{"title":"Louis XIII, Richard I, and the Duchess of Devonshire: Nineteenth-Century Jews in Fancy Dress Costume","authors":"M. Klein","doi":"10.1163/18718000-12340136","DOIUrl":null,"url":null,"abstract":"\nIn the nineteenth century, fancy dress activities and their material record formed part of the mise-en-scène of the Jewish elite’s self-fashioning. Family photographs and press reports of Jews in costume cast new light on the visualization of wealthy Jews. These Jews actively participated in the fancy dress culture of the elites, a popular form of cultural expression that was deemed a powerful way to convey social messages. In the British Empire, Europe, and North America, affluent Jews negotiated their feelings of solidarity and difference among non-Jews. They explored and articulated their self-image and group identity by appropriating others’ history and culture in public and private dressing-up amusements. Fancy dress, this article argues, enabled Jews to question who they wanted to be and communicate their desires to their Jewish and non-Jewish peers.","PeriodicalId":41613,"journal":{"name":"Images","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Images","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18718000-12340136","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 2
Abstract
In the nineteenth century, fancy dress activities and their material record formed part of the mise-en-scène of the Jewish elite’s self-fashioning. Family photographs and press reports of Jews in costume cast new light on the visualization of wealthy Jews. These Jews actively participated in the fancy dress culture of the elites, a popular form of cultural expression that was deemed a powerful way to convey social messages. In the British Empire, Europe, and North America, affluent Jews negotiated their feelings of solidarity and difference among non-Jews. They explored and articulated their self-image and group identity by appropriating others’ history and culture in public and private dressing-up amusements. Fancy dress, this article argues, enabled Jews to question who they wanted to be and communicate their desires to their Jewish and non-Jewish peers.
期刊介绍:
The study of Jewish art and visual culture, which has been cultivated for over a century in European, American and Israeli institutions, has burgeoned in the last fifteen years. Major universities have established graduate programs that integrate Jewish art and visual studies and Jewish museums dot the landscape in Israel, Europe and North America. Contemporary scholarship on Jewish art and visual culture intersects with concerns of the wider academy; a lively interchange among scholars has ensued. The field has now achieved the breadth and maturity to sustain an international journal that represents the interests of this interdisciplinary community of scholars.