Louis XIII, Richard I, and the Duchess of Devonshire: Nineteenth-Century Jews in Fancy Dress Costume

Pub Date : 2020-12-22 DOI:10.1163/18718000-12340136
M. Klein
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引用次数: 2

Abstract

In the nineteenth century, fancy dress activities and their material record formed part of the mise-en-scène of the Jewish elite’s self-fashioning. Family photographs and press reports of Jews in costume cast new light on the visualization of wealthy Jews. These Jews actively participated in the fancy dress culture of the elites, a popular form of cultural expression that was deemed a powerful way to convey social messages. In the British Empire, Europe, and North America, affluent Jews negotiated their feelings of solidarity and difference among non-Jews. They explored and articulated their self-image and group identity by appropriating others’ history and culture in public and private dressing-up amusements. Fancy dress, this article argues, enabled Jews to question who they wanted to be and communicate their desires to their Jewish and non-Jewish peers.
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路易十三、理查一世和德文郡公爵夫人:19世纪穿着奇装异服的犹太人
在19世纪,奇装异服活动及其材料记录构成了犹太精英自我塑造的一部分场景。穿着服装的犹太人的家庭照片和新闻报道让人们对富有的犹太人的形象有了新的认识。这些犹太人积极参与精英阶层的化装文化,这是一种流行的文化表达形式,被认为是传达社会信息的有力方式。在大英帝国、欧洲和北美,富裕的犹太人与非犹太人协商他们的团结感和差异感。他们通过在公共和私人的化妆娱乐中挪用他人的历史和文化来探索和表达自己的自我形象和群体身份。这篇文章认为,奇装异服使犹太人能够质疑他们想成为什么样的人,并向他们的犹太人和非犹太人同龄人传达他们的愿望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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