exhibition’s lack of attention to Jews in creating and promoting this body of work raises questions about how the present cultural politics of race may have informed the analysis of this chapter of art history.","PeriodicalId":41613,"journal":{"name":"Images","volume":"1 1","pages":"1-13"},"PeriodicalIF":0.4,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48828862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Synagogues in Hungary 1782–1918 Genealogy, Typology and Architectural Significance, written by Rudolf Klein 《1782-1918年匈牙利犹太教堂的谱系、类型学和建筑意义》,鲁道夫·克莱因著
IF 0.4
Images Pub Date : 2020-11-26 DOI: 10.1163/18718000-12340120
S. Gruber
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引用次数: 0
Masterpieces and Curiosities: The Benguiat Collection, The Jewish Museum 杰作和奇珍异宝:本盖特收藏,犹太博物馆
IF 0.4
Images Pub Date : 2020-11-26 DOI: 10.1163/18718000-12340140
Y. Schwartz
{"title":"Masterpieces and Curiosities: The Benguiat Collection, The Jewish Museum","authors":"Y. Schwartz","doi":"10.1163/18718000-12340140","DOIUrl":"https://doi.org/10.1163/18718000-12340140","url":null,"abstract":"","PeriodicalId":41613,"journal":{"name":"Images","volume":"1 1","pages":"1-5"},"PeriodicalIF":0.4,"publicationDate":"2020-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45182231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Colmar Treasure: A Medieval Jewish Legacy, Metropolitan Museum of Art, New York 科尔马宝藏:中世纪犹太遗产,纽约大都会艺术博物馆
IF 0.4
Images Pub Date : 2020-11-26 DOI: 10.1163/18718000-12340137
Shulamit Laderman
{"title":"The Colmar Treasure: A Medieval Jewish Legacy, Metropolitan Museum of Art, New York","authors":"Shulamit Laderman","doi":"10.1163/18718000-12340137","DOIUrl":"https://doi.org/10.1163/18718000-12340137","url":null,"abstract":"","PeriodicalId":41613,"journal":{"name":"Images","volume":"1 1","pages":"1-8"},"PeriodicalIF":0.4,"publicationDate":"2020-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46326887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Leviathan: The Metamorphosis of a Medieval Image 利维坦:中世纪形象的变形
IF 0.4
Images Pub Date : 2020-11-26 DOI: 10.1163/18718000-12340134
Boris Khaimovich
{"title":"Leviathan: The Metamorphosis of a Medieval Image","authors":"Boris Khaimovich","doi":"10.1163/18718000-12340134","DOIUrl":"https://doi.org/10.1163/18718000-12340134","url":null,"abstract":"The image of Leviathan held a special fascination for artists who decorated wooden synagogues and illustrated manuscripts from the eighteenth century through the first half of the twentieth century in Eastern Europe. They usually depicted this biblical and Talmudic creature as a giant fish coiled round in a circle. A leviathan of the same shape appears at first in Jewish manuscripts produced in Germany and regions under the cultural influence of German Jews in the thirteenth century. The appearance of this image was inspired, probably, by piyutim (liturgical songs) written in this time in the same region. The Jewish commentary tradition of the sixteenth and seventeenth centuries demonstrates a renewed surge of interest in this particular creature. It can be assumed that the special interest in Leviathan, both in the verbal and in the visual tradition, was correlated with the expectation of messianic times. The Leviathan represents the only image in the vault paintings of wooden synagogues that possesses a direct connection to traditional texts and manifests continuity with the Middle Ages visual traditions. In light of this, investigation into the Leviathan image in synagogue paintings is of special significance. The use of this image by Jewish artists may also shed indirect light on the meaning of other depictions that are compositionally related, and thus furnish a partial answer to the intriguing questions of the character and significance of those paintings. The present article is devoted to precisely these aspects of the Leviathan image; i.e., the genesis of its form and its semantics in synagogue paintings.","PeriodicalId":41613,"journal":{"name":"Images","volume":"1 1","pages":"1-20"},"PeriodicalIF":0.4,"publicationDate":"2020-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44221066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Diagramming Sabbateanism
IF 0.4
Images Pub Date : 2020-11-25 DOI: 10.1163/18718000-12340124
J. H. Chajes
{"title":"Diagramming Sabbateanism","authors":"J. H. Chajes","doi":"10.1163/18718000-12340124","DOIUrl":"https://doi.org/10.1163/18718000-12340124","url":null,"abstract":"\u0000\u0000Scholars have only recently started to study ilanot (lit., “trees”), the cosmographic genre constituted by the wedding of kabbalistic diagrams—the trees of the metonymic name—and large parchment sheets. Differences of kabbalistic opinion naturally found expression in these “maps of God.” The Sabbatean messianic movement of the 1660s and its prolonged and impactful afterlife produced, among other things, a number of distinctive kabbalistic opinions. For the most part, these innovations were tightly integrated with the speculations associated with “Lurianic” Kabbalah based on the teachings of R. Isaac Luria (1534–1572). The great Lurianic ilanot were designed and circulated in the second third of the seventeenth century, not long before the emergence of Sabbateanism, but their golden age was “the long eighteenth century”—a British coinage for roughly 1660–1830—and thus coincided with the profound and pervasive absorption of Sabbatean elements in precisely those sectors that produced and consumed these artifacts, including nascent Hasidism. The deceptively simple question at the heart of this article is this: What would it mean to diagram Sabbateanism? Or to put it another way, what would constitute a Sabbatean ilan? How might distinctive Sabbatean ideas have found diagrammatic expression in this genre? Once identified as such, what do Sabbatean ilanot tell us about the meanings of Sabbateanism in the contexts within which they were produced?","PeriodicalId":41613,"journal":{"name":"Images","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2020-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44147346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Out of the Blue, the Bible Lands Museum Jerusalem, Jerusalem, Israel. Out of the Blue,圣经之地博物馆,耶路撒冷,以色列。
IF 0.4
Images Pub Date : 2020-11-19 DOI: 10.1163/18718000-12340133
Gadi Sagiv
{"title":"Out of the Blue, the Bible Lands Museum Jerusalem, Jerusalem, Israel.","authors":"Gadi Sagiv","doi":"10.1163/18718000-12340133","DOIUrl":"https://doi.org/10.1163/18718000-12340133","url":null,"abstract":"","PeriodicalId":41613,"journal":{"name":"Images","volume":" ","pages":"1-7"},"PeriodicalIF":0.4,"publicationDate":"2020-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45176065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Artist’s Destiny in Jewish Collective Memory: From Traditional Society to the Avant-Garde and Modernism 犹太人集体记忆中的艺术家命运:从传统社会到先锋园林与现代主义
IF 0.4
Images Pub Date : 2020-11-18 DOI: 10.1163/18718000-12340132
Sergey Kravtsov
{"title":"The Artist’s Destiny in Jewish Collective Memory: From Traditional Society to the Avant-Garde and Modernism","authors":"Sergey Kravtsov","doi":"10.1163/18718000-12340132","DOIUrl":"https://doi.org/10.1163/18718000-12340132","url":null,"abstract":"\u0000The destiny of an architect, painter, or carver working on the construction and decoration of an Eastern-European synagogue is a popular subject in Jewish folklore and literature. These stories are related to the international tale “The Giant as a Master Builder” (classified as АТ 1099), which Jewish storytellers adapted to their audiences. This paper discusses narratives circulated in traditional societies of Central-Eastern Europe, traces formal and meaningful changes that surface in Jewish records of these legends in the early twentieth century, and shows the further transformation of the subject in national-romanticist, avant-garde, and modernist artistic discourses of the twentieth century. The adaptation of this international theme within Jewish folklore helps us to interpret Jewish collective memory regarding the artist and his work on a sacralized object.","PeriodicalId":41613,"journal":{"name":"Images","volume":" ","pages":"1-17"},"PeriodicalIF":0.4,"publicationDate":"2020-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46203714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Menorah: Evolving into the Most Important Jewish Symbol, written by Rachel Hachlili 《烛台:演变成最重要的犹太人象征》,作者:Rachel Hachlili
IF 0.4
Images Pub Date : 2020-11-18 DOI: 10.1163/18718000-12340135
S. Fine
{"title":"The Menorah: Evolving into the Most Important Jewish Symbol, written by Rachel Hachlili","authors":"S. Fine","doi":"10.1163/18718000-12340135","DOIUrl":"https://doi.org/10.1163/18718000-12340135","url":null,"abstract":"","PeriodicalId":41613,"journal":{"name":"Images","volume":"1 1","pages":"1-2"},"PeriodicalIF":0.4,"publicationDate":"2020-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43977678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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