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Filmmaking as Cultural Aggression 作为文化侵略的电影制作
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.2
Yuri Shevchuk
{"title":"Filmmaking as Cultural Aggression","authors":"Yuri Shevchuk","doi":"10.14746/i.2023.34.43.2","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.2","url":null,"abstract":"
 
 
 The article discusses cinematic depopulation, the strategy of appropriation of the colonized by the colonizer widely used in the Soviet and post-Soviet cinema made in Ukraine and Russia and, until now, never analyzed in academic literature. The cinematic depopulation is a mode of filmic representation whereby a given ethnoscape (Ukraine) is cleansed of its national community (Ukrainians) and instead is populated by the colonizer (Russians) as if it were an integral part of his historical territory. As a form of cultural imperialism, this strategy has, until quite recently, been widely used in both Soviet and post-Soviet Russian and Ukrainian filmmaking to promote the idea of Ukraine conceivable outside of and without the Ukrainian language, culture, and other attributes of Ukrainian identity.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":"56 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135569261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Oleksandr Dovzhenko and the Soviet Secret Police Oleksandr Dovzhenko和苏联秘密警察
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.11
Roman Rosliak
{"title":"Oleksandr Dovzhenko and the Soviet Secret Police","authors":"Roman Rosliak","doi":"10.14746/i.2023.34.43.11","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.11","url":null,"abstract":"
 
 
 The article reviews the specifics of the surveillance process of the Ukrainian film director Oleksandr Dovzhenko organized by the Soviet secret police. The main focus is on agents’ reports about the director’s work on the films Earth, Ivan, Shchors, and the screenplay for Ukraine in Flames. The article reveals that Dovzhenko was under permanent secret police surveillance, starting from the end of the 1920s until the end of his life in 1956. This surveillance was well organized; it was large-scale and complex in its nature and covered not only his professional but his private life as well. The purpose of the surveillance was to collect and analyze compromising, i.e., anti-Soviet information against the film director and, if necessary, to open a criminal case against him, and make an arrest.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rozmowa z Krzysztofem Zanussim 采访克日什托夫-扎努西
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.16
Liubov Krupnyk
{"title":"Rozmowa z Krzysztofem Zanussim","authors":"Liubov Krupnyk","doi":"10.14746/i.2023.34.43.16","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.16","url":null,"abstract":"
 
 
 An interview with the Polish film director Krzysztof Zanussi was conducted on 12 July 2022 at his home on the outskirts of Warsaw. The filmmaker has collaborated with Ukrainian artists, traveled extensively in Ukraine, supported Ukrainians during the war and even sheltered Ukrainian refugees in his home. The conversation focused on his collaborations with Ukrainian artists, in particular the prominent Ukrainian actor Bohdan Stupka (1941–2012). He played the lead role in Krzysztof Zanussi’s film And a Warm Heart (2008), for which he received the Best Actor award at the Third Rome International Film Festival for the first time in the history of Ukrainian cinema. The conversation also touched on the director’s personal ties with Ukraine, his views on the problems of the development of Ukrainian culture, his memories of creative contacts, including those during the Soviet period, and his experience of working with Russian artists. The filmmaker shared his thoughts on the war in Ukraine and its possible consequences, including those for the development of art.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Oleksandr Dovzhenko, Ivan Kavaleridze, Leonid Skrypnyk: The avant-garde and philosophical explorations of Ukrainian filmmakers of the 1920s Oleksandr Dovzhenko, Ivan Kavaleridze, Leonid Skrypnyk: 20世纪20年代乌克兰电影人的先锋派和哲学探索
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.12
Larysa Naumova
{"title":"Oleksandr Dovzhenko, Ivan Kavaleridze, Leonid Skrypnyk: The avant-garde and philosophical explorations of Ukrainian filmmakers of the 1920s","authors":"Larysa Naumova","doi":"10.14746/i.2023.34.43.12","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.12","url":null,"abstract":"
 
 
 The filmmakers Oleksandr Dovzhenko and Ivan Kavaleridze created bold avant-garde works at the time when Ukrainian cinema was being established, at the end of the 1920s and early 1930s. In effect, the works of these two directors shaped the defining features of Ukrainian cinema. This article discusses the creative methods used by Dovzhenko in his three films Zvenyhora (1927), Arsenal (1929) and Earth (1930), which clearly depict Ukrainian worldviews and mentality. Kavaleridze’s approach is considered in the light of two of his films, Downpour (1929) and Perekop (1930). Already a recognized sculptor at the time, Kavaleridze sought unique forms of expression in film. The approaches these directors took towards framing scenes, montage, lighting and rhythm underpinned the theoretical propositions of their contemporary, Ukrainian film theorist Leonid Skrypnyk. The author suggests that this testifies to a deliberate and comprehensive search for new means of expression in all phases of filmmaking.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Filmowość Marii Antoniego Malczewskiego 安东尼-马尔切夫斯基《玛丽亚》的电影性质
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.18
Wojciech Sławnikowski
{"title":"Filmowość Marii Antoniego Malczewskiego","authors":"Wojciech Sławnikowski","doi":"10.14746/i.2023.34.43.18","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.18","url":null,"abstract":"
 
 
 The aim of this article is to analyse the poetics of Antoni Malczewski’s Maria in terms of its cinematic qualities. The author uses various film theories, including those formulated by Siegfried Kracauer, Béla Balázs and Jean Mitry, in order to approximate the meaning of a text being cinematic and to find tools for the analysis of a literary text through this lens. Six features are distinguished: (1) fragmentariness of the plot structure, (2) editing within scenes, (3) a focus on movement, (4) transcending the limitations of human perception, (5) quasi-reproduction of reality and (6) giving images meaning as parts of a larger composition. These can be found in different passages from Maria, the analysis of which leads the author to conclude that the key to the cinematic qualities in Malczewski’s novel is the quasi-impersonal reproduction of reality achieved thanks to the withdrawn narrative perspective, the descriptions of empirical reality and the behavioural characteristics of the characters. In the summary, the cinematic qualities of Maria are put within a context of the history of literature and linked to the break with classicistic poetics and the move towards Romanticism.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":"2200 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Discourse and the Macabre. Creating an Image of the Past in the Film Hatred by Wojciech Smarzowski 话语与死亡。在沃伊切赫·斯马佐夫斯基的电影《仇恨》中创造过去的形象
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.14
Krzysztof Kornacki
{"title":"Discourse and the Macabre. Creating an Image of the Past in the Film Hatred by Wojciech Smarzowski","authors":"Krzysztof Kornacki","doi":"10.14746/i.2023.34.43.14","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.14","url":null,"abstract":"
 
 
 The film Hatred (Wołyń) is a hybrid of a classic historical drama (with elements of discourse) and a modernist anti-war film. Smarzowski created a scenario that complicates the history of Volhynia, and renders it open to ambiguous assessments of Poles, Ukrainians, Jews and Germans. The film was supposed to be conciliatory. But this desire to distance itself from factual and ethical simplifications was doomed to lose in confrontation with the emotional force of the final sequence of the cruel crime. The author of the article does not oppose the macabre. From the Polish perspective, it was rather unavoidable in the first film on this subject, because it was not about the information about the crime itself but rather its emotional experience (probably cathartic for some viewers). The author only points to the fact that thinking in terms of reconciliation in the making of the film, which in the first part approaches a distanced discourse (for the full expression of the “voice of history”), and in the final parts is an immersive anti-war film, could not be successful.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135569262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Okno McLuhana. McLuhan w teorii i praktyce. Jutro widziane dzisiaj 麦克卢汉之窗麦克卢汉的理论与实践今天看到的明天
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.19
Marek Hendrykowski
{"title":"Okno McLuhana. McLuhan w teorii i praktyce. Jutro widziane dzisiaj","authors":"Marek Hendrykowski","doi":"10.14746/i.2023.34.43.19","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.19","url":null,"abstract":"
 
 
 Marshall McLuhan was one of the most significant and influential, not to mention popular, mass media researchers and commentators. The article offers a detailed introduction to the essential methodology of his works. By taking a fresh approach, this study explores and explains the basic structure of McLuhan’s method for describing, analysing and interpreting various themes and phenomena connected with media communication, emphasizing the key relationship between theory and practice as a way leading toward “understanding media”.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Professional situation of the Ukrainian actors during the Russian aggression against Ukraine 在俄罗斯侵略乌克兰期间，乌克兰演员的职业状况
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.8
Anna Huth
{"title":"Professional situation of the Ukrainian actors during the Russian aggression against Ukraine","authors":"Anna Huth","doi":"10.14746/i.2023.34.43.8","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.8","url":null,"abstract":"
 
 
 The paper presents the professional situation of Ukrainian actors after the outbreak of war in February 2022. The data presented here concern the different needs and possibilities of supporting Ukrainian actors living abroad and those displaced within Ukraine. The article presents possible differences in the situation of actors in Ukraine and abroad and how much chance Ukrainian actors currently have to follow up on their acting career.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":"232 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ukrainian cinematography in the context of intercultural cooperation 跨文化合作背景下的乌克兰电影摄影
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.6
Halyna Pohrebniak
{"title":"Ukrainian cinematography in the context of intercultural cooperation","authors":"Halyna Pohrebniak","doi":"10.14746/i.2023.34.43.6","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.6","url":null,"abstract":"
 
 
 The article describes the production and distribution of Ukrainian films and establishes scientific guidelines that will contribute to a comprehensive analysis of Ukrainian cinema in the intercultural space. An analytical method was used to develop this topic, which is necessary for studying the art history and cultural aspect of the problem. In addition, the author used the methods of systematization and generalization to argue for the originality of Ukrainian cinematography and its place in modern culture-creating processes. The scientific novelty of the study is that it describes the work of film directors whose films were created as international projects.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinematic Culture During the War in Ukraine: Surviving the Year of Brutalities 乌克兰战争时期的电影文化:在残酷的一年里幸存下来
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.7
Bohdan Shumylovych
{"title":"Cinematic Culture During the War in Ukraine: Surviving the Year of Brutalities","authors":"Bohdan Shumylovych","doi":"10.14746/i.2023.34.43.7","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.7","url":null,"abstract":"Russia’s war against Ukraine has brought a humanitarian catastrophe to Europe and disrupted previously established cultural practices and rituals. One such practice has been the making and watching of films, constituting a further blow to the Ukrainian film industry, which has already experienced modifications caused by the VoD (video-on-demand) business mode and the coronavirus crisis. This study intends to highlight how the culture of cinema changed in the cities of Ukraine in 2022 that suffered and are still suffering from shelling and fighting. Its findings are based on ethnographic observations, oral history, and secondary research of public data.","PeriodicalId":41613,"journal":{"name":"Images","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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